Meşhur Kimden Bosnia and Herzegovina

Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.

A 2009 Bosnian language drama film.

A young writer living in a hotel room, in the midst of a crisis of superficial relationships with multiple women, calls an old friend to reconnect and talk about the one real connection he had prior.

Portrait of family members during isolation with limited technical resources (phone recording).

In a public park, plastic bags are rolling in the wind.

On 8 September 2019 Sarajevo hosted its first Pride March, and this film covers its background.

Woman-Doe is a living sculpture trapped in urban spaces of boredom and melancholia, and in the utopian museums where she works. She entertains herself by acting as a human only in poses (cleaning, drinking coffee, smoking, sleeping). Her issues begin when signs of a raging animal begin to appear on her head in the form of two horns.

Nana, a 80-year-old lady, needs a surgery. She and her husband, Dedo, had to leave their home in the small village of Hrsa and move temporarilly to Sarajevo in order to wait for the operation.

SARAJ’VO describes the real size of the capital of Bosnia and Herzegovina, its seductive spirit and scope of the microcosm that it borders. Mustafa Mustafić, the legendary cameraman, filmed the dedication to the city where he spent his life. Regardless of the long and extremely prolific career as a film and television cameramen, Mustafa Mustafić, Pujdo as his colleagues affectionately call him, feels that there are many untold stories of Sarajevo, rituals and undiscovered perspectives on our common and unusual days. THIS IS THE CITY sums up everything about this very unusual environment, together with its inhabitants, guests and tourists.

After stealing the beloved cat of the girl he's in love with, Adam presents himself over the phone as a hero who saved the lost pet, but the cat's unwillingness to cooperate could expose Adam's lies.

The Balkan war of the 1990s was the cause of the disappearance of thousands of people. Their mortal remains are in danger of remaining lost forever. Bereaved families and survivors place their hopes in excavations and in the work of science.

About the life of a Bosnian Muslim in the 1950s. Mujo doesn’t want to get married since he was too young. Later, when he grew into a young man, he still refuses to get close to any of the girls who want him. Until one day Nizama came from Vareš to visit her aunt who lives in Mujo’s neighborhood.

How well do we remember the war? Is it hard for us to talk about it? Do we start remembering suddenly when talking about it? The film investigates the trauma, but not aiming at human pain. On the contrary, this film attempts to open the abysses of the war denial, which have become a dominant, but silent dimension of everyday life in post-war Bosnia and Herzegovina.

A movie about 100 years of Football Club Zeljeznicar.

Biography of famous football player Dragan Dzajic.

Where does the feeling of guilt come from? Starting from the account of a medical condition, Farah Hasanbegović resorts to animation to search for the origin of those sensations that accompany us throughout our life, whether we want them to or not. Through eloquent pencil strokes, Ribs is a sensorial meditation on the material dimension of our feelings.

A story about a retired soldier and a former homeless man, now living in his hard-won new home – the Centre for the Homeless.

The members of Serbian army kill innocent Bosnian Muslim victims after Srebrenica massacre in the nearby village of Kravice.

Selma walks, Selma works, Selma waits, Selma takes care of her father, Selma goes away. By the window, she is watching Sarajevo.

The year is 1983. Found archival material depicts people in the small Bosnian town of Tešanj. Suddenly a well-known figure appears, the filmmaker’s grandfather who died in the Bosnian war. Repressed and hurtful feelings, but also a chance to remember, in a film that calls for reflection.