کال 1900 - 9

Reconstructed from a late 1800s flip book. The given date is approximate

Naval ratings pulling along naval guns during the Boer War.

A Chinese dragon parade.

The reception to the future King Edward VII upon his arrival to Edinburgh in 1899.

It is train time. We look down the long platform, crowded with people, and see the famous N.P. Railway Overland Express approaching rapidly. In a moment the engine passes by, slowing down. Then comes one, two, three, four express cars, and behind them seven coaches and Pullmans. Passengers alight, baggage is unloaded, friends greet each other, station men rush here and there, the whole scene being one of great interest and activity.

Beginning with the camera pointing toward the Invalides entrance, with the tomb of Napoleon in the background. The camera is slowly revolved until it rests upon the new and beautiful bridge of Alexander III, showing the immense crowds entertaining the Exposition.

This building and machinery supplied the electric power and electric light for the entire city of Galveston, including the car system. The building, which is of solid masonry, is a complete wreck, and together with the twisted iron work of the machinery, shows the tremendous power of the cyclone.

This is a new adventure in which our friend, Mr. Hooligan, appears in an entirely new capacity. On a stage a professor of magic is performing some wonderful experiments, and when he requests some assistance Happy Hooligan immediately volunteers his services and climbs upon the platform.

A burlesque on the work of highwaymen in Chicago. An elderly gentleman is sandbagged and robbed by a thug, who inadvertently leaves some money on the victim's prostrate body. A policeman shows up.

Panorama of the Swiss city.

Characters from a large magic book come to life.

A former carpenter who became one of the first cameramen in Japanese cinema history, Tsuchiya Tsuneji travelled to North America to help in the construction of a Japanese garden and tea house at the 1893 Chicago World's Fair. After learning film techniques on how to operate a camera and develop film in December 1898 he returned to Japan carrying an Urban Bioscope camera (both a projector and camera). Taking inspiration from boxing match film actualities popular in the United States he conceived the idea of filming sumo wrestlers at the Ryogoku Ekoin. This resulted in his first film Ekoin Natsu-basho Ozumo.

An early variety performance with synchronised gramophone sound. Thought to be an early version of The Blind Boy (1917).

Two sets of images are superimposed. From the side, we see a two-masted ship. Across the deck walks a skeleton. It sits down, its legs akimbo. The legs separate and continue a dance while the body of the skeleton faces us and the skull moves its jaw bone. It rises and the legs rejoin the skull and body for an additional jig back and forth on deck.

Recovering from a severe illness (likely typhoid), W.K.L. Dickson received word from London that the audience's enthusiasm for the military was lessening. He sent back this celebration of the expanding empire in response, capturing the annexation ceremony of 28 May 1900. "Thanks to the Biograph, which faithfully recorded this magnificent scene," Dickson later wrote, "the people of the world who were not as fortunate as those present will see what it saw, and doubtless sing 'God Save The Queen'".

Near the center of this scene we see the regimental surgeon directing the movements of the Ambulance Corps. Tenderly they pick up the unfortunates and place them in the ambulance. The numbers disabled show the battle has been a hot one, and many a poor fellow, if he survives with injuries, will carry to his grave the scars honorably acquired in his country's cause.

Although we are led to believe that the ancient alchemists were all powerful, this picture somewhat reverses the order of things...

In a charming dining room a very attractive young lady is seen seated at the table, evidently waiting for the caller who is to share a quiet little dinner for two. A moment later a dude of the regular chappy type enters and seats himself at the table. As soon as the meal commences the inevitable wicked small boy sneaks in unobserved, and producing a piece of rope ties one end securely to the dude's coat tails and fastens the other to the table-cloth.

Shows all the prominent buildings on this thoroughfare, ending with a close view of the base of the Eiffel Tower, with the Trocadero Palace in the background.

A contortionist and her little dog, Zaza