The Grateful Mice 1908
A girl walking in the woods is captured by an evil dwarf. He takes her home and forces her to keep house for him. Thanks to a beautiful fairy and the mice she takes care of, she escapes.
A girl walking in the woods is captured by an evil dwarf. He takes her home and forces her to keep house for him. Thanks to a beautiful fairy and the mice she takes care of, she escapes.
Early Balkan footage.
The director Mario Gallo made the first film with an argument from Argentina, although the opinions of scholars are not coincident as to their temporal order.
Tonbild (Sound Picture) for the duet "Wenn ich im Kampf für dich siege" from the first act of Richard Wagner's opera "Lohengrin".
Released the same week than Selig's version, they both were the first film versions of the popular play, adapted from Ellen Wood's 1861 novel.
A woman attorney is seen in her apartment with her poor henpecked husband, who is more like her man servant than her better half. She is so taken up with her studies in law that she finds no time to bother with household duties, thus putting the burden on her husband who is compelled to take care of the baby, clean the house, do the cooking and be on hand, ready to answer whenever the wife calls on him to attend to her wants. Things do not run very smoothly, however, which is not at all surprising, so she finally decides to take a hand in the domestic affairs herself. (Moving Picture World)
Early swedish film.
French horror short from 1908.
Laying the Foundation Stone of Gustav Adolf's Church.
1908 French short silent comedy film by Georges Méliès, which is presumed to be lost. The film was a skit on the popular topic of hypnotism; it featured a magician-hypnotist using his skills to cheat at cards, before being caught at it and pursued in a hectic chase. The film had no French release.
1908 French silent comedy film directed by Georges Méliès, which is currently presumed lost.
A quartet are making merry at a feast, and one of them is so full of liquor that he falls from his chair. At this his companions conceive, a clever plan for some fun. Taking a white fur suit from a wardrobe, they put him into it, and finishing the outfit with heavy white gloves and fitting a hollow bear head tightly over his own, they turn him out of the house resembling an intoxicated Polar Bruin.
Created by the young but obviously ambitious French production company Lux Film, founded just two years before by pioneer Henri Joly. The film was released in the United States with the title Love and Fortune, in a version which sought to mellow the character of the male protagonist, at least judging by the synopses in the period press: the American Ascanio was always in love with Graziella, and he only lets himself think of wealth in his dreams.
King Herod is enchanted by Salome's dance and grants her wish for the head of John the Baptist.
We can see the children of the director playing and dancing, obviously getting told what to do while it happens, and later on his wife knitting with the children around her.
The story follows an absurdly calm and indifferent man whose every action is extreme yet executed with total composure. When his doorbell breaks, he shoots a mirror to summon his valet. On a walk, he shoots down a window that drops on a man’s head, lights a cigarette in front of an oncoming car, and hijacks a cab at gunpoint. At a hotel, he breaks dishes, tips a waiter who spills soup on him, and leaves wearing another guest’s coat. Even when stabbed by robbers, he calmly removes the dagger and hands it to a policeman. Returning home, he shoots open his door, but his composure is finally tested by mosquitoes. His valet catches and powders each insect, astonishing his otherwise unflappable master.
1908 French short silent film directed by Georges Méliès, which is currently presumed lost
Distinguished physician and sanitation officer Dr. William Gorgas takes a train ride around Colón, Panama Canal Zone with a companion.
After an altercation two men exchange cards, an invitation to adjudicate their differences on the field of honor. The seconds make all arrangements and at the appointed hour, the combatants appear. Both, however, are possessed of mortal fear and their aim is so uncertain that after numerous attempts and trials of various forms of weapons the seconds cheerfully call the match a draw.