After a judge (Harry Solter) does his job and sentences a man, a gypsy woman (Marion Leonard) erupts in vehement protests and has to be taken forcefully out of the courtroom. Later the gypsy follows the judge to his home and plots a vicious revenge on his wife (Florence Lawrence).
A castaway returns home after years lost at sea, to the wife and child he left behind. Has she waited faithfully or has she moved on?
FRAGMENT | A man lies on his deathbed and shows his will to his carer. After his death, a grieving man and woman come in. The scene changes and we find ourselves on a beach in the company of two couples. They’re about up to fight on a cliff, and one of the men plummets to his death. Then the scene changes again to a living room with a sobbing woman. (Stumfilm.dk)
D.W. Griffith film about an elderly father who grows tired of seeing his son bring home beautiful women so he gets a makeover and heads out on the prowl.
The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity-- It seems avarice grips the hearts of all those who'd possess the bag.
Short film about a military parade in Mainz.
Macbeth usurps the Scottish throne by murdering his predecessor.
Pretty Miss Chrysanthemum has but little to say as to the disposal of her heart, at least, such is the custom in Japan. Her parents attend to that for her. However, pretty little O Yama Sum had a will of her own, and casting tradition to the winds, insisted upon making her own choice. The Grand Daimio has long loved the pretty O Yama and presents himself before her mother in quest of her hand. His offer is scorned by O Yama, for she loves another, a low-born but worthy warrior.
The film is quite sophisticated for it's time with a relatively large number of scene changes as we follow Max's misadventures. It also features a close-up shot to show his reactions to the effects of the cigar he is smoking.
A young boy's adventure takes him to the domain of the Genie of the Cathedral Bell, where he finds a fortune to enrich his family. The film is currently presumed lost.
At the Crossroads of Life is a typically Victorian-style melodrama in which a girl's wishes to be an actress are condemned by her stern father, a man of the cloth who has no time for those in the acting profession.
In the 1849 American West, seductive outlaw Jack Morgan falls in love with Mollie, an innkeeper's daughter, already coveted by stagecoach driver Dick. After robbing Dick's stagecoach, Jack is chased by a posse of horsemen. Wounded, he finds refuge with Mollie, who hides and nurses him back to health. Hunted to a burning barn, Jack attempts to escape but is shot dead by Dick. Mollie finds him dying in her arms. Between romance, betrayal, and pursuit, the film intensely blends drama and adventure.
A young man, crazy about motorcycles, buys an Ellehammer and drives it out of the store at wild speed. During his unruly driving, he knocks over several people, all of whom set out to chase him. (stumfilm.dk)
A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.
The young hero, Frederick, is leaving his country home and going to the city to attend the bull fight, and while there he meets and woos a beautiful maiden, forgetting his own little sweetheart at home.
Woman Draped in Patterned Handkerchiefs is a 1908 British short silent documentary film, directed by George Albert Smith as a showcase his new Kinemacolor system, which features a woman displaying assorted tartan cloths, both draped on her body and waved semaphore-style. The patterned handkerchiefs are, according to Michael Brooke of BFI Screenonline, “presumably the same cloths featured in Tartans of Scottish Clans (1906), this time shown from various angles.”
A wealthy old alchemist and inventor has just perfected a motion picture camera with which he hopes to revolutionize the art of animated photography, and our story opens with the old man in his library studying out the plans of his invention. A telegram calls him hurriedly away. He replaces the papers in his safe, but, in his haste, neglects to lock it, which oversight is pardonable, as his wife and daughter are in the room at the time. The daughter's hand is sought in marriage by a worthy young man, whose attentions are looked upon with favor by herself and her parents. But he has a rival in the person of a contemptible villain, whose motives are purely mercenary, reasoning that this new invention will greatly enhance the father's already ample wealth.
With the family of Mr. Phlipp there is employed that wrecker of domestic serenity, a pretty French maid, whose trim figure and cherry lips are simply irresistible. This is all very fine for Phlipp, who is wont to bask in the radiance of her smiles and to sip the honey from her rose-leaved lips. But, alas! his bliss is short-lived, for, the perspicacious Mrs. Phlipp grows suspicious and surprises the erring couple in an osculatory diversion. The meretricious maiden is put to right, and the sinful Phlipp is assailed with most vociferous vituperative verbosity.
William Thompson and John Smith occupied offices in the same New York skyscraper, and both being seized with an irrepressible desire to cut loose and paint things crimson, arranged it as follows in this Biograph picture. Thompson sent a message to his wife that his friend Smith was ill, and it was his duty to perform that spiritual work of mercy, "comfort the afflicted," hence he would not have her wait up for him as he might be late. Smith did likewise, using Thompson as the object of his humane consideration. This done, they start off to make a night of it. First they visit the gilded throne room of a temple of Bacchus, where they moisten their parched spirits with dry Martinis. They are soon in a most glorious condition. Smith suggests the show where "Amateur Night" is on. - Written by Moving Picture World synopsis
Vitagraph production of Shakespeare's Richard III.
