เป็นที่นิยม จาก Romania

Too busy to solve an urgent production issue, he fails to notice the women that he keeps bumping into.

Sami and Dora are husband and wife, they have an age-gap marriage filled with compromises. Now they are waiting the social worker from the adoption agency to come at their home to decide if they are eligible to adopt a child. But they are caught in a moral dilemma: can buying a life be the price of saving their own relationship?

In his struggle to innovate in an industrial plant, Professor Oltenu discovers, through laboratory research, a new technique that could be very useful in turning iron ore into better steel and products made from it. His experiments don't always yield the best results, especially when he is "helped" in his endeavors by a saboteur. The professor's wife and one of his employees help expose the saboteur and convince the professor to continue his work. Eventually the saboteurs are caught and severely punished, and the professor's research is patented and turned into successful manufacturing nanotechnology.

The Bârzoi manor comes back to life when the lady of the house, Chirița, sends news that she will be soon coming back from Paris. As the City of Light has changed her views on the world, the family and the help must follow.

A classic Romanian legend, other than the world-wide known myth of Dracula, brought to a modern fantasy love story.

Horia Colibasanu is a dentist, father of two boys and elite climber. In 2008, he refused to abandon, at 7400 meters on the Annapurna, his sick companion, the Basque mountaineer Iñaki Ochoa de Olza, implanted his own life in danger. His action dazzled the climbing community. Despite this tragic incident, he continued to climb in pure alpine style, without supplemental oxygen. In 2017, the 40-year-old Romanian athlete will return to Everest, after two unsuccessful attempts. For the first time, Horia is attempting a solo ascent.

An old aviator fights to stay in the air. Whether he wins or not, his participation will mark a new record for aviation and will allow one more armistice in his battle with time.

Mircea, former Intelligence officer, finds out that his son from has gone missing in the mountains. He travels there to find him. After days of searches, Mircea put his own rescue team together, leading to conflict with the local squad.

At a theatre workshop for young people, a teenager embarks on a sexual relationship with a slightly older girl. But isn’t this all a bit of a mistake? The people around them react in various ways, yet no-one is indifferent to what’s going on.

Lavinia, a single mother trying to make a better life on her own terms for herself and her 13-year-old son, live in a poor Romanian village. She is impulsive, prone to misreading situations, and not sure how to love. But her son, on the threshold between childhood and adolescence, needs his mother more than ever, and over the course of four seasons their relationship is put to the test.

Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.

The story of Galax, a robotic 'man-doll', artificially created out of wood and computer circuitry, Appearing to come to life, it becomes a rival for the affections of Marie, a young student and an issue for university authorities.

Based on a theatrical text by Romanian writer Ion Luca Caragiale (1852-1912), who was a bitter and funny witness of the turn-of-the-20th-century Romanian bourgeois mores, Carnival Scenes manages to preserve and further enhance the slightly hysteric atmosphere of his plays. Pintilie creates a strange combination of carnival scenes which is brought to the screen as a burlesque, fast-paced, screwball comedy with a meditative undertone. This film was banned in Romania for a decade until the death of Ceausescu in 1989 and was only released after the 1989 revolution.

Three men go into a pub. The first man has too many questions. The second man has the perfect plan. The third man has no chance.

A subway train is blocked between stations on the morning after the fire in the Colectiv Club in Romania.

Adi, a gay teenager, is spending the summer in his home village in the Danube Delta. One night he is brutally attacked on the street, the next day his world is turned upside-down. His parents no longer look at him as they did, and the seeming tranquility of the village starts to crack.

When the Soviet Army marched into Romania in 1944, a part of the Romanian population went “into the mountains” – a diverse assortment of nationalists and fascists, liberals, apolitical farmers and members of the middle-class, who were affected by the Communists’ expropriations. Over a thousand armed resistance groups took refuge in the inaccessible forests of the Carpathian Mountains where they waited in vain for the support of the Western Allies. One of them was led by Ion Gavrilă-Ogoranu, who managed to remain undetected until 1976 when he was arrested. This film depicts the daily existence of this group. It tells the story of a struggle that became an end in itself, as the enemy was constantly in pursuit and arrest meant torture and often liquidation. Hungry and emotionally withdrawn, the group of young men got entangled in a partisan war that could not be won, lost in the landscape of the South Carpathians, accompanied by a vigilant secret police, the Securitate.

On a garbage dump, people try to make a living in the poorest of conditions.

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.

An intimate and vital account of love and friendship within a group of youngsters. They live in a complex, contradictory, and isolated world – the self-proclaimed state of Transnistra, where the national flag still holds the hammer and sickle. Tanya plans to move abroad, however future seems to offer frighteningly limited possibilities for her lovestruck friends.