مشهور کان Greenland

Each powerful step in one woman's wild, ritualistic journey to freedom is told with both tenderness and rawness.

Centered on a couple newly in love, the film explores why people time after time enter new love relationships.

Porker & Voldper

4 years after the success of his first one-man show “JOKES”, Nikolaj Wulff is back and ready to do what he does best. The white gun is loaded, and he'll be firing live when Nikolaj once again takes the trip directly from the internet and onto the Danish stand-up stages. It will be pure stand-up comedy in its purest form served up with Nikolaj's usual energetic, present and youthful style. It will be hilarious. It will be hilarious.

The first two years in Denmark’s only crisis centre for young people under 18. Joannahuset gives vulnerable young people a temporary home and a helping hand in the fight against a bureaucracy that doesn’t always listen to them.

In an abandoned resort on the South Korean island of Jeju, a group of people perform a symbolic funeral ritual to end a world built on hierarchies, division and destruction.

Inspired by biologist Suzanne Simard’s concept of network topologies, which denote the intricate interrelationships of forest ecosystems and include both human and nonhuman life forms, artist Pia Rönicke conjures a polyphonic narrative of nature as an arena for complex and conflicting forces. A network of narratives that ‘Drifting Woods’ activates through botanical studies, close observations and conversations with some of the local and visiting people who work in and with the forest. Over the last 250 years, large-scale industry has increasingly capitalised on natural resources in a process where the mapping of the forest has been singularly focused on reducing both land and trees to raw materials. Rönicke dares the opposite movement: a ‘de-mapping’ of the forest and a decentralisation of the modern gaze that always places humans as the natural centre of everything. The film ‘Drifting Woods’ is based on Pia Rönicke’s installation of the same name.

Editorial, poetic and kind, Stella’s aim for the film is that the queer community sees it and immediately knows that “this was made with love, not with the usual ‘once a year rainbow’ vibe”. At its core, the film makes space for multiplicity: “As a queer director myself, I really wanted to strike the balance between telling true queer stories, which are sometimes sad and sometimes happy.” The intergenerational cast was asked to write a letter to their younger/older self. A selection of quotes acts as the collective voice of the film.