Meşhur Kimden Austria

When the narcissistic Adam meets the unpretentious Esra, he imagines he has to win her over. His superficiality quickly becomes a problem. Little by little, the painstakingly constructed facade crumbles.

Jacob tries to hide the suicide of his father because he is afraid to have to live in an orphanage.

A woman marries a rich landowner, by request of her parents, instead of her lover who's child she's expecting. After a couple of years, the father of the child returns.

After each new crime, the department store blackmailer Scrooge comes up with a more sophisticated method of handing over money. The Soko is often hot on his heels, checking thousands of traces and countless clues, but he always manages to escape. While the officers led by Chief Inspector Paule Pietsch reap scorn and ridicule, Scrooge becomes a cult gangster in the public eye. But Soko boss Pietsch is certain: even the phantom Scrooge will make a mistake.

She regularly dances at her friends' weddings. And they usually have her to thank for their marital bliss. She clearly has a knack for setting the right "amorous vibes." But for her, love isn't working out so well. A single mother, single for years, she unfortunately always ends up with the wrong men. "The Love Servant," a financially strapped headhunter, tries to capitalize on her talent and slips into the sexy shell of a dating agent on the side.

The Dumpster Kid is an artistic creation: in every story society forces her to learn something. But she, fully grown from the moment of her birth, unquestionably learns more than is called for. This extra knowledge, which is not wanted by society, regularly brings her into danger. Dumpster Kid dies in each story, and across each genre. Her stories are set in a whole range of different time periods. What is a Dumpster Kid?

30 years old Gregor is traveling with his ten years old daughter to his childhood town where he meets old friends.

Psychothriller by facts. A lightly labile journalist (Felicitas Woll) wants to explore the motives of a women murderer (Heiner Lauterbach). When he was arrested, Johannes Heintz (Lauterbach) confessed that he had strangled seven women. He will not say more. "The people outside have me as a monster. I will not give them satisfaction. "From now on, neither the investigator Uwe Wolfmann (Jürgen Prochnow) nor the most skilled psychiatrists come to him. The stubborn journalist Dana Herrendobler (Woll) comes to the scene. She wants to interview the murderer, the causes and background of his deeds. Nervously, she faces the perpetrator and is astonished: Heintz is charming, intelligent and sensitive. He agrees to speak openly with the reporter - when Dana opens to him as well. If that works out? Because Dana is hunted by his own demons ...

Franziska Luginsland protects the girl Jolanda from the police and helps him to find his mother.

The girl Jorinde and the foundling Joringel grow up sheltered in a farmer's cottage behind the moor, but the dense forest around them harbors deep secrets. One day, a sorceress, omnipresent as an owl, juniper tree or in fairy form, takes the beautiful Jorinde away. Her mother, father and Joringel are left behind in sorrow. However, determined Joringel sets off in search of Jorinde. Although the enchantress tries to convince him that his search is in vain, he succeeds in finding his beloved in an enchanted castle. There she lives, enchanted, alongside many other beauties, unattainable for reality. But it is the special power of the love between the two that enables Joringel to recognize Jorinde, who has been transformed into a nightingale, among many other nightingales. The spell expires. But peace only returns when Joringel saves his family from marauders and defeats them in battle.

Pauline is very disappointed by her boyfriend. Fearing lonely holidays, she accepts her boss Max's invitation to celebrate white Christmas in his parents' mountain hut. It is taken for granted that she is Max's girlfriend. He enjoys the misunderstanding and asks Pauline to play along.

Born in 1941, Eric Burdon was – along with his band The Animals – one of the most important standard-bearers of the British Invasion of America, right after The Beatles and ahead of The Rolling Stones, The Who and The Kinks. Their 1964 interpretation of House of the Rising Sun was a global hit and inspired Bob Dylan (who recorded an acoustic version on his first album) to go electric and hit the stage from then on backed by a rock band.

A commissioned work for a television series on WDR, A House for Us. FROM THE FAMILY OF REPTILES and THE ISLAND are a complete program in two episodes. After all with Michael Ballhaus as the cinematographer. Ute (Katja Wulff), an 8 year old girl, constantly runs away from home and the youth center to escape into her own world. She spends many hours at the zoo and especially in front of the crocodile compound. Monika Brehm (Lisa Kreuzer), the kindergarten teacher, tries to find an entrance into Ute’s world. She realizes that her escapes are a form of withdrawal from her parents and the grown up world.