When a newborn baby is abandoned in a convent Andalusian Mother Superior decides to be the gardener who takes over from him. As the boy grows, manifest a decided vocation for bullfighting and, although his adoptive father did not endorse, struggle to achieve his dream.
A group of friends decide to take a weekend at an unknown residence. During their stay they begin to discover that the house holds terrifying secrets and a dark past.
Moonchild is a long lost gem in the canon of esoteric cinema. The title references a 1923 novel by Aleister Crowley, and Genesis originally stated of the film, 'Moonchild is a spell, to create a new person or a new stage in people, through compassion and through thought, and it's a construct, just like a spell is.'" “Moonchild is a spell, to create a new person or a new stage in people, through compassion and through thought” The film stars Genesis’s wife at the time, Paula P-Orridge, and is dedicated to their first-born child, Caresse. It also features John Gosling of Zos Kia and Psychic TV. "Moonchild was originally broadcast in 1984 on Spanish television show La Edad De Oro, alongside interviews with Genesis P-Orridge, filmmaker Derek Jarman, and musician and conceptual artist Jordi Valls, and performances by Psychic TV and Vagina Dentata Organ, which caused a forced shutdown of the network by the government at gunpoint.
Mateo and Camila, a couple that allow each other being unfaithful with a unreachable someone chosen by each.
Arturo Bolaño is a mediocre insurance salesman who loves women, booze and any short cut he can find to Easy Street. He thinks he's found it with the beautiful Rebeca Solis, the wife of the owner of the hotel where he stays on business. Rebeca wants nothing more than to escape from her husband and after Arturo falls in love, she asks him to help her get rid of him. The plan goes without a hitch but just as they think they are going to get away with murder, they receive an anonymous letter from a witness to the crime.
In a quiet village, charming young Tomás leads a simple life: caring for his mother, working at the video store and town clinic, and collecting dolls. As women begin disappearing, newly arrived Inspector Porter investigates.
En marcha... is a medium-length film from 1964 that tells the story of the Luz y Fuerza trade union with the direction and story of Hugo del Carril.
While touring the towns, two revelers meet a beautiful woman who awakens greed and passion in both.
Jesús María Carmona is a small-time crook who poses as a cop so he can rob a bank. A few days before the day he planned to do it, a guerrilla group robs the same bank and Carmona is shot to death defending it when he has no other choice but to act as a policeman. Soon after, his image becomes a symbol for the police and he is honored, but his identity is found out. Meanwhile, in the neighborhood where he grew up his effigy is burned as he is now considered a traitor.
Manuel is a Spanish writer who has emigrated to Argentina. He hears that his childhood village in Spain is to be turned into a reservoir, and returns for one last trip. There he meets widow Virginia, an old love, and begins to hope that he might reignite the flame between them. As old secrets are revealed, the villagers must come to terms with their imminent loss and the drowning of their home.
A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.
This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.
In Montevideo, Sonja cares for her invalid mother, works in a garment factory, and has little going for her. Her neighbor Modesto, an older man who lives alone, types anonymous letters to her. Her mother is difficult -- demanding and miserable, afraid of death. Sonja meets Ernesto, a nurseryman, and finally there may be some possibilities in her life. Does freedom beckon?
On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.
Niki and his friends are members of the marginalised underclass living on the outskirts of Santiago. During Chile's transition from dictatorship to democracy (1988-1990), they forge a path from drug- and drink-fuelled nihilism and petty crime into the world of market-driven illegality and Niki begins a seemingly predestined relationship with the middle-class "loca", Manuela. Memorable episodes and characters, quotable dialogue and a mix of earthy national portrait and surrealistic flourish make this one of the key Chilean films of the Nineties.
Emma's eyes are blind but she believes to see everything very clear: she wants to be a mother. She longs to obsessively. After discovering that her boyfriend can not get her pregnant, she breaks with him and goes in search of a perfect sperm. Without falling in love, no feelings. Sounds easy, but quickly discovers that her blindness is not only in her eyes.
