Meşhur Kimden Saudi Arabia

Lebanese Movie created in 2020

A documentary capturing an orange grove shortly before it is to be developed.

A young man returns to Iraq after more than 15 years of exile. He goes to the cinema he used to go to and finds that it has become a meeting place for homosexuals.

A rich land economically and culturally, Algeria fluctuates today between despair and the hope of a new beginning. Then there is a series of suicides at the heart of society. The coast and the sea. Images flow into and over each other poetically like a Fata Morgana.

Amin (8) lives in a working-class suburb on the hills of Tunis. He comes to the city to drop off his photo collection book hoping to win a bicycle. Faced with the city, unexpected things occur.

Can a single traumatic event be the fatal blow that disrupts the notion of an ideal family? Lebanese filmmaker Hala El Kouch creates a therapy session setting to confront her parents about a traumatic event, and interrogates them over the course of five days. But the moment that “changed everything” for her seems to have made far less impact on her parents. The conversation takes an unexpected turn. A stream of images, family videos, and photographs from the family album paint a picture of perfect domestic bliss. And during the reenactment, too, Hala’s parents behave in a loving and amiable way towards each other and their daughter. In an otherwise empty room that sometimes contains a sofa and sometimes chairs, the three of them amuse themselves by making faces at one another, combing each other’s hair, and sharing kisses. (Source: IDFA 2020)

Experimental film exploring existential reflections, and joy amidst a life in limbo.

Fadma, 75, tells her life story including being recruited as a sex worker for the French army aged 20, and her views on love, parenthood, and destiny.

Grandmother loses her five senses one after the other until she transforms into a wooden chair.

A comedic comic play about marriage and wives in a comic framework