It is the third year of the war and Sarajevo people are tired and nervous. A ceasefire has been announced. In a building with six apartments, a young couple is waiting for a renovation. The whole neighborhood is excitedly waiting for the birth of a new baby. Roma play and sing under windows.
Alena is preparing for an important journey. Her family and co-workers do not want her to leave.
Three friends are hanging out on the roof in Sarajevo. Their hangout is interrupted by the Yugoslavian time traveler who explains them that they are in danger and need to use the time machine to go back to Yugoslavia and warn people that the future generations messed up. They travel back in time to find themselves not in Yugoslavia, but in Iran. Clash of the cultures is evident, and they are forced to hide their identity. But the more they discover the city, the more they realize it is scarily similar to their own.
The documentary "Raza the Great" seeks to leave a legacy of testimony about one of the world's top basketball players, winner of several medals from continental, international, and Olympic championships, and accolades culminating in her entrance into the FIBA Hall of Fame. Her impact on basketball and sports in general, especially women's sports, is immeasurable. It is about Razija Mujanović, who played in various clubs over her lengthy career, winning several trophies and accomplishing impacts, most of which she was primarily responsible for. The same is true for two national teams (former Yugoslavia and Bosnia and Herzegovina), which demonstrated basketball, athletics, and human values. Her development and growth, during which she transformed her height (from a disadvantage that started as a complex) into capital and benefit, are unique and noteworthy.
Velid, a worker at an explosives factory in the vicinity of Goražde, is fired along with several of his colleagues. While other workers are protesting and starting a strike against the factory Velid falls into depression and goes wandering alone around the city and the banks of the Drina river. Two young and aspiring film directors who are visiting Bosnia bump into him and decide to engage him in their film. This develops in a painful way.
Partly paralysed by polio, Vlado is stuck in his flat and unable to take care of himself. His younger wife, Alma, helps Vlado with love and tenderness in all his daily life activities, never giving up hope that he will get better. But Vlado feels weak and humiliated, losing the motivation to exercise or take medicine. In spite of the love and intimacy between the couple, Vlado’s self-loathing causes him to reject Alma. Haunted by visions of a half-man/half-horse, Alma considers alternative ways to solve their situation. The Centaur appears in a dream and gets closer and closer to their reality, pushing events towards an extreme conclusion. Vlado decides to end his misery, to bury the dead part of his body and wait for a miracle. Alma’s love is challenged but she executes the simple ceremony with dedication. By dawn, the magic happens.
A metaphysical odyssey of the Individua members as they grapple with mysterious masked figures and the imminent waiting for them at the end of the snowy forest.
A filmmaking process helps one filmmaker son deal with his emotionally closed father.
Friendship and love at a time of life when impulses and changes are irresistible.
A group of spunky seniors launch an armed rebellion against the employees of their retirement home, where they’ve been subjected to years of abuse and humiliation. Abandoned by their loved ones and left with nothing to lose, they stage an insurrection that grabs headlines, shocks the country — and proves that it’s never too late to find something worth fighting for.
Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by God Almighty. They have enough gallows humor and courage to believe in freedom and happiness.
In a sweaty, overcrowded tram in Sarajevo, a shy teenager is beset by every imaginable impediment as he tries to capture the attention of his object of desire. Yet the overheated hero of this wild farce will not be easily defeated.
After her mother's death, a former drug addict Merima is forced to move in with her grandparents to the nearby village. Her city girl attitude and spoiled personality clash with their rural lifestyle. Everything goes wrong when Merima's father Fazil gets out of prison.
A girl – while taking a walk through the centre – discovers something very strange about the people of Sarajevo. They seem like lifeless ’zombies’, they only come alive for a few seconds to perform a little scene written down for them. She takes it as a joke first and fools around until she comes across someone with a paper: „Kill her!” written on it.
An alcoholic Bosnian poet sends his wife and daughter away from Sarajevo so they can avoid the troubles there. However, he is soon descended upon by a pair of orphaned brothers. The brothers have escaped a massacre in their own village and have come to the Bosnian capital in search of a long lost Aunt. The poet befriends the boys and together they try to survive the horror of the siege of Sarajevo.
It is the International Women's Day. Today, a Police Inspector Danijel will finally show his affection to his colleague Stella. Today, a victim of domestic violence Milica will finally report her abuser. However, the inevitable encounter between the two of them will ruin their plans - while trying to resolve Milica's life drama, Daniel's own life drama takes place without him taking part. What can bring down the walls of these two lonely worlds? How much can we put up with, just to feel loved?
True shocking stories about war rapes and other acts of sexual violence during the war in Bosnia and Herzegovina in 1992.
Sarajevo in 1992. Vedran, a once famous musician, tries to shelter his family from the madness of war. He hides them in his old house and goes out of his way to give them a normal day to day life. For a while he manages to keep the war at a distance, but when his daughter gets pregnant Vedran wants to give her a proper wedding in the old town hall
Stigme deals with the universal subject of ideological stigmatization. The film is set in western Herzegovina, in the turbulent period after the Second World War. It talks about the devastation in a traditional environment left by ideological confrontations, which culminates during a tobacco journey. The main character of the film is Dragan, the son of an ex-Yugoslav security-intelligence organization officer Mile (who ends up in prison). Dragan is forced to go on a tobacco journey with a group of tobacco smugglers, believing that none of the smugglers know his true identity.
A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.
