Killer Mirindas 1992
A man with a suspicious attitude enters a bar where only a bartender and another customer are present and orders an orange soda, a Mirinda, very cold; but later refuses to pay by offering a surprising argument.
A man with a suspicious attitude enters a bar where only a bartender and another customer are present and orders an orange soda, a Mirinda, very cold; but later refuses to pay by offering a surprising argument.
Iliteracy today seems to be a small problem globally, but it is hell for the individual illiterate that struggles alone in a hyper communicative era.
A woman, sick of self-destructive character from her junkie daughter, decides to change their situation when she stays at the kitchen.
While investigating the terrorist activities of a Basque nationalist group, Mexico City photographer Eliseo (Mario Oliver) becomes obsessed with his neighbor, a gorgeous young separatist named Maria (Bárbara Lennie). But when Maria is murdered, Eliseo is the prime suspect. Pursued by both the police and Maria's killer -- who has slain other Basque separatists -- Eliseo fights to stay alive and clear his name in this fast-paced thriller.
Mario and Teresa are a seemingly happy marriage, but she reproaches that he does not value enough her work at home. As he is not willing to recognize the importance of domestic chores, Teresa offers him to exchange roles. While Teresa gets a job, and develops very well, Mario is unable to keep the house in order.
Maria travels to Puerto Williams to star in a movie. But the film crew won't be able to arrive due to a strong storm. Alone, she'll seek help for severe back pain, which will lead her to discover life in the southernmost city in the world and a pending story in her life.
She appeared when Spain was waking up from a long post-war period and crying with melodramas starring children, a child prodigy unlike any other; a girl who, in time, would become a symbol of freedom and a total artist. Actress, singer, friend, lover. This is the story of Ana Belén.
A former guerrilla is reluctantly drawn into the vengeance scheme of one of his victims.
Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.
Carla and Román are friends since adolescence, but do they really know each other? By resenting after a while, they will talk about what's unresolved: the mutual attraction and the love they share.
Jorge lives in a room without a window, without light, without air, without a way out and with little hope. His father, Andrés, is the doorman of the building. He is about to retire and wants Jorge to keep the job, but Jorge wants to go to university.
Upon arriving home drunk, Martin, an old farmer, offends his wife Nicha and his grandson. Under the influence of witchcraft, Martin and Nicha sleep without being able to wake up, while a witch murders their grandson; a fact that will cause great sadness in Nicha, leading to her death, leaving Martin alone, deeply drowned in alcohol.
A woman in a Catholic brotherhood in the south of Spain tries to be president in a world traditionally reserved to men.
Lucía starts tonight as a Call TV hostess on the worst night of her life.
Palmira looks after her drunkard father and survives by running errands for her neighbours. Her dream is to have a bicycle and one day she takes one that has been abandoned by its owner, starting trouble. Based on the book "Bibiana y su mundo" by José Luis Olaizola Sarriá.
Ana waits for her dad to come by and finally listen to what she has been longing to tell him for years. When she understands he is not coming, Ana will reach out to every piece of technological device at her grasp, in attempt to have that talk. But technology will fail. Or maybe what will fail is the human capacity for communication.