Meşhur Kimden Sri Lanka

Sasitha works as the underpaid delivery man for Giftnet, an Internet based business which accepts gift orders from outside Sri Lanka. Suffocated by economic pressures and sexual frustrations, like most of his peers he sees going abroad as the only way out of his wretched existence. Fascinated with the idea of “abroad” he forms relationships with the recipients of these gifts, most of whom are rich, lonely women. When the real world starts to look too bleak, Sasitha seeks greener pastures through virtual relationships he builds on Facebook and Skype with Sri Lankan women of his own class, working abroad. But when nothing seems to go right, he grows desperate.

A street kid is faced with the decision of whether to continue with his family's street performing profession, as his father becomes increasingly invalid and his family, helpless.

Doni is a Sri Lankan children's drama Sinhala movie released in 2013.

Warenya encounters Sumadya, a student capable of entering a deep hypnotic trance. Sumadya becomes a conduit for Rajini, a famous actress from the past, leading to complications as their love blossoms across two lives and two ages.

In a dilapidated rural courthouse a mother seeks justice for her son abducted by paramilitary men during the 1988/89 insurgency in Sri Lanka

A man washes up on a beach. He saves a foreign woman and together they flee into nature. There they discover that the beauty of the environment only distracts from the growing threat. Behind the serene greenery hides death and destruction. Where did they end up? The present and past of the country merge imperceptibly into one another. This is a battle of all times, with the landscape as a silent witness.

When an alluring young undergrad becomes infatuated with her nearly retired professor, she stirs up the man's humdrum home life in a most unusual way.

Girl escaped from the police under thundering rainy night hidden in old man house spark a conversation on their past, revolutionary traits with sharing ideologies in arts, culture, feminism and revolution.

Kannagi (Pooja) born in the Chola kingdom, one of the three kingdoms in South India around 1,500 years ago, is happily married to Kovalan (Uddika), a millionaire. Kovalan attends the crowning ceremony of the Chola dancing queen, Princess Madhavi (Aruni). Pleased with he performance the king wants Madhavi to indicate whom she would pick to become her husband from among the wealthy male guests present. She selects Kovalan. Spellbound by Madhavi's beauty and her dancing skills, Kovalan too likes Madhavi. The happy marriage crashes. Kovalan spends all his wealth on Madhavi. Broken-hearted, the weeping Kannagi bears up the agony.

On a tragic night, a physicist challenges the limits of time travel to save the woman he loves, but soon discovers its inherent dangers are far greater than he expects.

Goal is the story of bunch of ordinary village children who challenge the impossible with the help of a teacher who refuses to see them fail.

The love story between beastly-looking prince Kusa and beautiful princess Paba.

The film weaves together three narratives set against the backdrop of the Sri Lankan Civil War.

Very loosely based on Anton Chekhov's The Cherry Orchard, Lester James Peries's MANSION BY THE LAKE follows a family of formerly wealthy, expatriate Sri Lankan landowners, now impoverished, as they return from England to the magnificent country estate they left behind.

Maharaja Gemunu is based on the odyssey of King Gemunu (ruler of Sri Lanka 161–137 BC) who is renowned for defeating and overthrowing King Elara, the usurping Tamil prince from the Chola Kingdom, who had invaded the Kingdom of Rajarata in 205 BC.

This is a film that showing the epic battle and struggle a group of uneducated villagers went through to get its independence back in 1948 and its discusses a "secret" what happened between 1947 November and to talk about how Sri Lanka got its independence in 1948.

A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.

A renowned filmmaker receives a mysterious call from an old college mate in the middle of the night. Asandhimitta, whom he recalls as a large and voluptuous woman, asks him to make a film based on her life. She then confesses that she was recently involved in a triple homicide of three women and is taken into custody shortly afterwards. Intrigued, the filmmaker attempts to piece together her fragmented story for a film while Asandhimitta herself awaits her fate in a local prison.

Lasanda is the name of the girl played by the famous actress Nita Fernando. Her acting amplifies the moral qualities of her heroine – a proud woman, irreconcilable to everything that degrades human dignity. The world is divided into two clearly delineated camps. In one of them are the rich mine owners and their accomplices, in the other - the working class, the poor, forced to make ends meet with odd jobs. The first reign supreme, believing that they can buy off any crime with money, although they fear an organized uprising by workers. The second are almost powerless in the face of tyranny and violence; their existence, their future depend on the whim of their masters.

A young girl distraught by her mother's sudden illness finds solace in a beachfront carnival's puppet show run by a mysterious ringmaster.