کال 1982 - 296

Taking off where Brooke Shields left us in her Calvins, this film takes a hard, humorous look at the pressures and frustrations girls feel as they rush out to explore their sexuality with all the taboos and fears that entails.

Features master painters Hughie Lee-Smith and Jacob Lawrence. In addition to visual sequences of the artist's work, the program includes an inside look at a class taught by Lee-Smith at New York's prestigious Art Students League; both artists working in their studios; a trip by ferry to an island in Puget Sound where Lawrence works on a commissioned mural; and an animation of the illustrations from Lawrence's children's book "Harriet and the Promised Land". From the collection of the Black Resource Center at the County of Los Angeles Public Library. https://archive.org/details/portraitoftwoartistscompton

A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. PETER SUTCLIFFE preview WHITEHOUSE LP TRACKS 3 total sex side A SUTCLIFFE JUGEND interview & music WHITEHOUSE studio action 2 HERMANN NITSCH a study AUSCWITZ / BIRKENAU 1941-82

"Two visions of the world being viewed simultaneously." - Barry Gerson Poetic structure created through masking out of two separate images juxtaposing opposite motions, resulting in two visions of the world being viewed simultaneously. Our ideas about space and time, and about what and how we perceive are challenged.

Various geometric lines are put out of their figurative context into a set of multiple oppositions, all articulated with respect to the edge of the frame. It was built as a self-contained, intentionally short-lived whole.

About how Senya Malina managed to tame the wind.

A flock of storks was flying south, but one bird lagged behind and fell to the meadow without strength. A little girl found the stork and called the adults for help. There were rallies and actions to save the bird. Only a little girl thought to give water and fish to the tired stork, after which it flew away.

Rock Ross described this atypical collaboration as "a celebration of abandon in the parallel nation" and he wasn't being completely tongue-in-cheek. VESPUCCILAND is an exuberant and witty dance for the camera, shot in vivid, defiant color, records half a dozen spitfires (including Ross and fellow San Francisco experimental filmmaker Michael Rudnick) frolicking on a summer morn. Garbed in white costumes and ersatz hoods, the dancers embody the spirits of rebellion, solidarity, anarchy and free expression. Guaranteed to provoke a smile or three, and to evoke nostalgia for the trampled idealism of the 1970s. - Michael Fox

The alarming facts revealed. A living sexual aberration. The truth behind the myth. The lies behind the truth. The whole ugly story. Made for Swinburne and starring the immortal and inimitable Troy.

Several performers in neon light-suits of various colors wield light wands and interact in a darkened studio to produce choreographed three dimensional volumes of light.

Official entry to the first Metro Manila Film Festival in 1982 directed by Efren Pinon and starred Ramon Revilla, Susan Valdez, George Estregan, Paquito Diaz, Alicia Alonzo, Johnny Wilson, and Janice Jurado.

An educational short film featuring Goofy.

Flashes of changing color (a result of the celluloid being slightly exposed during the changing of reels), mark the first movements of a plane's steady climb into the blue sky, leaving a condensation trail behind. This 22-second long shot is combined with black and white film, in which diagonal lines and parts of the image are cut out. Though these effects may be highly controlled by the director, at the heart of Condensation Trail is an event which is unique and unstaged, and which is unlikely to ever repeat itself. The plane crosses the screen from the lower left to the upper right corner. Halfway on its journey, a bird flies into the frame and crosses the plane's condensation trail exactly at its very end, making a perfectly sharp diagonal as it slowly reaches for its lower right corner.

And we speak with tongues of serpents,and the baying of the Hounds, and the great bell sound that cracks the barrier-- and great are we who rule, and small are you who suffer. (from The Electrical Prelude)

Jang Yong-Ho loses his parents owing to his grandfather's Cheongja martial art by the Japanese. To retaliate upon the enemy, he practices martial art. Kim Seok-Do advises Jang to escape, but Jang's grandfather is kidnaped and tortured by a Japanese (Nishi Hiro) while keeping his place. Jang sneaks into Nishi Hiro's mountain villa and rescues his grandfather. Nishi Hiro calls again the Japanese snipers, that is, Kenji and Harata. Kenji let Harata fight against Jang, while Kenji himself kills both Kim Seok-Do and Jang's grandfather, and kidnaps Da-Bok. Jang fails to pass Nishi Hiro's yard. On the way to home, Jang meets his younger brother and is informed that his grandfather has been killed. To retaliate upon the enemy, he let his younger brother learn Cheongja martial art. The brothers attack Nishi Hiro's mountain villa and rescues Da-Bok.

Taekwon's master Park Si-Baek and Jeongmutoekwon's master Wang Pa-San agree to hand down the secret processes to their sons by exchanging them. But, when Park Si-Baek arrived Shaolin temple, it is already after the chief Kong-Young has passed away. Park S-Baek is falsely accused as a thief who robs Shaolin secret martial arts book and is imprisoned. Meanwhile, Wang Pa-San comes to quarrel with Taesang Jangro on the matter of successor for Jeongmumun's prosperity and, in the end, Wang San-Pa is killed and Park Si-Baek's son Chang-Ryong is driven out falsely accused as the murderer. Wang San-Pa's son Wang Ryong is picked up by Buddhist priest Jiwun and concentrates on mastering martial arts. Shaolin temple's five great masters and Jeongmumun's Taesan Jangro have the plot to provoke fighting by killing Chang-Ryong and Wang Ryong's fathers, but the two son find out the truth and beat off them with enraged fists. .

Chan Ta is a local businessman who's sure he'll hit pay dirt and make millions someday and he is working extremely hard to become a success, but his dedication elicits the envy of others.