Being an adult is hard. It's especially hard when you’re only fifteen. Danutė is the only "adult" in her family. Clearly, that’s far too complex a role for a teenager. Every day, she faces external limitations that restrict her potential. A child like that measures everything through the lens of survival and takes on responsibility as her only form of protection.
A young man's confusion in present times. The protagonist is looking for answers to questions that are relevant to many of his peers, coming of age in between a nostalgic socialist childhood and ideas pushed by a young democracy, relentlessly rushing forward.
The film is based on the novel by Romualdas Granauskas, winner of the Lithuanian National Cultural and Arts Award, and is the chronicle of a young man’s shifting relationships as he adjusts rather dramatically to the unfamiliarity of freedom. The film will be shown in Lithuanian with English subtitles. Duburys won the Silver Crane Award in Lithuania. It has been selected as Lithuania’s entry for this year’s Oscar nomination in the foreign language film category. Duburys was entered in the Montreal World Film Festival, Tallinn Black Nights Film Festival and has been invited to Cairo International Film Festival and the Museum of Modern Art in New York.
The family of the famous artist Eve and pilot Thom starts to experience bizzare incidents after a stranger disappears in their cellar
A desperate hunger strike meant to capture global media attention slowly unravels into a hilariously bleak showdown between ambition, reality, and an empty stomach.
Alyoshin, a Soviet journalist working in Argentina, witnessed the kidnapping of photo correspondent.
Justelis is a young, good-looking, friendly IT professional who, after drinking too much alcohol at the company Christmas party, accidentally spills his heart to one of his best friends and reveals his deepest secret - he's still a virgin.
Lithuania, 1977. Memories of childhood, adolescence, and first love in a small provincial town, shown through complexity of human relations at this periodical film.
Divorced couple Bernardas and Silvia live together, avoiding interaction through a strict schedule. Unexpectedly, Lukas arrives with a cryptic message for Silvia. As they navigate this twist, Bernardas recalls how they met through a similar ad. Tensions rise, love rekindles, and desires resurface. Closer explores love's complexities, unexpected encounters, and self-discovery in a poignant and emotionally charged tale of second chances.
A group of emigrant actors stage "War and Peace" at the Stockholm theater...
A family who call themselves true patriots of Lithuania is preparing for a special celebration - their son's send-off to the volunteer army. The father is the happiest about his son's choice, as he divides people into only two groups: patriots and traitors to the state. But as the farewell approaches, the joy is replaced by increasing tension, until finally, hidden emotions erupt. Conflicts of values come to the surface, and the attempts of the household to prove their devotion to their homeland begin to teeter on the edge of the absurd. In the end, it turns out that the true patriots are not those who speak loudly of their love for their country.
Miglė, who married when she was very young, has for 26 years been divorced from her ex-husband who one day calls her and asks for a favour. He has found that it would be a good time to get married again after the death of his mother. But there is a small problem: their divorce is valid only in the eyes of the law, because a Catholic marriage cannot be divorced. It can, however, be annulled. All that needs to be done is to complete an application and give the “Catholic court” a good reason. But she does not know in what kind of absurd situations she is about to find herself in.
During the Swedish-Lithuanian war 300 years ago, the bell of the Plateliai church was apparently dismantled and then left to sink at the centre of the eponymous lake. Stonys followed a scientific diving expedition organised for the purpose of finding the disappeared bell and thus confirming what seems like a popular legend. Like in Countdown, the filmmaker widens his consideration of collective memory and the bringing into crisis of belief.
The film springs from at least three ideas connected to each other in an irrational way: the story of a cow being taken to the butcher, the description of simple pleasures, how to ascend to the top of a hill and descend in a wheelbarrow, and the portraiture of a several blind people. The great, big eyes of the cows are seen in contrast to the unseeing eyes of the blind people.
Paramedic Vincentas is a passionate gambler, who is forced to make radical decisions to return the debts. An idea strikes Vincentas to create an illegal game related to his profession. Love, life and death will be at stake.
The first feature of Lithuanian Valdas Navasaitis is a drama which unravels the hopeless 1970s, when people were deprived of their roots and forced to sit and watch their lives slip from their fingers. In a decrepit house that once belonged to a bourgeois family, several families seek shelter. Senis, a 65-year-old alcoholic, lives on the ground floor with his wife and their 16-year-old daughter. Senis is a survivor of the Nazis as well as the communist camps. He drowns the pain of his memories in a nearby pub and in talking to a depressed young laborer, Lorenca. Later on, a young couple and a lonely eccentric who enjoys only his cat's company join the inhabitants. Children wile away the time with useless games or spying on adults. When Lorenca hangs himself at the ruins of a nearby factory, the lives are shaken up. During the dinner held for the deceased, they find a moment of common hope.
Nikita loves to listen to techno music and dreams to go to Berlin and visit the famous club “Berghain”. His mother Irena doesn’t know about his son’s dreams and soon enough their mutual expectations will clash.
At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.
Lithuanian schoolchildren were driving home, returning from an excursion. Not far from Minsk, the bus came under bombing. The war caught the boys far from home, by surprise. A turn in their destinies, knowledge of the harshest sides of existence... And the heroes are only thirteen years old.
An NKVD interrogator is about to meet and question a talented writer he himself never was able to succeed. For to be strong and convincible he prepares for an interrogation and rehearses.
A large family reside in different Ukrainian cities. Mother and Father live in the Kiev suburbs, the oldest daughter in Mariupol, the second of the three in Vinnitsa, and the youngest in Chernigov. The son went on a work trip to Donetsk. Exactly in these cities on 24 February, they were caught by the war. All, by one way or another, find themselves in a bunker or shelter. The only means of communication is phone and video calls.
Every Lithuanian has to visit the 99-kilometer amber-covered Baltic Sea coast at least once a year. It is said that most of us are even starting in the dunes. While still on the highway, he will read an article about the poor entrepreneurs of Palanga and hurry to help them. Upon arrival, you will always be greeted by helpful grandmothers who will offer luxurious apartments washed by sea water.
After being wrongly fired from Melta Cosmetics, an international beauty brand, Ana is determined to clear out her name. While chicken raising works as a cover, Ana runs underground business - Troll Farm, made to destroy shady corporations with a fake personality - Judith. The Farm sucks all Ana’s savings and time, so her beloved daughter keeps facing an empty chair at dance competitions. Throughout the season, Ana will get dirt under her nails - blinded by desire for revenge, she is turning into the same manipulative beast she’s fighting.
