Meşhur Kimden Poland

Welcome to the set of "The Wolf And The Sheep". The role of the Wolf is played by a woman, the role of the Sheep is played by a man who is - gay. These characters, ambiguous in various ways, are forced into an unambiguous film form (symbolising social conventions). Horror is mixed with slapstick comedy and the protagonists struggle like animals in a black-and-white tape cage.

“The Landscape is a film on moving, being held and being placed in places and in between places. There is no explanation on the story behind it. There is no deeper thought or symbolism behind it. Like driving, listening to the music and looking at the landscape. All passes by”. – KG

Arnold has been participating in a competition for unusual swimming equipment for twenty-three years and builds incredible boats and rafts every year. As always, the whole family supports him. Bozen's wife and two adult daughters Dagna and Marika help him build a new ship. However, from the very beginning, the design work is not going according to plan… In addition, Arnold decides to end his career and participate in the competition for the last time. He hopes that his family can get on the podium and win for the last time.

100 kilos of self-doubt: a massif of a man uses slam poetry to overcome his fears. One small step for mankind is one big leap for a shy giant.

This wonderful Polish non-narrative animation takes as its theme the constriction and confinement in which we often find ourselves. Viewers will be able to consider when barriers and borders are and are not necessary.

In order to confront her unfaithful partner, a young woman embarks on a lonely journey throughout the city, and with each subsequent street it becomes more stifling and unsympathetic.

Propaganda film about Polish diaspora and their settlement in Paraná, Brazil.

Produced by Social Communication Factory

Dark vision, moody colors and clouds of smoke everywhere – these are the most characteristic elements of the award-winning video clip for Syny. Written and directed by Sebastian Pańczyk, produced by studio Dobro and with visual effects created by Platige Image artists. Smoke plays important visual role for Syny – not only at concerts and live performances. Even the lyrics of “Nag Champa” are dedicated to the smoke generator, so it could not be missing in the video as well. Smoke is present almost in every frame of the film and creates mysterious, slightly unreal atmosphere.

Gustowska recorded the protagonists, three pairs of female twins, in different situations and in the course of the passing time. The camera registered the changes that gradually occurred in the young women, capturing the differences and similarities between the siblings.

“The End The End” shows an interest in the film-making process as a subject. The motif of closed composition is of a circular nature, in which the end signifies the return to the point of departure, and is frequently employed by the artist.

Picture of a fight between two women in which the victim is a judge - a man. 'Re-discovered' film by Jadwiga Singer.

One of Jadwiga Singer's analitical, conceptual films, showing how, using the simple tool of a 16 mm film camera, we are able to manipulate the conception of reality.

One of the structural films by Jadwiga Singer, showing relations between photo image, film record and reality. "Destruction" can also be interpreted as metaphor of Singer`s personal situation.