Meşhur Kimden Bosnia and Herzegovina

Jasmina and Zijo live on the outskirts of Ljubljana. Zijo works as a butcher and sings Bosnian sevdalinke (love songs) and drinks out of despair. Jasmina is pregnant and wants to live a normal life.

Bosnia and Herzegovina / Ema (8), wanting to stay out a bit longer with her friends at the park, decides to ask her mother Anja (29) for permission. On her way home, she encounters an older man who tries to touch her inappropriately in the elevator. Ema manages to escape and reaches her mother, who tries to explain what happened in the best and least painful way possible. Despite the good relationship between mother and daughter and their productive conversation, some things simply remain in their memory.

Documentary, featuring a project of the artist Irena Pejcic. The Project adresses the situation of landmines and their consequenzes to the population in general, particularly in Bosnia and Herzegovina

The movie features three war veterans from Maglaj, who give account of war time developments and post-war reconciliation in this municipality

The film is based on a true event that happened a long time ago in a village near Visoko (Bosnia) that no longer exists... The story seeks to bring the spirit of tradition and customs that reigned and remind of now-forgotten values.

The third part of the “Mujo Is Looking at Pretty Nizama” franchise.

A TV movie about the Turkish satirist and the anecdotes surrounding him.

A journey retracing my sisters’ 1992–93 displacement from Sarajevo through Bosnia and Croatia, guided by a childhood war diary.

How well do we remember the war? Is it hard for us to talk about it? Do we start remembering suddenly when talking about it? The film investigates the trauma, but not aiming at human pain. On the contrary, this film attempts to open the abysses of the war denial, which have become a dominant, but silent dimension of everyday life in post-war Bosnia and Herzegovina.

A Behind The Scenes of Kimi’s Music Video "Iz Inata".

A visual nightmare inspired by the physical symptoms of anxiety and sleep disorders — dreams, dreamlike states, nightmares and fake worlds all merged into one.

An attempt to make a short film about a traditional Kosovar face painter in an ethnic Bosnian village.

The documentary portrays the life and work of the painter born in Mali Lošinj, who lived and created in Mostar for over six decades.

Short documentary about pop rock music scene of Sarajevo, starting from 1960.

The year is 1983. Found archival material depicts people in the small Bosnian town of Tešanj. Suddenly a well-known figure appears, the filmmaker’s grandfather who died in the Bosnian war. Repressed and hurtful feelings, but also a chance to remember, in a film that calls for reflection.

Old man Zaim is alone in the world and wants to change that. He is in love with his neighbor Munevera. Munevera doesn't want him. But there are those who do.

Glasgow during lockdown: Empty streets, empty roads, playparks devoid of life with a population hiding indoors. Juxtaposed alongside this footage is an audio voiceover read by a survivor of the 1992 – 1995 Sarajevo siege in Bosnia. They describe their city in lockdown, day to day life, their challenges, thoughts, fears and their hopes. The voiceover could easily be that of a Glaswegian in Spring 2020. 

There are striking similarities between this wartime siege and the lockdown experienced in Glasgow.
Just as in Sarajevo, our freedom of movement was very limited – we couldn't travel, go to pubs and restaurants, children couldn't go to school.

Lonely self-conscious girl spends her days drinking wine on the roof and waiting for her boyfriend to come home. She can sense that something is wrong - he suddenly got cold. Lack of sex and his friendship with another woman worsens her body image. We watch what happens to them that "one more day" that they stay together.

Mevlo Alić is a shepherd from a small village Vozuća in Bosnia and Herzegowina. In order to earn enough money for a diecent living, he breeds and sells his sheep to nearby customers. With time, sheep breeding becomes less of a job and a source of income and becomes more of a family enviroment. Mevlo takes care of his sheep as any parent figure would to their child. Mevlo takes his sheep walking, talks to them, drinks coffee with them enjoying every moment of his simple yet fulfilled life. After a crippled sheep Bjelko is born, Mevlo decides to take intensive care of him knowing Bjelko wouldn't be financially benefitial, fulfilling every human beings need – to feel needed, to have a sense of belonging.