The only sound version. It begins with a sync-sound version (#5) shot on the grounds of Little Trinity Church as a TV commercial, with John talking to the viewer about his upcoming show at The Funnel Experimental Film Theatre in Toronto. It ends with version #4 with John's friend, dancer Judith Miller, joining the dance in Bickford Park, and which was shot on silent film, then sound-striped and post-dubbed with out-take sounds from version #5.
Sculptures are the eyes of the walls and have wartime battle scars. A reflection on changing times with a collage of archival street scenes.
Jaime Davidovichn searches in vain for the meaning of "avant-garde".
A series of variations of abstract forms taken by "cuts" from objects in my daily universe, is an attempt to abolish the subject in favor of cinematographic language.
Featuring cameos from several international artists including actress Elizabeth Shepherd and CBS Records’ group The Industrials along with many other American performers! An amusing and surreal comment on the ‘film-within-a-film’ sub genre as expounded in the 1960’s by Fellini, Truffaut et al. —LUX
The Luggage comprises an array of intertwined scenes featuring activities with such props as a TV set, high-heeled shoes, mirror, torch. The film emanates physical tension, accentuated through dynamic editing and the aesthetics of compulsive repetition, characteristic of Sosnowski’s practice. It presents murky explorations, shaky scenes of convulsion, magic rituals with an undertone of eroticism.
Exploiting the painterly 'smear' quality of undercranked 6 fps projected S-8: Shadow hunts, I follow. - Gary Adlestein
The film wants to highlight a dream visions through a special film technique composing the colour images (like a colour photocopier at work) through red, green and blu excepts. Some sequences have colours that only add up two primary colours. in other sequences I use masks.
Mobiles works with regulated frame movements becoming increasingly more unpredictable : a controllable, closed space, in which more random and unrestrained movement are distributed. This device allows forms to be deployed by the movement, but is still untapped by narrative film: contracting and leaking spaces, crushed signs, decomposition of movements by other movements, dripping and corpuscular choreography. Mobiles is the result of a continuous tension between abstraction and reality. The same goes for the relationship between sound and image, which echo one another.
A homage to the 80s experimental cinema. A poetic play manifesto about this form of expression that at the moment had a huge development.
After school special type short about illiterate high school students.
Recently restored, Lisa Baumgardner's punchy Girl Pack rewrites Jean-Luc Godard's famous axiom, proving that all you need to make a film is six girls and and a six-pack of beer.
Margaret Hixon's 1981 film documents a real-life wedding in the Old Believer settlements of Marion County, Oregon, in the years 1979 and 1980. The film briefly touches on a wealth of traditional arts (embroidery, clothing construction, weaving, vernacular architecture, folk song and foodways) and beautifully presents a whole series of rituals -- the "devichnik" (engagement party), "selling" the bride and her braid, the wedding feast, the bargaining over the dowry, and the ceremony of bestowing gifts and advice on the newlyweds. In English and Russian with subtitles or voice-over translations.
Joy Unspeakable is an ethnographic film that examines the question, what does it mean to be Pentecostal, through the documentation of three types of Oneness Pentecostal services in Southern Indiana: a gospel-rock concert, a regular Sunday service, and a camp meeting. Religious behavior, doctrine, and social values are discussed by several Oneness Pentecostal church members and ministers in interviews interspersed with footage of the various services.
Short political documentary.
On 12 July 1981, six small airplanes, flying in perfect formation over Santiago, Chile, dropped 400,000 flyers discussing the relationship between art and society.
