کال 1904 - 2

Belgradian parades and everyday street scenes.

Attending trotting matches - in which horses in harness race at specific gaits - was a popular Edwardian pastime.

A tramp kills a generous woman. In revenge, her husband tracks down and lynches the tramp.

The Brahmin, Iftikar, who enjoys a great reputation in India, has determined to create something miraculous which will place the seal upon his renown. (giornatedelcinemamuto.it)

An over-the-hill American tourist has a terrible time on his European "rest cure" vacation.

Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.

A pump stands outside a farmhouse, just inside a picket fence. A boy comes out of the house and dresses up the pump handle and its post as a scarecrow, so that he can play a practical joke on a drunken acquaintance when he passes by. The boy then hides and waits for him, but things do not turn out quite as he planned.

Renactment of a skirmish that was likely to have occurred in the Russo-Japanese War. Opens with an establishing scene entitled "A Japanese outpost on the Yalu River," which shows the Japanese soldiers of the infantry outpost doing rifle drills and raising the flag. Following scenes are entitled "The Attack," "The Capture," and "The Retreat". In them, the Japanese fire their cannon; the Russian infantry demolish the camp, replace the Japanese flag with their own, and then fire their rifles at the enemy; and the Japanese recapture the outpost and once again run up their flag. Photographed from a single camera position.

Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.

Faust and his love Marguerite are sentenced to Hell where they are showed the torture that awaits.

A group of men weld one area of a large ring in a fire. They lift the ring, which is hanging horizontally on chains, out of the fire. Four men hammer the hot area on the ring into shape while the remaining men hold the ring. They put the ring into the fire again, take it out, and take it over to a machine which continuously hammers down on that area of the ring. The men then take it away from the machine and hammer it themselves into shape. The ring is presumably a piece of a generator.

Numerous women sit in rows at machines where they appear to be winding some type of wire and tooling it onto machines. Two young men push spools of this wire down the aisle. Supervisors, male and female, walk down the aisle and observe the women's work, stopping for a while at one woman's station.

A weary clock-maker dozes off in a chair. While he is asleep, three women suddenly appear in the midst of his shop. They proceed to show the sleeping clock-maker some new kinds of clocks that they know how to make.

A man hides his valuables under his mattress before going to sleep, blissfully unaware of the two burglars on his roof.

The Count de Cagliostro, who occupies his spare time in working magic, has invited one of his friends to be present at an exhibition which has for its aim the object of showing how much the sense of sight can be abused and deceived. In the center of three fans he arranges a rose-window, which there appears a young page who is suddenly transformed into a marquis of the time of Louis XV. The count brings a large frame, the marquise arranges herself in it, and it seems to the visitor that she is changed into a nymph. He then approaches it to verify the fact, but he perceives that it is the count in person who is in the middle of the picture. But in order to assure himself that he is not mistaken, he strives to grasp him but the latter disappears mysteriously, and the frame, in the center of which he finds himself, is absolutely empty. What he has seen was only a marvelous illusion.

An inquisitor and two of his henchmen burn a woman at the stake. An angel intervenes.

Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.

Benvenuto Cellini, sculptor to the King, is thrust into a dungeon because he has offended His Majesty by not being able for some time past to produce a statue that will please him. He is told that he will stay there until he does so.

An abridged story of the triumphs and trials of Christopher Columbus, told in eight scenes.

Recreation of a real-life fire that took 602 lives.