In the distant future, a lone scientist makes a breakthrough discovery, called EONII, that may save the Nation and the Continent. Forces in the shadows begin to surface. Lies, Betrayal, Politics, and War, all to decide one thing, who should control the power of the EONII?
Sincerely Daisy is a 2020 Kenyan coming-of-age romantic comedy film produced and directed by popular actor Nick Mutuma. The film stars Ella Maina, Brian Abejah, Sam Psenjen and Mbeki Mwalimu in the lead roles. The film was released in Netflix on 9 October 2020 and became the first ever Kenyan feature film to be released via Netflix.
Juma is a poor fisherman who loves telling tales. Amina is the girl who loves to hear his stories. They long to be together, but Amina's father, Ali, wants a better life for her. Ali thinks that he has found this in Yustus, a rich but self-serving young suitor.Juma must put everything on the line to save their love, but he must sacrifice more than he bargained for in order to succeed.
Bahasha is the story of Kitasa, an elected public official who betrays his family, friends and community when he takes an easy bribe. He learns the hard way and must now find the road to redemption.
A black and a white woman meets in Dar es Salam because of their men, and starts a friendship, despite their different background.
A local company owned by a shrewd millionaire, Thabiti, offers young people the opportunity to find work abroad. Mvera, a self-centred woman who is on a mission to search for her lost mother, and also one of the applicants, soon discovers they are all trapped in an organ trafficking ring. She is forced on a hero’s journey as she tries to make it back home to warn the villagers about Thabiti.
Mashoto’s life in the city is a hustle. It’s a fast life in the fast city of Dar es Salaam. There’s no time to stop and Mashoto likes it this way. There’s no time to think about the people he left behind in the village. Until silence cuts through the city racket with three words: mother has died. With those words Mashoto’s life changes forever. He returns home, to the place he abandoned, to bury his only ally. Yet his mother has left behind a gift. Her voice, her unseen presence, a gentle whisper urging him to open his eyes and strain his ears- to learn the lessons of nature, of the earth and the roots that draw their nourishment from it. Cast out by his father after losing the little money his mother had left, Mashoto must learn to survive from the land. He must learn to face old enemies and forge new alliances, to fight and to love. Most of all, Mashoto must discover what it is he is fighting for.
In the heart of the Democratic Republic of Congo, Furaha and Venantie, forge an unbreakable bond after experiencing unimaginable trauma. Together, they ignite a movement of empowerment that transcends their pain and inspires an entire community to reclaim their future.
In this drama that morphs into documentary, the lives of 3 men in Mombasa intertwine as one of them falls victim to radicalization.
Temple Road is a journey into the heart of womanhood, taking its name from the road that leads to the temple in the director’s hometown of Nyeri, Kenya. Inspired by childhood experiences, including women-only ceremonies and family Polaroid photos taken between the 1950s and 1970s, the film recreates a woman’s spiritual and ritual preparation. Weaving a dreamlike narrative, it blends the rituals of Kenya’s Indian heritage with the diversity of Kenyan cultures, reflected in a multicultural cast and intertwined ceremonies. Celebrating the sanctity of community, it creates a sacred space where women express themselves freely through rituals, song, and dance. Temple Road is both a tribute to the past and a call to recognize women as bearers of culture and tradition amidst increasing violence against them in Kenya.
A woman single-handedly shoulders her family's burdens, without reward or thanks, to farm her husband's land and keep the family fed and cared for. She finds herself training her daughter to walk the same path she does. No school, all work. Pests threaten her harvest and are exterminated using a loan from the local women's Co-op. But when Manyusi squanders her prized harvest and schemes to marry off their daughter, Fatuma must enlist the help of her fellow ladies at the co-op to make things right.
Evokes the personal trajectory of a Tanzanian Massai woman refusing genital mutilation. Directed by two NGO volunteers from Luxemburg working on a development project in Tanzania. Released in 2009, this film has been broadcasted since in various film festivals in Europe, on the occasion of different AR actions in Luxemburg and on national television (RTL).
An African fable of sisterhood, envy and ancient evil. The story of Ala and Coa from the Leopards tribe. When her sister outshines her once again, Coa meets a mysterious entity, the morning star and the bestower of gifts, that can grant her wish...
A narcotics cop who moonlights as a heroin addict, finds redemption and a future in a sassy working girl who sees the gentle, loving man within, if only he can escape the darkness that keeps pulling him down.
A humorous satire about a Kenyan charlatan who claims to be a “miracle healer”.
A six-year-old boy living in the outskirts of Nairobi uses an unusual ability to escape a harsh reality, in this wildly imaginative and emotionally affecting tale of childhood by Kenyan director Mbithi Masya.
New action movie from Wakaliwood.
A virgin in a coastal East African town becomes mysteriously pregnant weeks before her wedding, forcing her family to confront faith, tradition, and her right to choose.
Wanjugu Kimathi is the daughter of Dedan Kimathi, legendary leader of the Kenyan Land and Freedom Army, or Mau Mau. This resistance group fought the British colonial regime from 1952 to 1960 to stop it from confiscating land, a conflict known as the Mau Mau Rebellion. In 1957, the British authorities hanged Dedan for possession of firearms, and then dumped his body at an unknown location.
Ernania is hospitalized in a psychiatric hospital in Mozambique. She dreams about her little son, Hanic, and her husband, Pak, who is a soldier of the war. In the meantime, a quirky musical instrument plays: her own bed. Ernania’s musical virtuosity, attracts the attention of the hospital nurses. One day, her song is played in a radio program and Rosa, an evangelical priest of “Rádio Moçambique”, goes to the hospital to listen to Ernania’s song. Ernania takes the priest’s visit as an opportunity to run away from the hospital.
