White Building 2021
Samnang, 20, faces the demolition of his lifelong home in Phnom Penh and the pressures from family, friends, and neighbors which arise and intersect in this moment of sudden change.
Samnang, 20, faces the demolition of his lifelong home in Phnom Penh and the pressures from family, friends, and neighbors which arise and intersect in this moment of sudden change.
Thida, the spirit guardian of an old cinema facing demolition, must confront her existence as a ghost and the choice of rebirth. When she meets Hai, a living human with whom she forms a deep bond, their connection forces her to face not only her spiritual destiny but also the realities of a country undergoing profound economic and social change.
Based on the Southeast Asian mythology of the "Krasue." The "Krasue" is the floating head of a vampiric female ghost which has internal organs that hang from the ghost's neck.
Big Madam poisons her husband and throws her adopted sister into a snake pit where she has sex with the snakes and gives birth to the beautiful Snake Girl. When her son falls in love with Snake Girl, Big Madam tries to kill her.
A village in Cambodia. Bopha raises her son Sokhem alone. One night, guided by a strange voice, he sets off in pursuit of a magic mango. Bopha follows him and reaches the border between the world of the living and the dead. Memories of war and oppression resurface. Bopha then reveals his heavy secret.
Kantha, a classical Khmer ballet dancer, is in love with Phalla, a young air force pilot, but is forced to marry a powerful general.
During her chaotic family’s Qingming visit, dead Grandma Nai sneaks away from her peaceful afterlife after overhearing that her queer grandson is about to get engaged to a woman.
Songsa is 15 years old when his family decides to send him to Phnom Penh to sell clothes in a tuk tuk. Phearum borrowed money to buy a taxi in order to support his family. Thy, 20, has a dream: buying a big motorbike. When their paths cross, a new road merges.
Vibol and his brother Kea sell noodles on a motorized cart every night on the streets of Phnom Penh. They often face troublesome threats from gangsters and thieves, even if these very people are their only customers. As the city is growing around them, they consider their unstable income and imagine a different future.
A lost film, buried beneath Cambodia's killing fields, reveals different versions of the truth. A contemporary story about love, family and the ghosts of Cambodia's past.
Twelve sisters who escaped at the start of their human-eating mother, are marry at the same time the king. But the ogress craves revenge and deceives the king as an attractive woman. The ogress ensures that the twelve sisters lose their eyesight and are imprisoned in a cave. Where they eat their own children to survive. Only the little Puthisen, the son of the youngest sister, is spared. Puthisen grows then into the cave from child to young man. As a young adult he decides to liberate his mother and the eleven aunts.
Nari and Sok make a promise to marry very soon, but prince Thamavong abducts the young woman to be his wife. While Sok tries to take back his beloved, the first wife of polygamous prince makes a very sad plan.
Pai, a handsome young man but an orphan, lives with his uncle. Until he had to go to work as a sex worker in a bar, with Bora, his close friend, looking for customers. Until one day, Bora took Pai to see customers in a hotel. Confused about room numbers, Pai then went into the room of Jenny, Bora's younger sister. After that night Jenny and Pai have a chance to get close and begin to have feelings for each other, but Bora has to try to block them out in every possible way.
After the death of her father, theater actress Nisay returns to her hometown and reconnects with her former lover, Thida. On stage, their love finds its fullest expression but in life, they must navigate bittersweet goodbyes
After moving into an abandoned orphanage, the inhabitants realize that the building is cursed by a vengeful spirit, known as Reatrei. Tragedies start to befall one after another until they find what her curse entails.
After an affair with the fabled Snake King, a woman gives birth to a son she names Veasna. After Veasna finds a wife, a witch curses their daughter to be born with snakes instead of hair.
Kanitha, a young, free-spirited Cambodian woman in her 20s, lives in modern-day Phnom Penh, working multiple jobs and choosing to live how she pleases. However, her daydreaming creates tension with her traditional mother, who wants a daughter that will settle down to get married, and Kanitha seems ambivalent to her father's deteriorating health. The family's struggle seems immutable, but Kanitha dreams an idea born from memories of her father. TURN LEFT TURN RIGHT is structured as an album, with tracks and sounds influencing the form. The film weaves Cambodian rock songs together with motifs of family, nature, and boundless imagination.
In a bygone era in Cambodia, a small family resided. Nuon carried her pregnancy for several months with concerns that her baby may not survive. During her husband's absence, the villagers accused her of being the Dark Mother. Despite Nuon's efforts to protect her child, the local children feared her and refused to stay with her. The subsequent separation from her family left Nuon devastated. She recognized that a mother, whether human or ghost, must be present to care for her children.
In 1999 a fibre-glas wire was installed from Thailand to Vietnam straight trough Cambodia. Rithy Panh shows us the work done in Cambodia to connect Khmer-society to "modern world". Farmers, soldiers and children work for a living there and unearthen skulls and bones -their remains from PolPot-regime you can see. The fear in their mind is portrayed by Rithy Panh in this documentary. As the other work done by Rithy Panh this deals with his people. I like it very much! The movie was awarded 1999 at "Visions du Réel" in Nyon (Switzerland) and at "Cinéma du Réel" in Paris.
Childhood love is not far away, looking up and down, just friends...