Marianne is an accountant, but since she is so pretty the employment agency sends her to the theater. There, Max's gaffer falls in love with Marianne and persuades her to stay at the theater. Once he has to defend her against a professional boxer who harasses her. Although Max loses his position, but receives an offer from Box Manager Schmidtchen. When Max learns that Marianne is engaged, he goes to Schmidtchen's boxing school in Hamburg.
On the occasion of Bruckner's anniversary, the Vienna Philharmonic under the direction of Christian Thielemann recorded a complete Bruckner cycle for the first time. In addition to the well-known canon of nine symphonies, the two earliest Bruckner symphonies in F minor and D minor were also recorded for the first time in the history of the orchestra, which represent a world premiere on DVD and Blu-ray. This unique complete edition from the Musikverein and Salzburg Festival with 11 symphonies also contains detailed conversations with Christian Thielemann about each symphony and insights into his rehearsal work.
Wealthy Elvira Hertzfeld and clarinet-playing homeless man Paul Heisenberg would probably never have spoken to each other if Elvira's elegant dog Minou hadn't fallen for Paul's good-natured St. Bernard Sunny. But when the enthusiastic Minou pulls her mistress to the ground in the pedestrian zone, Paul takes care of Elvira, all cavalier. It is the beginning of a tender friendship in which both gradually put aside their reservations. Elvira even decides to offer Paul, who is at a loss for a place to sleep, the garden shed in her villa as emergency accommodation.
Combining archival footage with dramatized episodes based on real accounts, this film examines everyday life in Nazi Germany through the experiences of ordinary citizens. Directed by Eberhard Itzenplitz and Erwin Leiser, it traces how conformity, opportunism, fear, and routine compromise drew “ordinary” men and women into complicity with the regime, revealing the banality of evil at work in daily life.
Marlene Dietrich's screen tests for the classic 1930 German film The Blue Angel directed by Josef von Sternberg.
It is a terrible disaster! Due to a series of wrong decisions, the ferry Castor gets caught in a sea storm and sinks. The tragedy is already foreshadowed in small details: first there is an hour-long delay before departure, then some trucks are not properly secured and on the bridge there is a heated discussion between Captain Eriksen and his deputy van Damme about how to deal with the storm warning received. The captain's sudden heart attack complicates the situation. The next day, it is learned ashore that the Castor has sunk. Herwegh, the head of the commission of inquiry, then tries to find out who is morally responsible for the disaster and who the real culprits are. In the process, several human dramas unfold...
A young dance student lives in two worlds, one of which exists merely in her head: a world of sounds with words that cannot be spoken. A world that, as the young woman painfully experiences, cannot be controlled.
This film powerfully documents New York City's gay community's response to the AIDS crisis as they are forced to organize themselves after the government's failure to stem the epidemic. Activists who are interviewed include playwrite Larry Kramer, People With AIDS Coalition co-founder Michael Callen (who died of AIDS in 1994), New York filmmaker and journalist Phil Zwickler, as well as representatives from ACT-UP, Queer Nation and the Gay Men's Health Crisis.
The young Schiller, whose heart and soul are writing and poetry, is forced into the military academy (the pride and joy of the Duke of Württemberg). Schiller is disgusted by the everyday routine of the military, always back and forth between breeding and drills. Conversation, conflict or even critique are discouraged – the oppression insufferable for the young rebel. Disgusted by the brutality, he writes his drama "The Bandit", which he would later publish anonymously. But following a frank conversation with the Duke, Schiller is dishonored and must leave the land.
Professor Johansson has made a huge scientific breakthrough; a device that will create a huge magnetic pulse that knocks out all electricity over a continent-wide area. The military applications are already being thought of when Dr. Johansson is kidnapped by a group of profit-seeking mercenaries. Meanwhile, his daughter, Karin, finds herself having to consort with all manner of shady characters as she searches for her father.
German TV adaptation of Grimm‘s fairy tale “Sleeping Beauty“.
On a talkshow, actor and German TV ikon Joachim Fuchsberger recalls how the games for his show "Nur nicht nervös werden" (Don't Get Nervous), first broadcast on West German TV in 1960, were developed along the lines of American psychiatry. Asked "So how many crazy people watched you?", he responded: "A whole crazy, psychologically disturbed nation". Why were the Germans or to be more precise, the West Germans, a psychologically disturbed nation at that time? This is a film about cheerful and serious games, therapies for re-education and self-imposed re-education, as well as the history of the idea of permanent revolution. Those appearing include directors and producers of gameshows, psychiatrists, anthropologists, and the diversely paranoid.
In 1794 Bützow, widow Hornborstel, a top goose breeder, presses Mayor Hane to marry her. Rebuffed, he bans free‐range geese under a “goose edict.” Enraged, she enlists revolutionary‐minded Magister Albus to rally citizens. They rise for goose freedom, the duke deposes Hane, installs a new mayor, and Albus escapes across the border.
Mr. Buchsbaum, third class taxes employee, lives a peaceful life until the new chief immediately criticizes his work. His only confort is his stamps collection. Sadly, even this consolation and his peace are threatened by a new, charming, neighbour who teaches piano. Increasingly infuriated, he discovers accidentally one evening that he has the ability to go through walls. With this power, he decides to settle the scores, firstly with his boss who downgraded him.
