مشهور له Tanzania, United Republic of

When fish begin to vanish, community members are quick to blame Dani, the elderly woman rumoured to be a witch. Daisy, a fisherman’s daughter, must decide whether to stand by her friend or heed the warnings of those around her.

Since 2008, albinos in Tanzania have become human targets. Witch doctors offer huge sums of cash for their body parts to be used in magic potions. From 2008 to 2010, more than 200 witch-doctor inspired murders occurred. As a local saying goes: “Albinos do not die, they just disappear.” This is the story of Alias, an albino boy on the run. After his father’s murder, his mother sends him to the city. His uncle Kosmos, a truck driver, takes care of him. Alias learns fast in the city, selling sunglasses, DVDs and cellphones, it will not take long before the boy experiences at first hand the difficulties of life and of being different.

After the passing of her estranged father, Fatima makes an unlikely friend at a hospital, Maria. Bound by pain, Fatima keeps coming back to hear Maria's tale of the T-junction where she found love and loss in a ragtag community.

Juma is a poor fisherman who loves telling tales. Amina is the girl who loves to hear his stories. They long to be together, but Amina's father, Ali, wants a better life for her. Ali thinks that he has found this in Yustus, a rich but self-serving young suitor.Juma must put everything on the line to save their love, but he must sacrifice more than he bargained for in order to succeed.

When Kev, a super talented footballer's dream come crushing down, he is left with no choice but to join the criminal world. In the process of trying to win the battle, he loses the war.

A black and a white woman meets in Dar es Salam because of their men, and starts a friendship, despite their different background.

Thirteen-year-old Grace lives with her parents and eight siblings in rural Kenya. Rain means everything to this family because it makes the crops grow and provides food.

In the heart of the Democratic Republic of Congo, Furaha and Venantie, forge an unbreakable bond after experiencing unimaginable trauma. Together, they ignite a movement of empowerment that transcends their pain and inspires an entire community to reclaim their future.

Abel returns home after graduating and working in the US for 10 years and joins the Tanzanian corporate world where his ethics and morals are tested, and forced to make choices about the person he wants to become.

Temple Road is a journey into the heart of womanhood, taking its name from the road that leads to the temple in the director’s hometown of Nyeri, Kenya. Inspired by childhood experiences, including women-only ceremonies and family Polaroid photos taken between the 1950s and 1970s, the film recreates a woman’s spiritual and ritual preparation. Weaving a dreamlike narrative, it blends the rituals of Kenya’s Indian heritage with the diversity of Kenyan cultures, reflected in a multicultural cast and intertwined ceremonies. Celebrating the sanctity of community, it creates a sacred space where women express themselves freely through rituals, song, and dance. Temple Road is both a tribute to the past and a call to recognize women as bearers of culture and tradition amidst increasing violence against them in Kenya.

Karisa’s city-life is interrupted when his Grandma back home is called a witch and receives a death threat. Returning to his rural village to investigate, he finds a frenzied mixture of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their ancestral land.

As word spreads that there is a serial killer at large who continues to commit murder, an off-duty police officer must return an elderly witness who lives in a remote part of Uganda back to town. Along the way, the policeman gives a ride to an injured man. On the way to the city, the passenger tells the policeman the events that led him to end up injured in the middle of the road. But as we travel with these mysterious characters in the car, director Loukman Ali shows us that the stories they tell are only fragmentary and partial versions of the events that took place, and that perhaps there are truths buried beneath each of their words.

Wanjugu Kimathi is the daughter of Dedan Kimathi, legendary leader of the Kenyan Land and Freedom Army, or Mau Mau. This resistance group fought the British colonial regime from 1952 to 1960 to stop it from confiscating land, a conflict known as the Mau Mau Rebellion. In 1957, the British authorities hanged Dedan for possession of firearms, and then dumped his body at an unknown location.

Eleven-year-old Aisha wants to fish for a living, but her mother thinks that fishing should be left to men. Aisha’s life transforms when fisherman Hassan decides to teach her how to fish.

A local company owned by a shrewd millionaire, Thabiti, offers young people the opportunity to find work abroad. Mvera, a self-centred woman who is on a mission to search for her lost mother, and also one of the applicants, soon discovers they are all trapped in an organ trafficking ring. She is forced on a hero’s journey as she tries to make it back home to warn the villagers about Thabiti.

In this drama that morphs into documentary, the lives of 3 men in Mombasa intertwine as one of them falls victim to radicalization.

A blind man and a deaf woman fall in love with each other, but their disabilities cause major communication problems.

In fabricating a fictional institute and its archive, the artists explore and imagine vernacular technological practices operating across the African continent.

Suffering from a serious illness, Mariamu and those around her find themselves in conflict with their traditional values.

A young woman battles depression as her husband avoids both his and her issues.