Meşhur Kimden Montenegro

Alena is preparing for an important journey. Her family and co-workers do not want her to leave.

Stigme deals with the universal subject of ideological stigmatization. The film is set in western Herzegovina, in the turbulent period after the Second World War. It talks about the devastation in a traditional environment left by ideological confrontations, which culminates during a tobacco journey. The main character of the film is Dragan, the son of an ex-Yugoslav security-intelligence organization officer Mile (who ends up in prison). Dragan is forced to go on a tobacco journey with a group of tobacco smugglers, believing that none of the smugglers know his true identity.

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

A young man is about to leave Bosnia for Luxembourg in search for a better life there, and says goodbye to the city he grew up in.

A short Bosnian film.

A couple of morticians entertain themselves by betting on how many cold customers will come in that day. But one of the corpses refuses to cooperate...

In 1994, Sarajevo was a city under siege. Mortars and rocket propelled grenades rained onto the city, killing indiscriminately, every day. Amongst the madness, two United Nations personnel: a British military officer and another Brit working for the UN Fire Department, decided it would be fun to persuade a global rock star, Bruce Dickinson of Iron Maiden, to come and play a gig to the population. Scream for Me Sarajevo brings that story, in all its madness, to the big screen. A story of musicians who risked their lives to play a gig to people who risked their lives to live them.

At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.

Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Hatidza from the hotel laundry is elected strike leader even though her daughter Lamija, who works in reception, is firmly against industrial action. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech. Elsewhere, a television reporter conducts interviews about war and its consequences. Was Gavrilo Princip, the 1914 assassin, a criminal or a national hero? What long shadow does his deed cast into the present?

A short documentary about my lovely aunt Lili. The film shows just a small part of her life. She is always on the lookout for luck, whether in love or with scratch-off tickets.

A metaphysical odyssey of the Individua members as they grapple with mysterious masked figures and the imminent waiting for them at the end of the snowy forest.

After finding out he owes money for college tuition, a small-time drug dealer and "perpetual student" decides to get his hands on a larger quantity of narcotics, not knowing that circumstances will place him in direct contact with the police.

Mirsad’s father’s village is evacuated due to dam construction. The village will soon be under water. Mirsad arrives from the city intending to move his father’s remains from the old village cemetery to a grave in the new village’s graveyard.

A young couple is moving in to an apartment to live together. Pressured by responsibilities, they leave the new home for a bicycle ride that brings them to a yard full of things for sale- things from the life one man is leaving behind.

In a sweaty, overcrowded tram in Sarajevo, a shy teenager is beset by every imaginable impediment as he tries to capture the attention of his object of desire. Yet the overheated hero of this wild farce will not be easily defeated.

The documentary "Raza the Great" seeks to leave a legacy of testimony about one of the world's top basketball players, winner of several medals from continental, international, and Olympic championships, and accolades culminating in her entrance into the FIBA Hall of Fame. Her impact on basketball and sports in general, especially women's sports, is immeasurable. It is about Razija Mujanović, who played in various clubs over her lengthy career, winning several trophies and accomplishing impacts, most of which she was primarily responsible for. The same is true for two national teams (former Yugoslavia and Bosnia and Herzegovina), which demonstrated basketball, athletics, and human values. Her development and growth, during which she transformed her height (from a disadvantage that started as a complex) into capital and benefit, are unique and noteworthy.

Two guys from Sarajevo have a megalomaniac idea to restore destroyed cable car that was once used during 1984 Winter Olympics. A pretty female student suddenly enters their lives.

A girl roams through the city in order to retrieve her heart and take it to her boyfriend. But there is one problem: the heart has stopped beating.

Twenty-six-year-old Igor is a maintenance worker at a medical rehabilitation center where 71-year-old Edita is undergoing therapy. Their chance encounter will turn into an unusual relationship. Without exchanging a word, the two realize they are kindred spirits and start changing one another. What happens when you share the last days of your life with a stranger?

Three friends are hanging out on the roof in Sarajevo. Their hangout is interrupted by the Yugoslavian time traveler who explains them that they are in danger and need to use the time machine to go back to Yugoslavia and warn people that the future generations messed up. They travel back in time to find themselves not in Yugoslavia, but in Iran. Clash of the cultures is evident, and they are forced to hide their identity. But the more they discover the city, the more they realize it is scarily similar to their own.