Panoramic View from the Moving Sidewalk at the Paris Exposition 1900
Two silent films capture a panoramic view of the 'Rue de l'Avenir', an electric powered moving walkway displayed at the Exposition Universelle in Paris (1900).
Two silent films capture a panoramic view of the 'Rue de l'Avenir', an electric powered moving walkway displayed at the Exposition Universelle in Paris (1900).
Uncle Josh checks into a hotel, presumably to get a better nights rest than he gets at home. Of course the way bad luck follows Josh around we know this is a forlorn hope. Sure enough, quicker than you can say "Georges Méliès" a ghost pops up to make sure Uncle Josh is denied a good nights rest.
The scene is a railroad track on the side of a steep mountain, with a tunnel in the background, toward which a train is running at a high rate of speed. At this instant the audience is appalled at the sight of a second train rushing out of the tunnel. Both trains are on the same track and traveling toward each other at a high rate of speed. They collide. Cars and engines are smashed into fragments and thrown down the steep incline. (Edison Catalog)
Aboard the 'Tonkin' - jumping rope.
A turn-of-the-last-century hand-tinted short, which features two women, Miss Lally and Miss Julyett, dancing at a ball. By the legendary French filmmaker Alice Guy (attributed only, but not confirmed in any primary sources).
A conjurer (along with two duplicates) conjure up (and then cause to vanish) a beautiful woman head-first.
A divinely inspired peasant woman becomes an army captain for France and then is martyred after she is captured.
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train.
The entire story of Christmastide is here depicted. The scene opens in a large boudoir of an apparently wealthy man's home. His children, assisted by their governess, are about to retire. Before lying down they hang up their stockings on the edge of the bed. The picture changes and night appears. We see the housetops of the town and angels are flying about depositing packages in each of the chimneys. (Edison Catalog)
Two delinquent clerks are seated in a broker's office engaged in a game of cards. The boss suddenly appears walking through the corridor. The cards are thrown down in great haste and when the employer enters the office the clerks are apparently busily engaged in their work.
"The Bath" is a flip book remake of After the Ball (Après le Bal) made in the late 1800s.
A cartoonist defies reality when he draws objects that become three-dimensional after he lifts them off his sketch pad.
George Mélies made a version of this a few years later, often titled Une Indigestion, but Guy-Blaché’s earlier film Chirurgie Fin de Siecle (1900) is more widely available. And it’s not one to watch the night before an operation. In this clinic, a sign pleads “On est prie de ne pas crier/Please do not cry”, and the doctors set about the patient with saws, cheerily hacking off limbs, and then slopping them into a bucket, all the while arguing ferociously with each other. They then reattach arms and legs from a bucket of “exchange pieces” (using glue) before re-animating their victim, I mean patient, with bellows. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)
An old spinster receives an unexpected Valentine's letter.
The fairy at a cabbage patch hovers over the babies. This is a remake of Guy's 1896 film on the same subject, this time shot in 35 mm.
A landlady is taunted by neighborhood kids.
Four men each hold a large slice of watermelon, and have a race to see who can finish eating first. All four move quickly, but one man seems to be pulling ahead of the others. Soon the contestants begin to hinder one another's efforts.
The famous Madison Square Garden forms the background of this excellent picture. A number of very fine automobiles pass in this strip, coming close to the camera and show clear and life size. A very strange coincidence in the closing of the picture is two old ladies who drive by in a dilapidates looking buggy drawn by a long eared mule. This is a remarkable picture showing up-to-date means of transportation in New York City, and the incident of the mule and the two old ladies adds a sufficient amount of humor.