Meşhur Kimden Algeria

Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...

A teenager unwittingly reveals a terrible family secret to her new neighbors.

Twelve-year-old Noura dangles uncertainly in that difficult netherworld between childhood and adulthood. His growing libido has gotten him banned from the women's baths, where his mother took him when he was younger, but he's not yet old enough to participate in grown-up discussions with the men of his Tunisian village. Noura's only real friend is a troublemaker named Salih -- the village political outcast.

The kidnapping of a little girl creates tension and suspicion in Algiers. Only Dounia, a brilliant psychiatrist, and Sami, a police inspector, can unearth the demons of the past.

Forced to leave Sudan for East Africa following the outbreak of war, five citizens of Khartoum — a civil servant, a tea lady, a resistance committee volunteer, and two young bottle collectors — reenact their stories of survival and freedom through dreams, revolution, and civil war.

Nubi, a wealthy man with Communist ties, sets out to find his half-brother Gamal, who has been disowned for being gay, to let him inherit his father's fortune. In the process, Nubi is supposed to kill Gamal's stepmother Raifa, a suspected drug dealer, before she can kill his half-brother.

The events revolve around a family trying to collect their inheritance. When they meet, strange situations occur and suspicion prevails, as each of them believes that there is someone who wants to seize the inheritance alone.

Taqasim, shot in the streets of Cairo, is a voyage to the hidden treasures of Arabic music and to the participation of Jewish musicians. With stylishly shot music and unforgettable back-ally jams played by Felix Mizrachi, Zehava Ben, Abraham Salman and others, this film brings classical Arabic music raw and captivating.

Dallas is a director forced to make a film to get out of a bad financial situation, he associates with a rich businessman who is a passionate film cinephile. During the shooting, the main actor dies. A crazy adventure full of twists and turns and humor ensues.

Director: Esam Al-Sayyed (Director) Mohamed Shaker (Director) Writer: Hamdy Abbas (Writer) Cast: Samy Maghawry Saeed Al Saleh Rawia Saleh Magdy Kamel George Sedhom Hala Fakher (more)

Under the imminent threat of Lebanon's garbage crisis, Hala, a wild child inside of a woman, is the only one to refuse evacuation, clinging to whatever remains of home.

Based on the epic, written on twelve 5000 year old clay tablets, this is the first film adaption of Gilgamesh

A middle-aged tailor and his wife find their relationship challenged by the arrival of a handsome new apprentice.

George Fahmy, Egypt's most adored actor, is pressured to star in a film commissioned by the highest authorities. He reluctantly accepts and finds himself thrown into the inner circle of power. Like moth drawn to flame, he begins an affair with the mysterious wife of the general overseeing the project.

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

Haifa, nicknamed after the city of his love and hope, goes around and comes around in a Palestinian refugee camp. Although he is everybody's fool, there are many things that only he knows. He is closely related to the family of Abu Said, a former policeman who gains new hopes from the political developments. Oum Said, his wife, hangs her hope on the imminent release of their eldest son, Said, from jail. She tries to find him a bride to secure things for the future. Their youngest son, Siad, is cynical and rebellious. He refuses to believe things. Sabah, the 12 year old daughter is romancing the future and wants to find out what's in it for her. The different stories are interwoven into a very timely insight into the current Palestinian mind.

Over three periods of her life, a grandmother keeps repeating to her grandson the same apparently trivial story.

A drama about the relationships between a group of Syrian and Algerian individuals and their stories of love and revenge.

Driven by an urgent need to amass a large sum of money in a short time, a man assembles a team specializing in theft and fraud, leveraging its members' skills in disguise and deception to exploit their victims. Though united by a common goal, each member harbors their own motives and ambitions.

The events revolve around the daily lives of the couple (Abdul Qader) and (Safiya) with (Safiya's) cousin, and the funny situations and adventures that take place between them.