"Ferdonija" follows the story of the woman from Gjakova with the same name, who lost all her family members during the war and now after a decade there is still no news about them and the circumstances of their disappearance or murder. Filmed over two years, this documentary recounts the spiritual suffering, daily challenges, stigma and social pressure that this woman experiences, and tries to shed light on the consequences that history has left on its survivors.
When an actor leaves a project just before production, the director tries to finish his film without a protagonist while simultaneously contemplating about the nature of cinema and the imminent environmental destruction of his planet.
A film about the life of militant Vasil Shanto.
In the Socialist Paradise (It Never Rains) is a reflection on how propaganda during Albania’s dictatorship infiltrated every aspect of life from public spaces to the most intimate corners of everyday existence. Through this work, filmmaker Ermela Teli explores how state-controlled art shaped individual beliefs, relationships, and self-awareness.
At a Prishtina ad agency, twenty female cleaners come together for a focus group about a new bleach product. Fatime, a domestic worker from the outskirts of town, shares a story that captures the attention of Elvira, the agency's head. Elvira offers her a job and Fatime, exhausted from years of informal labor, accepts.
A film about the Italian troops leaving Vlora and Albanian partisans finally entering the enemy camp.
We watch the story of a taxi driver named Tazi, who lives every day in the same monotonous routine. He constantly becomes jealous of other drivers who seem to have more vibrant and interesting lives. While he is driving and continuing his usual route, we discover an interesting twist. Tazi is in the taxi with another version of himself, the passenger who represents his alter ego. This passenger begins to take control and rebel in traffic. In the end, an accident occurs and we discover that everything was just a brief moment of imagination where Tazi has created this other alter ego to escape his daily monotony.
Dielli serves community service at a library while his father battles alcohol addiction. After a car accident, they make a promise to change. But when his father relapses, their relationship crumbles, testing Dielli's dreams and loyalty. This poignant drama explores addiction, forgiveness, and the power of love, revealing the strength and fragility of family bonds. Will they rebuild or drift apart? A heartfelt film of second chances, resilience, and hope in the face of adversity.
House With a Voice tells the story of six Burrneshas who, for different reasons, have decided to take on the social role of men. They have done this to circumvent patriarchal structures, to avoid misogynistic attacks, to support the family economically, to avoid compelled marriage and to be free. Our characters communicate with us intimately as they talk about their lives and bring us closely into their personal journey. They speak about freedom and oppression, about the promise of sacrificing their lives for the sake of their families’ survival. But also about the breaking of gender barriers and the power of the human mind to decide who we want to be.
Sarabande started as a personal documentary about the classical music virtuoso Petrit Çeku who back in 2014 was about to record the Bach Cello Suites in Spain. During the process of making the film it altered course and became a road movie, examining borders and the potential illegality of traversing these...
A simple car ride reveals the emotions and thoughts that arise when you're alone on the road.
Moving, personal doc captures the filmmakers fifty-four year old immigrant Kosovo mother as she attempts to pass an all-important German language test. Painter and video artist Zeqiri frames a cold and unforgiving Austria through the window of his mother’s apartment as she struggles through the difficult words and phrases.
In this touching and humorous documentary, four Kosovar couples share how they deal with chores, child raising, freedoms and infidelity. How have roles changed and what are the limits to modernity in the sacred union of marriage?
A TV drama made in Yugoslavia.
Bufi starts painting his wife from the feet up, and this painting takes him a lot of time. He searches for beautiful places to paint his wife. Something terrible happens, and Bufi is unable to finish her portrait. In the end, we see that the portrait of the wife has closed eyes; Bufi's wife was dead during the time he was painting. He places his wife's corpse on a boat and lets it drift freely.
Victoria is an irresponsible employee at the German embassy in Kosovo. She makes a ghetto life. She gave a one year visa only because a guy from Kosovo had sexual intercourse with her. She was dismissed from the embassy, and by chance, they see each other in the airport as they travel to Germany.
The film speaks of the fate of soldiers who go to war as mercenaries and return dead. Village girls wait and wait for their fiancé to return from war and finally get married to others. A Vizier tries to marry a beautiful young woman who is tired of long wait and husband soldier.
Lisi walks through the old bazaar streets with his father,who is distracted by a phone call.Drawn by curiosity,he stops at a toy stand filled with shelves of various toys.Among cars and robots,he searches for something that feels right,yet remains uncertain.His attention drifts toward a doll that stirs an unfamiliar but powerful emotion within him,one he cannot yet understand.Years later,fragments of this unspoken childhood experience continue to echo in Lisi’s life.
Behind a news site screen, Lola, a journalist driven by clicks, hunts for sensational footage. Empathy is absent; reality is edited and shared fast. In the streets, tension brews—an old debt turns into a threat, a car defies a “NO PARKING” sign, teens rap for social media, and a man breaks down. All collide.
In the 1960s after Albania's break with the Soviet Union, the country became an unlikely satellite of communist China (Newsweek referred to the alliance as ‘Mediterranean Maoists’). Enver Hoxha called the bond between the two countries the ‘coming together of the 702 million’, China being the 700 million, Albania representing the two. In exchange for its chrome exports and introducing the 1971 resolution that got China into the United Nations, Albania received sustaining economic and military support. This short documentary focuses on the Chinese table tennis team’s friendship visit, which soon began to sour after US president Richard Nixon visited Beijing.
