Meşhur Kimden Moldova, Republic of

Five simple people past their first youth have the band "Dio Family". Two taxi drivers, a painter, a baker and a nurse try to get out of the monotony of everyday life through their passion for music. Lack of money, free time, fatigue, failures are at every step, but nothing stops them, because they feel that if they give up they will lose this last bet to find their happiness.

Dir. Leonard Hentiu, Catalina Femoaga, Comel Mihalache, Elefterie Voiculescu, Vivi Dragan-Vasile, Stefan Gladin.

" The Department of Applied Electronics at Bucharest's Polytechnic Institute created and tested a computer-based image-processing installation. The ways in which the discoveries could be used are presented. "

Once upon a time, there was a little girl who lived happily with her parents and her younger sister. But the little girl lived in Romania and her parents really wanted a house for them, so they went to work in Spain. The little girl stayed with her sister in the care of her grandmother and so the years passed, until one day the little sister told her that their parents were going to return. So the little girl began to hope.

Gestures of Resistance connects the personal testimonies of some of the last survivors of the Holocaust from Romania, Czech Republic and Slovakia through their presentations of antifascist resistance - chapter 1: Armed Resistance, chapter 2: Civil/Political Resistance, chapter 3: Resistance through Art, chapter 4: Resistance through Solidarity.

"Life is a Bitch" is a sci-fi video-novel which finds its set in a possible future where the Left has the opportunity to build its project on Europa, moon of planet Jupiter. The short film follows the struggle of a left-minded couple which couldn’t afford the flight to the “Socialist Moon”.

The film explores sites and practices of memory in post-socialist Bucharest, twenty years after the fall of Romanian communism. It was shot in Cismigiu Gardens, one of the oldest public parks in Bucharest. This central, urban space attracts people from all walks of life. It is a place for social interaction, solitary reflection, reverie, and memory. Interweaving recollections of the past with present-day scenes from the park, the film presents a montage of stillness and motion, images and voices, landscapes and people.

A split-screen animated film that explores the complex nature of memory in contemporary post-communist Romania. Using a collection of everyday, household objects as windows into the past, it features 16mm stop-motion animations of these artifacts, projected alongside selections of interviews from the ethnographic research with the objects’ owners.

Self-exiled in Turkey since 1999 and recently expelled, Mr. Constantin discovers that he had been declared dead by the Romanian authorities, at the request of his wife.

Madame S. is about to give her daughter in marriage to Dr. Gluand, a rich old doctor. What she does not know is that Madelene is in love with the doctor's protégé, Marcel. The two begin a clandestine affair, but the doctor discovers their secret and, seeking revenge, decides to unite the two lovers... body and soul.

A handful of young documentary filmmakers have to make a report on a lathe machine enterprise. Only that Documentary About… is also a playful, almost cheeky film about its own making.

Time passes by quickly for a young, small family: soon it will no longer be that small, the children grow up, the parents get older, and this reality in constant motion, erased and diffused, sometimes stops itself in front of the camera.

A playful study of cinematic perspective x 3: three cameras, three screens, I, You, Witness.

Bogdan Mihailescu creates a short animation about the famous Gopo`s little man.

What if as a result of the Original Sin, God didn't cast out both Adam and Eve from Paradise? What if the actual punishment were more sinister than that? If you had to wait an entire life just to see your lover, could you endure it?

In an unusual spaghetti western setting, a man - played by Ilarion Ciobanu - returns to his home village after spending time at the front. He finds his wife in the company of another man - played by Anușavan Salamanian - who is also raising his son. The confrontation between the two is at its most intense when they exchange glances that, in Ciobanu's case, seem to be a textbook study in Clint Eastwood's taciturn protagonist from Sergio Leone's famous trilogy. In many ways, People Aren't Goats stands out among all the other student films of the period. But the point where it proves most particular is its belonging to a genre - spaghetti western - at that time still new worldwide, whose national exponent will remain Ilarion Ciobanu, through the roles he played in the singular western trilogy, released a few years later, in which the people of the Ardennes go through all sorts of adventures.