CNC

Hidden in Rome, King Arthur is planning his return to oppose the army of his former friend Lancelot.

Zoo-archeologists, biologists, ethologists and geneticists are leading the investigation. For one thing is certain, the dog is still far from revealing all its secrets.

How do you ask a wild, impetuous hairdresser on a date if you're a pathologically timid philosophy student with no social skills?

They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…

As the denizens of a Tibetan village prepare for their arduous annual trek to exchange salt for grain, the community's allegiances are split between aging chieftain Tinle (Thilen Lhondup) and rebellious young Karma (Gurgon Kyap). Tinle tries to maintain his clout and preserve obedience to ancient customs when Karma challenges the old man's power.

In the sixties, the Drugstore "minets" were the best dressed, believed only in themselves and imagined themselves reinventing everything. The drag, the clubs, the first joints, the vacations on the Normandy coast, but also love and show-offs. Philippe and Marc do the four hundred tricks. Charlotte and Nathalie do the same on their side. Against a backdrop of Otis Redding and the Animals, a sentimental education before the upheaval of May 1968. The fury of living in a France that is bored.

A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.

A 13-year-old girl living in a Buenos Aires shantytown falls for a 17-year-old boy who earns a living juggling in a Spiderman costume.

The Pope accepts when the friend of a young engaged couple jokingly sends him a wedding invitation.

Jean-Pierre Bacri was never happy about anything. But beyond the caricature of the grumpy man, from his apprenticeship years to his death in January 2021, this film tells the story of this quintessential Frenchman: a man turned towards others, an actor by accident, a moralist by vocation, who was left unaffected by flattery and false honors by success, and ready for all kinds of anger when it was necessary to speak out against injustice and stupidity. The film tells the story of how Jean-Pierre Bacri's life changed several times: from Algeria to France when he was eleven years old in 1962; from bank clerk to apprentice theater actor; from Pieds-noirs film star to screenwriter for Alain Resnais; and from Cannes playboy to Agnès Jaoui's mad lover, the most decisive encounter for his life as well as for his work

While diving in a remote French lake, a couple of YouTubers who specialise in underwater exploration videos discover a house submerged in the deep waters. What was initially a unique finding soon turns into a nightmare when they discover that the house was the scene of atrocious crimes. Trapped, with their oxygen reserves falling dangerously, they realise the worst is yet to come: they are not alone in the house.

East-Berlin, 1961, shortly after the erection of the Wall. Konrad, Sophie and three of their friends plan a daring escape to Western Germany. The attempt is successful, except for Konrad, who remains behind. From then on, and for the next 28 years, Konrad and Sophie will attempt to meet again, in spite of the Iron Curtain. Konrad, who has become a reputed Astrophysicist, tries to take advantage of scientific congresses outside Eastern Germany to arrange encounters with Sophie. But in a country where the political police, the Stasi, monitors the moves of all suspicious people (such as Konrad's sister Barbara and her husband Harald), preserving one's privacy, ideals and self-respect becomes an exhausting fight, even as the Eastern block begins its long process of disintegration.

Julien is 10 years old. He pretends to go to school but then hides out under a bridge, his backpack filled with clothes. A few kilometers away, 15-year-old Joséphine does the same and waits for the bus.

On March 1, 1996, 15-year-old Shafeeq Murrel was killed on the street in South Philadelphia — innocently caught in the crossfire between rival pairs of crack dealers out for revenge. Shafeeq’s murder was one of 435 in Philadelphia that year, and it was soon shelved as a cold case. Then, detectives David Baker and Julie Hill took it on— two middle-aged white cops working a Black neighborhood in their battered Plymouth Gran Fury. Filmed like a taut police procedural, THE SHOOTING ON MOLE STREET chronicles the investigation, as Baker and Hill knock on doors, shake down dealers, and beg, threaten and cajole residents in an effort to get someone — anyone — to talk. Baker rejects any accusation of police racism in the unsolved murders of young Black men. Isn’t he out here trying to close the case? But racism is more complicated than intent.

Posthumous tribute paid by actor Luc Bernard to his older brother, director Guy Gilles ( 1938 - 1996 ). Documentary composed of interviews with some of his brother's friends and some actors from his main films, excerpts of which we see.

Set in a small Ukrainian village during the outbreak of war with Germany in 1941 Private Chonkin, not overly endowed with intelligence, is left to guard a downed military aircraft. The authorities appear to have forgotten about him so this leaves him free to work his chams on the village postmistress, Njura, untill the local militia are tipped off.

When a train unexpectedly starts up, taking only pets with it, the animals discover that Hans, a badger with a grudge is behind it all. While the crash seems inevitable, the animals can count on Falcon, a roguish Raccoon who will do anything to save them.

Despite his lifelong efforts, Jean is one of those unfortunate men who can never understand women. This arty, metaphorical French film presents three examples of Jean's difficulties over the course of his long life. Each of the three episodes takes place beside the same river. He is first seen as a small boy playing on the river banks with the teenage girl he secretly loves. She mischievously promises to tell him her darkest secret if only he will perform a certain task for her. The story then takes a more surreal turn as a now-grown Jean, once again beside the river, toys with a beautiful woman at a picnic. She wants a commitment from him, but wily Jean is unwilling to satisfy her. In the final segment, Jean has become an old man and is once again deeply in love.