This lively piece uses the traditional Belarusian vycinanka (papercut) style to illustrate eight well-known proverbs through humorous visual vignettes. To complement the folklore-based storytelling, it features music by ethno‑trio Troitsa.
Anna's son is a drug addict. Mother has a plan on how to get rid of his addiction. An Interpol investigator who runs the case of Anna’s husband becomes an obstacle to the implementation of her plan. He is confident that a woman can help him get the necessary information. Anna has to find out that truth has its own power, that there is guilt that cannot be accepted, and love that cannot be abandoned.
"A film of horrors" that takes place in the head of almost every inhabitant of Belarus - the last reserve of the socialist system.
About the love of a Belarusian peasant girl Pavlinka and a village teacher Yakim, about the obstacles that stood in their way, about how they fought against them and defended their happiness.
A bitter twist of fate: during the drawing of demarcation lines between the Soviet Republics in 1939 nobody dared remove Stalin’s pipe from the map, consequently the borders were drawn around it. It was thus that the Belarusian village of Narvilishky ended up being allocated to Lithuania. At the time nobody foresaw the implications of this decision.
Intrigues are growing in the research institute...
My sister Angelina is sitting on the swing and thinking: ‘What is the purpose of my life?’ She has already encountered unrequited love, the death of a guinea pig and a friendly betrayal. Angelina considered herself cute two years ago, but now she is not confident in her appearance. Her hair is greasy, her breasts are not growing, her teeth are crooked. Everything is as it should be for a girl in her early teens. But my sister does not despair and does not want to change for someone.
Over 50 animators from 19 countries collaborated to support Belarusians in their peaceful protests for fair elections and freedom. The animators offered their interpretation of the recent events in Belarus, creating the animated chronicles of these dramatic events. The white-red-white flag is a historical symbol of Belarus and has become a symbol of peace, protest, and hope for the people of Belarus. The youngest animator who participated in the project is only 12 years old.
Radiation came and changed a lot. The last villagers live as in another reality, but it doesn’t seem to be as gloomy as it might appear.
On the edge of a meadow, deep in the woods lived a Hungry wolf. He was hungry all the time because of his gentle heart. He ate herbs, honey and drank tea. Once in winter he was starving and finally decided to steal a lamb from old man and woman. He stole it but couldn’t eat. Instead he poured the lamb a cup of tea and they started to dance. Meanwhile the old man came to the wolf’s house with a gun and a dog to return his lamb and punish him...
The action takes place during the Great Patriotic War in Belarus. The village in which the boy Kastus lived was located in the partisan zone. He soon made friends with the partisans, who became close people to him. The loss of his older friends was unexpected and difficult for Kastus...
KGB officers present junior schoolchildren with a golden ticket granting a tour around the magical KGB building. There, kids are shown the supernatural working methods of the most important and patriotic agency in the country: non-contact fighting, blindfolded shooting, and telepathy. At the end of the excursion, the KGB employees give the most resilient students the opportunity to feel like real patriots and personally get a confession from the traitors to the country with the help of electric shocks.
n 2003, Studio Tatyana was shut down by the Lukashenka administration, but the filmmakers' work continued: this is the studio's final manifesto, completed after the closure using the archival material that managed to escape confiscation. Investigative and unsettling, the film documents the rise of the dictator and the political repression – including political assassinations – from the perspective of Russian and Belarusian politicians and citizens attempting to resist.
A musical film in the style of Belarusian vycinanka based on the song of the folk band Troitsa. The old man and woman have become quite old and would like to marry their son before they die. So they send him to find a bride.
Namskyi Velikden is the widespread Day of Dead in the Polesie. According to the old legends it is believed that souls of the dead ancestors come back to earth.
Victor Asliuk's contrast of rural and urban life in Belarus examines the tangible differences between the young in the city and the elderly in the village and between modernity and tradition, interspersing modern images with archive material depicting the countryside as it used to be.
Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.
The woodcarver Mikalai Vasilevich Tarasiuk, a folk craftsman of Belarus, lived in Pruzhanshchyna. Near his house is a unique museum "Memories of the Fatherland", which has no analogues in the country. The self-taught master carves figurines from wood, decorates them with vines and straw, and arranges them into scenes from peasant life and everyday life. Specialists call this kind of activity instinctive art. That is, his creativity was formed naturally and such is free from the sphere of any professional influence. Through the personality of the hero and his wooden people, the film provides an opportunity to join the ancient way of life of Belarusians, which is gradually disappearing.
