کال 2017 - 496

A true story of murder, injustice and disorder in Mississippi following the Civil War, based on the short story "The Outlaw, the Sheriff, and the Governor" by Robert E. Jones.

A young black man searches for his identity in the aftermath of a fatal shooting in South Side, Chicago.

A new orphanage opens near Jill and Joy's house, and a boy named Pekki runs away from there. Pekki ends up living in Jill and Joy's cabin and tells the girls how bleak life is in the orphanage under the strict command of the headmistress Minna Pinna.

This time Bozbash Pictures's heores escape from jail and search for hidden treasure of USSR's dictator Stalin while a captain pursues them

Several families meet and become intertwined in love relationships in the Hamptons. Their choices are put to the test, when a summer party ends badly causing the relationships to implode. What unravels is "Love & Everything in Between."

A three channel installation of desire.

In a war-torn land of man vs. robot, a young runaway slave searching for his father must ally with a broken and battle-scarred war-robot or be hunted down by his brutal overseers.

Edwin’s Restaurant is determined to become one of America’s top French restaurants, with a staff unlike any other in the country. Brandon Edwin Chrostowski prepares to open his Cleveland, Ohio fine dining establishment with a staff composed nearly entirely of recently released prisoners in search of an opportunity to get their lives back on track. They sign up for a classical French food boot camp to learn the ins and outs of fine wine, sauces, and more.

A group of middle-aged former bandmates reunite to scatter the ashes of their deceased lead singer, only to have their bond put to the test by the unexpected presence of one of the friends' twenty-something girlfriend.

A young boy is made to realise that the police form the backbone of society and every cop is akin to Lord Hanuman the protector. He then makes up his mind about becoming a cop when he grows up.​

Steven and Abdel, two young Belgians, leave for Syria. One as a journalist, the other as a fighter. Yet they have more in common than you might think.

Philip looks like a man, who has it all: successful career and a beautiful girlfriend. However, he is still taking care of Victor, his sensitive brother, years after the death of their parents. Emma is slightly autistic, fallen out of time. At the night, she creates the model of a mystical garden in the back of her flower shop, where Victor works. Emma lives in spheres completely beyond Philip's reach. Through her garden, Philip realizes that he never felt so real until he met this otherworldly girl, he's falling in love with. His life is transforming - until Victor confesses that he, too, is in love with Emma. Torn between the love for his brother and for Emma, Philip feels the pain of loss for the first time. Under the surface of this contemporary urban drama, there are hidden invisible worlds, where unexpected miracles happen. "Perhaps the most tender Bulgarian film."

One actress who was on the brink of quitting the stage happened to visit 'imprisoning work shop,' an actor training institute, during her on-site reporting. She found herself increasingly attracted to the abnormal place where actresses were imprisoned and did not refuse to have sex for acting.

Karen and Sona continue their life together, however Karen does not pay an attention to his family. Sona's company's accountant steals a lot of money and manages to hide them. Karen becomes Karine one more time, tries everything to get back the money and reconcile with his wife. Menua, despite being the main villain of the first movie, helps Karen to get back the money.

Separated and fragmented, the scenes combine in a series of tableaux to tell the story of Wozzeck, an ordinary soldier whose only solace is the love of his companion Marie. However, the latter’s fidelity is not unfailing and Wozzeck is haunted by torment. His officers and comrades in arms do little to improve the situation. The omnipresent tension in this profoundly romantic work unifies the fifteen scenes with their complex tonalities alternating between Verist notes and the force of ritualised actions. Christoph Marthaler’s production provides an atmosphere of contemporaneity strongly accentuated by the choice of a single set, where the men’s despair is submerged in Berg’s dearly sought-after sobriety.

A woman returns home only to realize there is no water in the house. Later that night, the water returns in the form of a steady drip.

A kid tries splitting his boring parents to join the group of his schoolmates who are all children of divorced mums and dads

Manolo is a private detective who specializes in adultery cases. Commissioned by one of the victims, he takes photos and videos of adulterous couples in fraganti. He often attempts double-schemes, however, by sending the evidence to the other victim, in an attempt to exploit and benefit from both parts.