On the edge of a meadow, deep in the woods lived a Hungry wolf. He was hungry all the time because of his gentle heart. He ate herbs, honey and drank tea. Once in winter he was starving and finally decided to steal a lamb from old man and woman. He stole it but couldn’t eat. Instead he poured the lamb a cup of tea and they started to dance. Meanwhile the old man came to the wolf’s house with a gun and a dog to return his lamb and punish him...
A snowstorm. An endless snowfield. Snow that never ends. A herd of white horses rushes past a chain of prisoners, dragging through the eternal night. As shadow intersects with light, so does death intersect with life. And this spontaneity is never-ending.
Maxim, yearning for the departing image of old Minsk, meets his friend Yanka, whom he had not seen for a year while he was studying in America ...
Having gotten lost in the woods, a teenage girl slips into the past and spends a summer day with her mother at fifteen. In shared conversations and small moments, she gets to know her mother from new sides and learns that growing up feels the same in every time.
“We are living on the edge”, says a simple peasant woman from Dubna, a village in Hrodna region. These words sound symbolic: the village is situated on the steep bank of the Neman, and the river keeps undermining the houses and the plots making the villagers seek for new lands.
Andrei is a man who has lost everything. Volha, his wife, has lost everything too. They lost it all when they emigrated to a foreign country. They can’t manage to build a new life. They live in their memories.
A convoluted murder story with no beginning or end.
In 1937, most members of the Belarusian intelligentsia, including poets, were shot dead in Minsk on a "legal" basis. A few years later, their names were rehabilitated. However, despite this, most of them are still forgotten. 80 years after the tragedy, the young screenwriter begins to collect a portrait of these poets, their life in the 20-30s of the last century. Who were these people? What were their quirks? What inspired them, what they dreamed of and missed the most?
One day, the artist Arthur makes up an adventure for himself - he goes to the village of Bocheikovo, to the former estate of Count Tykhonovetsky, in search of the count's archives. Arthur hopes to find blueprints and maps drawn up by Tihonovetsky on how to make his way into space, floating down the river. In the place of the former manor there is an abandoned house of culture and a monument to the muscular proletarian pointing to the sky. Arthur finds the oldest man in the village, capable of at least something to tell. From him, he learns a story about a treasure, which has long been shared.
On the day of the summer solstice, Belarus celebrates Kupalle, an ancient feast of the Nature’s high noon. To gain the power of four elements and become a new sorceress, Kupalinka has to face her own fears.
Two friends set off on a journey along the borders of Belarus on Chinese bicycles with gasoline engines. 47 days of travel, endless breakdowns and dozens of random encounters add up to sketches about the life of the outskirts of the most Soviet of all post-Soviet countries. Villagers, students, rappers, drunks. The long road gradually erases the line between reality and cinema, and with each kilometer it becomes more difficult to distinguish one from the other.
Based on the Belarus tale "Ад крадзенага — не пасыцееш". The villager had two sons. Time has come and father brought them to get a job. Then one of the sons said that he don't want to work and will be stealing the oxen instead.
A film about folk performers of Polesie and Mogilev region Stepan Dubeyko and Mikhas Basyakov.
Residents of the village in Gomel oblast' tell legends about forest spirits and features of communicating with them. Old customs and superstitions have survived to our days.
According to the plot, which is not inferior in intrigue to foreign analogues, honorary members of Chinchinchenel Sergey Nikolaevich and Nikolai Sergeevich arrive at the Lyad psychiatric hospital No. 1 to visit a mysterious patient, Elena Stomach. And nothing foreshadows anything unexpected, but further events will make even a sophisticated moviegoer raise an eyebrow in surprise.
Minimal stories in a Belarusian village apparently indifferent to the popular uprisings in Minsk. The young director, who has left the country, defines them as 'choreographies of everyday life' in a film about 'rules that limit personal freedoms and at the same time ensure that the social organism works...'
