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A director and screenwriter pen a script and, in the process, blur the line between fiction and reality.

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson

Charming desperado Ossy, carrying a deadly secret, tracks down his childhood pal Jimmy in Iceland. But Jimmy, now with a family and a regular job, will do anything to hide his past.

A group of children develop the possible society of the future on an overgrown building site in a deeply democratic film, which gives nature a voice.

Frederik is the headmaster of a private school and one day he is being accused of stealing 12 million Danish crowns from the school. But everything is not as simple as it might seem. Frederik has been living with a tumor in his brain for the last 3 years and it has changed his personality. Now his wife Mia and the defense lawyer Bernard have to try and get Frederik acquitted of all charges.

The last wish of the dying "Monk" is for his foster child, Harald, to find his real son, Ludvig. But the latter is currently in a Swedish prison cell...

Young vicar Mr. Paul arrives at the Faroe Islands to take up a benefice, and meets the young Barbara, twice married to vicars, and with both husbands laid cold in the grave. Despite the warnings of the surrounding community and his own religious scruples, he falls victim to Barbara's at once innocent and sinful charm. The appearance of the charming and gallant Andreas Heide in Thorshavn puts their love to the severest of tests.

It’s the spring of 1793 and the French Revolution is raging. King Louis XVI had been beheaded in Paris a few months earlier, and the whole of Europe is teetering on the brink of war. Austrian troops move across the country’s northern border, and among many other members of the French nobility who emigrated, Erneste des Tressailles also serves as an officer in the enemy ranks. Although he risks the death penalty for treason, he rides to Trionville Castle to marry his young bride Alaine. The revolutionary troops arrive quickly and storm the castle, but Alaine is determined to save her groom. (Stumfilm.dk)

The life and times of the Scandinavian artists' colony who lived in Skagen on the Danish coast during the 1890s. Not so much a biographical account, rather a portrait of a way of life. The painters became famous for the way they used the light in their work, and this has also been mirrored in the cinematography.

Detectives and best friends Andreas and Simon lead vastly different lives; Andreas has settled down with his beautiful wife and son; while Simon, recently divorced, spends most of his waking hours getting drunk at the local strip club. But all that changes when the two of them are called out to a domestic dispute between a junkie couple, caught in a vicious cycle of violence and drugs. It all looks very routine – until Andreas finds the couple's infant son, crying in a closet. The usually collected policeman finds himself confronted with his own powerlessness and is shaken to his core. As Andreas slowly loses his grip on justice, it suddenly becomes up to the unruly Simon to restore the balance between right and wrong.

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

The Viking children Røskva and Tjalfe embark on an adventurous journey from Midgard to Valhalla with the gods Thor and Loki. Life in Valhalla, however, turns out to be threatened by the dreaded Fenrir wolf and the god's barbaric archenemies, the Jotnar. Side by side with the gods the two children must fight to save Valhalla from the end of the world - Ragnarok.

A young man finds love and settles down, but when his young wife spirals into depression they both have decisions to make.

When the good memories of the past run out, she is forced to realize that her husband is seriously ill.

Two bumbling scrap metal thieves - father and son - steal the wrong painting during a museum heist. The painting turns out to be the only original Rembrandt painting in Denmark, and all hell breaks loose. What do you do when you've got Interpol, the Danish police and the entire Danish underworld on your heels? And who was this Rembrandt guy anyway?

The film is loosely based on Alexandre Dumas’ play about the celebrated actor Kean, who moves effortlessly through all walks of life in 1830s London. One evening he’s in the company of counts and princes, and the next he’s enjoying the company of poor artists at the city’s pubs. A series of infatuations drive him into a complicated love drama. (stumfilm.dk)

Mid thirties Erik makes a living playing Backgammon in the local park. He is about to get thrown out of his residence, when a young girl approaches him in the park. She changes his life, while he tries to fight the demons from his past.

Ivan is a very lonely 8 year boy who is bullied almost every day in school. Even his father taunts him because Ivan litteraly is a weakling (That should explain the title Rubber Tarzan). As a result of this Ivan spends a lot of his time on daydreaming until he meets a kind of kindred spirit - the friendly and lonely crane driver Ole.

Four friends rent a summer house in Tisvilde to celebrate one of their 40th birthdays. They are wonderful in their own ways; articulate, unsentimental, and with a good dose of self-insight and humor. They are all at different stages in their love lives. It will be a day where everything is turned upside down, analyzed, and when they part ways on Sunday, they will all have grown a little, experienced a lot, and talked a lot...

FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...