ปี 1898

An adaptation of the folk tale.

Pedestrian and rickshaws traffic on Shijo Kobashi bridge, in Kyoto.

The ghost of a man's twin shows him a vision of how he was killed in a duel.

Passage of a Shintoist procession, whose members carry banners and lanterns, somewhere in Kyoto.

Film adaptation of the famous French folktale by Georges Hatot.

Geisha performance, with umbrella and fans, in Kyoto.

One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage.

St. Anthony is tempted by visions of women, including one that is transformed from the image of Jesus Christ Himself!

An oddly routed parade.

Panorama during the ascent of the Eiffel Tower.

Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.

Taken on 'Lucky' Baldwin's ranch, Santa Anita, Cal. Shows an engine and five cars approaching from a distance.

A wide plain, dotted with tents, gleaming in white in the bright sunshine. Soldiers moving about everywhere...

Directed by James H. White.