Meşhur Kimden French Guiana

Two mothers each try to come to terms with the pain of losing a child after four young scouts and a young man who tried to save them drown, with the inquiry revealing negligence on the part of the supervisors.

Mathieu Roy's L’Autre maison is an intimate and powerful family drama featuring three generations of great Quebec Actors. Marcel Sabourin plays Henri Bernard, an 86 year-old man with a failing grip on reality. His sons, a jet setting middle aged photo-journalist (Roy Dupuis) and a younger pilot-in-training (Emile Proulx-Cloutier) disagree on a course of action, leaving the father and the younger son inhabiting a rustic cottage in the woods. As the older man's health deteriorates, options become more limited; when an IED accident in Afghanistan kills the photo-journalist's translator, the family must come together like never before. Shot in Quebec, Iceland, Africa and Asia, Another House blends elements of memory, perception and lyricism into a remarkable cinematic mix that moves the story well beyond direct domestic issues into a visual realm that balances nature and humanity.

Three women fall in love with the same man, except it's a mother and her two daughters aged sixteen and seven. Through love, these women will learn to overcome their deepest fears, come to terms with the way others see them, and simply love.

Pascal and Pauline are coming back to their parents’ estate. After years of travelling the world, they are no longer in a position to afford the property bills. They confront their childhood friends. Friends coming from less wealthy families and who never left their countryside.

When it comes to relationships, the "First Law of the Jungle" prevails: You have to kiss a lot of frogs before finding a prince! Katie is just your average hopeless romantic searching for the ideal man in the vast no man's land of Los Angeles. When Katie rejects her smitten best friend Ben and instead falls for Richard, a sexy and sophisticated composer, she thinks she's finally found the romance of her life. But Katie is about to discover that "Mr. Perfect" isn't necessarily "Mr. Right," and that, sometimes, a frog is really a prince in disguise!

Paule is pushing 50, as she repeatedly observes in her voice-over commentary. When she – a philosophy lecturer with a 10-year marriage and a 15-year-old daughter – learns that her husband is having an affair with a 28-year-old, this number takes on a special weight. The Internet site “L’âme-sœur” is supposed to help Paule get through her burgeoning midlife crisis...

A young woman accused of witchcraft tells an inquisitor the story of her parents who disappeared under mysterious circumstances.

Paris, 1830. Valentin loses himself in alcohol, gambling and women. He does not believe in life and especially not in love. His uncle Van Buck believes only in the virtues of money and trade. Everything separates them until the day when Van Buck, to improve his public image, wants to make Valentin marry the young and impoverished Baroness Cécile. Valentin, who has absolutely no desire to get married, bets that he can easily seduce her in 24 hours and thus prove that she, like all the others, is not worth loving... But Cécile, who believes in true love, will prove much more difficult to woo than envisaged and Valentin will have to use all possible stratagems to try and win his bet. The game of cat and mouse starts... But who is the cat?

Claude Duty's feature-length debut Filles Perdues, Cheveux Gras (Hypnotized and Hysterical, (Hairstylist Wanted)) is an offbeat comedy about three women. Elodi (Olivia Bonamy) is a struggling single mother. Natacha (Marina Fois) is an upbeat alcoholic hair stylist whose beloved pet cat has disappeared. Marianne (Amira Casar) is drawn to a roguish, sexually adventurous art dealer. Their lives intertwine in a variety of ways. Song and dance numbers, as well as animated sequences, punctuate the film.

Franny, an alcoholic, develops a relationship with Jack, a telephone crisis hotline operator. Jack is a recovering addict himself and is fighting his own demons; he killed a young boy while D.U.I.. As Franny and Jack become closer, they help one other become healthier and happier people.

With a gun at his belt and a truncheon in his hand, Pento has just joined the Seine-Saint-Denis anti-crime brigade. With his teammates, he develops specific methods.

Claude Berri plays himself as he relates his own experiences through youth and adolescence. His father owns a profitable fur shop. Initially, Claude's father hopes his son will take over the fur shop, but he later gives in to Claude's desire to become involved in filmmaking.

Véra Cabral, an emergency psychiatrist, is called in to help Giselle Leguerche, who has been incarcerated for murder. The inmate, who is about to be released and has no previous history of prison life, commits the irreparable act of murdering a female prison guard and taking an infant hostage. After resolving the situation, Véra Cabral is entrusted with the prisoner's psychiatric expertise. An investigation into Giselle Leguerche's past then begins, leading the psychiatrist down unexpected paths linked to the prisoner's past.

Thirty-year-old Ben is about to marry Juliette. His quiet, ordered life will fall to pieces when he meets up again with the person he secretly wants to see the most: Vanessa, the high school bombshell who never so much as looked in his direction. She's back in Paris, and the only person she now knows is him…

Sagamore Noonan lives in seclusion on a farm in Alabama, where he distills moonshine during Prohibition. He receives a visit from his brother Doc Noonan and his son Billy. A young stripper and her gangster boyfriend come to disturb their peace.

Two young Algerians born in France leave the Paris region to return with their parents to the village of their origins. They speak neither Arabic nor Berber. First barrier which isolates them from their new environment and which is further accentuated by the problem of generations, present here as in France. The social position of Algerian women posed to young emigrants is more immediately felt and proves to be a generator of conflict. Thanks to the plot, it is the whole problem of the reintegration of emigrants in their land of origin that the film poses and illustrates.