In the Smug art world, innocence perishes. This is the discovery experienced firsthands by Penelope, a young woman who, after embarking on a series of insignificant relationships, arrives at a field of new experiences, some sort of moral abyss she will find herself trapped in more and more.
Jose Antonio Amor co-stars with Sonia Bruno and Maria Blanco in this comedy drama about a married man with three children. When his family leaves on vacation, the man has an affair with a pretty office worker. The relationship between the two develops slowly before they end up in bed together. Speeded up shots are used effectively to illustrate the thoughts of the characters. Technical aspects and performances are fine and overshadow some uneven editing.
A gang of bikers wrecks havoc.
Baltasar, a young man in his twenties, is sent by his father to live with his aunt Dolores, an elderly widow and childless widow, on the Las Pataguas farm. There he meets his neighbors, the Araneda family, owners of the El Pantano farm and parents of the beautiful Humilde, with whom Balthazar falls in love. But the girl is "bewitched" by Saúl Araneda, her seductive cousin, whom the locals consider dangerously jealous.
Dani and his father have arranged a fishing day hoping to cheer him up. The problem is that, sometimes, what is good for one is not good for everyone.
Following the events of El pico, the heroin-addicted Paco faces jail time due to his involvement in a double murder.
A wandering drifter stumbles upon a mysterious castle deep in the barren countryside. But what begins as simple curiosity soon turns into a nightmare as he is thrust into a world of werewolves, zombies, and other bloodthirsty monsters.
A famous singer in love with a woman takes the blame for a crime to save her. Luis Saslavsky's first film, considered lost.
During the last broadcast of 60 Minutes Before Midnight, the most watched journalistic program on television, Adrián Marcato could expose a conspiracy and link the government to a obscure secret society.
Julia, Carmen and Charo are three young and funny ladies, lovers of three married men. These combine their family life and the relationship with them. The three friends share the hardships of such a situation. Julia is pregnant, but Enrique, the future father, decides to shirk his responsibilities
Beto is the keeper of a house in Mexico City - empty for several years already - in which he used to work as a domestic help. The solitude of the last ten years, as well the monotony and routine of his job have made him lead a secluded life, which could seem suffocating for most people, whereas for him it provides a safe and stable environment, in contrast to the threatening outside world. He has develop a pathological fear for this world, to the point of limiting his contacts to only two persons: the lady of the house, for whom he has a feeling of deep gratitude and respect that is translated into obedience; and Lupe, a friend, a confident and a lover. Once he learns that the house has been sold, Beto is confronted to the dilemma of gathering the courage to get out and get a life or find a way of remaining in his confinement.
Sofia leaves the city to a provincial town. There she meets Nico and the inhabitants of Casa Caracol, an alternative hostel in the middle of the jungle. Nodding party nights and brotherhood, Sofia falls in love with Nico and joins the "magical" village life.
A bloodcurdling legend becomes reality when a mysterious hole opens in the main hospital of a city, and a dark presence is released.
The first 15 minutes of the film are absolute force! I heard speak a so pornöse Synchro such bad dialogues rarely. The relationship between Yako and its friend works so ridiculously in scene set that it resembles indeed a relevation for B-Movie-fans. In addition it gives to only be very memorable Opening Credits, which is so mismatching, like it could - any further purchase to the film is not opened for me.\n\n\nThen it goes off into the forest.
A painter from the big city goes to a remote canyon to commit suicide. To reach some calmness he stays at the farmstead of Ascen, an old religious woman. Although only a few words are spoken, love grows.
Martillo, tells the story of Pablo’s sexual awakening, a student at a boys' school where Sister Edwin teaches discipline with an iron hand. At home, Pablo lives in a different world. His father is a plastic surgeon and shamelessly exposes him to his sexual world and that of his lover. His mother is dead and Albina, his nanny, takes care of him like a son. At thirteen, Pablo is confused. When he discovers Sister Edwin's secret, he will leave his innocence behind.
Jorge lives in a room without a window, without light, without air, without a way out and with little hope. His father, Andrés, is the doorman of the building. He is about to retire and wants Jorge to keep the job, but Jorge wants to go to university.
From the land of narco-violence to the land of displaced persons. The documentary Guerras Ajenas ('Wars of Others') explores the consequences of the war on drugs in Colombia, and one of its main tools: aerial spraying.
A screenwriter travels to Northern Chile to research his script for a Western thriller but ends up getting more than he bargained for.
