Haluaman 2022
Upcoming Movie by Abhimanyu Mukherjee & Team
Upcoming Movie by Abhimanyu Mukherjee & Team
The storyline of the film is based on the apprehension of the co-founder of Indian Mujahideen and conspirator of several bomb blasts in India, Yasin Bhatkal, by National Investigation Agency near Indo-Nepal border.
Four friends goes on a tour. They face a sudden incident and while running away they seek help from another place where they meet another lady, a man and a child. From here the plot twists and all of them comes to a version of themselves which other peoples are unaware about.
Saheb, a jovial, friendly, and kind-hearted boy loved to play soccer. He was very much neglected by his selfish brothers. Only his sister-in-law and his only sister Boolti appreciated and took care of him. Saheb had the potential to become a good goalkeeper, but a lack of support and care from his family became the main obstacle to his growth. Suddenly Boolti's marriage was fixed with a well-educated family. The budget of the event made Saheb's family helpless. At that time, Saheb sold one of his kidneys and spoiled his football career. No one was aware of his decision. On the day of his sister's marriage when everyone was enjoying themselves, Saheb was fighting for his life. Suddenly his sister-in-law came to know everything and became very upset. All his brothers were imposing allegations against him for that unaccounted money, and then his sister-in-law exposed everything and made them quiet. At last, Saheb's incompetent father went to hospital and mourned for his neglected child.
A biopic of Ananta Singha. Some calls him dacoit, some calls him a rebellion. This adaptation gives the viewer a chance to know him as a whole, a person and as a revolutionary communist leader.
Sequel to the 2024 action blockbuster Toofan.
A modern family drama unfolds around a unique concept an office-based old-age crèche started by the boss's mother. This innovative initiative not only enhances employee productivity but also fosters a more caring and inclusive work environment.
Sasanka (Subrata Nandy) grows depressed as his house and his career as a theater actor both crumble around him. When his cold-hearted, widowed sister-in-law Saraju (Aloknanda Dutt) arrives with her adorable young son Kanu (Aniket Sengupta), Sasanka's mood eventually changes. Kanu and Sasanka become fast friends as the youngster benefits from his uncle's wisdom and acting ability.
Afzal Chowdhury (Abul Hayat) has two stepbrothers: Ashraf Chowdhury (Wasimul Bari Rajib) and Akram Chowdhury (Nasir Khan). They killed Afzal for the greed of his properties and put the blame on his pregnant wife Nazma (Dolly Johur). After serving her sentence she rejoins with her son Moshal (Shakib Khan). On the other hand, Ashraf's daughter Jyoti (Irin Zaman) is also grown-up, now. One day, Moshal saves Jyoti from some goons. And they deeply fell in love. But what will happen when they learn about their family rivalry?
The story of an old peasant,Bancharam (Mitra),who defeats the tyrannical landlord Chhakari (Dey).Inheriting a dry patch of land, Bancharam converts it into a fabulous garden.The British magistrate supports him when Chhakari attempts to acquire the garden, after which he dies. Chhakari's son Nakari tries a new stratagem: he promises Bancharam Rs 400 every month provided Bancharam bequeaths his garden to the landowner after his death. Bancharam agrees but amazingly becomes healthier with every passing day, repeatedly promising to die but failing to do so.
The all-time favourite on-screen couple of the Bengali cinema not just created many memorable romantic moments but also shattered many taboos around romance, just like in the 1956 classic ‘Sagarika’. Made by the directorial group Agragami, its story follows a young talented lad Arun (Uttam Kumar) with a big dream of studying medicine abroad and the women he comes across. Arun, after being blind for a period, finally reunites with his love and life becomes all good.
Farhaz, a top chef from Bangladesh, and Basundhara, a middle-class Indian woman who runs a home catering service, come together as they share a common passion—food.
A 1956 LOST Indian Bengali film starring Mahanayak Uttam Kumar.
While making a film based on the Mahabharata episode of Eklavya's offering of honorarium to his Guru Dronacharya, a film director discovers a new truth, which drives him to change and add something new to the screenplay.
Sudhamoy is forced to depend on his daughter's earnings. His life takes a drastic turn when his wife falls ill and gets hospitalized.
Aparna's father, a police officer, fixes her marriage of his own choice. Aparna does not agree with her father and she flees from home. Her father arrests Aparna's friends and interrogates them one by one.
When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golap Colony, he decides to probe into the case with the help of his close aide, Ajit.
The scion of a wealthy landowner family turns to alcohol and self-pity and slowly self-destructs after class differences force him to break off his relationship with his childhood sweetheart.
Selfie is a film that portrays the multi-dimensional relation between a hero and a commoner. Soumitra Chatterjee, the iconic personality of Indian cinema comes across a guy who is his namesake. The second Soumitra Chatterjee is jeered at by people at different stages of his life. Worse, his fiancee seeks in his presence traces of the iconic Soumitra Chatterjee. His only solace remains in his own ventriloquist persona. Simultaneously, the legendary Soumitra Chatterjee meets the attractive woman who happens to be young Soumitra's love interest, but secretly pines for the old and famous Soumitra. The famous Soumitra has a bizarre dream in which this girl appears in a reality show called The BIG BOSS. He talks about this show in a television interview. The finale is a complex web of fantasy and reality involving these three protagonists.
The story revolves around a stolen Laptop which becomes a witness of the lives of those who own it from time-to-time, connecting all of them in the process.