Electronic exorcism? Computerized global burning? Digital dance of death? In the beginning reMI's video zijkfijergijok makes a textual reference to eschatology and other finalities. Excerpts of collages from an old folio apparently a religious book of instruction or lamentations supply the background which is evenly overlapped by violently chaotic grids. Everything is reduced to fractions of seconds and dissected or shredded to the scale of subliminal levels of perception.
A short film about three young kids pursuing a bloody battle against each other in their yard.
LILIUM is the second in a series of films featuring vertical strips of color made from digital images of plants. The motif is removed from the viewer's gaze, having appeared only once and then become more indistinct. As a result, the audience is able to distinguish solely the colors of a lily.
Mexican feature film
Mexican feature film
Mexican feature film
Mexican feature film
Peter Addington-directed short film.
Love and death... The choice is difficult. Especially if you are 18.
Private and public spaces are explored in this feminist investigation into Portugal’s past and present histories
“We are living on the edge”, says a simple peasant woman from Dubna, a village in Hrodna region. These words sound symbolic: the village is situated on the steep bank of the Neman, and the river keeps undermining the houses and the plots making the villagers seek for new lands.
Louise Alone Thompson Patterson, is very much an expository documentary, coupled with animation. It is also a film of discovery and centering of Black life. It is a non-fiction film, driven by a very external monologue, with the images largely created through digital animation.” —Louis Massiah
A personal pursuit of knowledge through interactions with family, spirituality, and everyday life in Taiwan.
An assertive polemic around first, second and third generations of the same image and the allied implications of that for texture, focus and resolution. Monitor explores a range of interactions between representation, raster grid, the front glass of the TV and its reflections. These relationships are permutated through focus pulls which shift the interaction between image and raster screen in unexpected and often dramatic ways. - Nicky Hamlyn
A different toreador storms around the capital. Maybe you've seen him before. Maybe you don't wanna see? Music from Carmen, arranged and performed by pianist Anders Widmark.
