After the death of the girl's father, Berlanti, her means of life become more limited and her mother falls ill, so Berlanti is forced to work as a singer so that she can be treated. The lawyer Sami marries her, and as events unfold, Berlanti sees that she is standing in the way of Sami's success. She sacrifices her reputation so that he can leave her. He believes this and expels her. He marries the girl, Samiha, and as events develop, Berlanti is accused of murder.
(Hanan) is an attractive and beautiful young girl. She works as a secretary for the singer (Mamdouh). She is attached to Mohsen’s heart and emotionally attached to him. As a result of that connection, she falls victim when she surrenders herself to Mohsen. The result of that connection becomes a pregnancy, and here the situation becomes more serious. Mohsen has to leave Beirut for Brazil. To search for a job opportunity, he must leave the country immediately.
Tito is the second installment in the new-wave Egyptian action movies. After Mafia by Sherif Arafa, which was a breakthrough in Egyptian cinema making, Tarek El-Aryan brings us Tito, the next logical step. Very simply, this movie is about an ex-con who tries to escape his sinful life by starting a new one, but his past comes back to haunt him. The reason, why Tito is better than Mafia is because the script and story line in Tito is more complex, and some of the characters had real depth in them and where fully developed throughout the movie.
Hammam Bek, a businessman who owns an investment office that carries out illegal activities and drug trafficking, works with Tawfiq, who plans with one of the dancers to take over one million pounds. Hammam hands her over to one of the employees in his office, Adam, to deliver it to a client in Ismailia. Adam to hand over the money and receive the goods that are forbidden to be sold, the circumstances change without the arrival of the client, Adam returns carrying the secretariat that does not know what is inside and handed over to them
Waheed, the young composer, struggles with his sister, the singer Nadia, to make a living. They find work in one of the nightclubs, but the manager expels them because Nadia refuses to sit with the patrons. They suffer from torment and homelessness. Nadia falls in love with the wealthy Mohi, who agrees to marry her, but his mother opposes. As for Waheed, He also loves a rich girl and agrees with her brother to marry her. Mohi marries Nadia without caring about his mother, and Waheed succeeds in presenting the operetta he dreamed of directing.
Corruption is rampant in the ministry, where one of the capitalists drives everyone to falsify import permits for himself, until three new girls are appointed to work there, and each of them takes a different path.
The film deals with the life of the Arabian peninsula before Islam emerged, where idolatry, ignorance and corruption spread all over. Then the Mohammedan message of worshiping God alone begins and the difficulties facing Islam and early Muslims starts.
Based on the novel by Latifa al-Zayyat, which explores a middle-class Egyptian girl's coming of age against the background of the growing Egyptian nationalist movement before the 1952 Egypt revolution.
The film's events revolve around a group of people who find themselves passengers on a mysterious bus driven by Satan, and each of these characters represents one of the seven deadly sins, making the film a symbolic reflection of the internal conflicts that each of us experiences.
Waheed (Farid Al Atrache), a famous music composer, meets Wafa' (Faten Hamama), a family member and the daughter of a close friend and relative of his. Wafa' has secretly had a crush on him for years and tries unsuccessfully to show her affection and hint that to Waheed. He thinks her love is nothing more than an expected family member's fondness.
Saadia discovers that she is the daughter of a rich man and has a huge inheritance after his death.
A struggling family is attempting to deal with the consequences of a horrible catastrophe.
The film is a look into the problems facing Egyptian men who marry foreign women, heavily portraying the women as immoral gold diggers and cheats.
Victor Hugo's classic novel of Jean Valjean, pursued through the years by an unbending foe, the cruel lawman Javert.
A bizarre supernatural mystery thriller that frequently borders on the surreal, the tour-de-force scene in this one blends live action and animation to depict an elevator ride that just keeps on going... beyond the elevator shaft, beyond the local bridge, and down into the waters below where a murdered man's restless soul attempts to communicate with the living in order to find justice and revenge for his killing.
A Tunisian breakdancer falls in with fundamentalists with designs to turn the young man into a suicide bomber.
The son of a wealthy man wants to be a musician but his father, the factory owner, objects and kicks him out. When his father announces a competition for the name of a new soap, his son wins the prize and has enough money to finance the theater of his dreams and he becomes famous for his shows.
The play revolves around the doctor, Nashat, who meets a naughty girl on one of his nights who drives him home after losing consciousness and sleeping in his house in red pajamas. The comic events begin when his uncle comes to visit him after a long break and thinks that she is his wife and invites them to his daughter's wedding party to rob this girl of the minds of everyone present.
Hussein and Laila are children who pledge to love. Circumstances separate them and they meet after they grow up and their feelings are renewed, but Laila is exposed to an accident that loses her sight, so she decides to sacrifice her love so that Hussein can avoid life with a co-wife.
The events revolve around feelings of revenge for what happened after the incident of Sheikh Muhammad’s wife’s attempt to escape to Sheikh Abu Sayel’s tribe after one of his pursuers stopped and took refuge in the house of Rammah, the father of Ghlais. The family of this murdered man killed Rammah and his horse, Mish’al, in front of the child Ghlais, who grew up resentful and wanting to take revenge for his father.
Tareq wa Shireen is one of the first 2D animated series produced exclusively in Arabic with implications towards promoting Arabic heritage, history, culture and music. Intended for pre-school and junior children, the series provides an early development tool to educating youngsters in an entertaining fashion. The series is currently only available as a DVD purchase.
