On June 3, 1968, student protests began in the Socialist Federal Republic of Yugoslavia, the first major conflict with the then communist establishment. In Belgrade, Sarajevo, Zagreb and Ljubljana, students demanded more socialism, the fight against corruption and a better state.
April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.
Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...
A Balkan immigrant is forced to face his homophobia in an effort to keep his family together after his son unexpectedly brings a boyfriend to a family party.
Tarik lives alone and works in the warehouse of a supermarket. He's lonely and kills time hanging around with two colleagues. New worker comes to the small shop next to the supermarket. Tarik likes her and secretly starts to draw on the glass of the shop, hidden by the night, away from the prying eyes of society in which any kind of emotion is a sign of weakness.
Marco is caught into a situation where he is unable to protect himself or his son.
Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.
Suddenly a moment from the past, a shard of memory can surge, overwhelming the senses. Crystal snowflakes land precariously on pale birch trees, civilians shudder from the cold, soldiers in heavy jackets give orders.
Sara firmly disagrees about her granddaughter’s wedding plan. To convince her not to marry, she takes Andrea to her husband grave and begs him for a sign.
Faruk Sego, a failed Bosnian writer facing deportation from Austria, must prove that he has made a cultural contribution to Austrian society. His last chance is an off-theatre troupe that can stage a play he wrote as a young man. Faruk's reluctant return to the theatre will force him to realise what is truly important in life.
Sarajevo, after 11th September 2001. Karim works as deminer in the hills around the city while waiting to be sent to Iraq with his group. His main reason - the money. But a love story with unhappy ending will change his life. It's a tale about a love triangle between him, his best friend Juka and Ivana, girl from Belgrade, but at the same time this is a story about the clash between West and Islam and how one young Bosnian copes with this issue.
December 2023. To spread holiday cheer, a theatre company is touring small towns of post-war Bosnia with a play about Santa Claus. While children are enchanted by the play, the appearance of Santa Claus rekindles old disputes among the adults.
A group of spunky seniors launch an armed rebellion against the employees of their retirement home, where they’ve been subjected to years of abuse and humiliation. Abandoned by their loved ones and left with nothing to lose, they stage an insurrection that grabs headlines, shocks the country — and proves that it’s never too late to find something worth fighting for.
The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.
Testament is a humorous and emotional story set in a Bosnian village and the industrial city of Zenica in the early 1990s. It portrays, in a uniquely local way, the importance of a will and the consequences of its absence within Bosnian culture. Through the lives of ordinary people, the film weaves together a series of small conflicts and misunderstandings over inheritance, tradition, and human relationships, where old customs collide with a reality full of human flaws: gambling, gossip, love, and petty theft. The main character, Asad, after losing his father’s inheritance, must navigate the world of industrial Zenica, local taverns, and everyday rural troubles, aided by his best friend Dževad, a charming man constantly facing his own challenges while seeking shortcuts to every solution.
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
A filmmaking process helps one filmmaker son deal with his emotionally closed father.
Story about Plavi orkestar (Blue Orchestra), a pop band from Sarajevo who were one of the biggest pop sensations in the 1980s Yugoslavia.
Two children brave Serbian snipers to collect snow for water during the Siege of Sarajevo in 1994.
After many years in Paris, Damir, professional saxophonist, returns to Sarajevo for a unique concert. One of his friends asked him to bring a gift to her best friend, Elma, who is waiting for Damir with surprises...
