Janette is terminally ill and wants to die in a dignified way but this is not permitted under British law. She refuses to wait for death in unbearable pain so she opts for a physician-assisted suicide in Switzerland. Before departing on the final journey she has to explain her intention to the family members and close friends.
The film Mečiar is the confession of the young director Tereza Nvotová about Vladimír Mečiar and the influence that this politician had on Slovak society, but also on the life of Tereza herself. When the totalitarian communist regime fell in Czechoslovakia in 1989, Tereza was one year old. The leaders of the Gentle Revolution then decided to hold an audition for the Minister of the Interior, to which Vladimír Mečiar, an unknown business lawyer from the Slovak countryside at the time, applied. After success in bankruptcy, Vladimír Mečiar reaches the political top, from where he rules the country with a series of questionable practices. Against the background of events such as the division of Czechoslovakia or the kidnapping of the son of the president of the Slovak Republic, Tereza and her peers relive their childhood.
A car thief driven by a love of cash finds his priorities shift when he falls for a college student but his conversion has dangerous consequences.
This simple story is the feature debut for well-known Slovak theater and television director Juraj Nvota. Set in a Slovak village at the turn of the last century, the story teems with passion, and repressed and hidden emotion. It delves into the search for identity, investigating both love and hatred, while dramatizing the tragic relationship between an adolescent girl (Tatiana Pauhofová) and her ambitious father (Ondrej Vetchý). Set against the striking though simple backdrop of a picturesque, even idyllic, landscape - one ostensibly cut off from any important historical, political, or social context whatsoever - the arrival of an unwanted individual evokes the onset of a cruel drama.
Just out of prison, Tomáš, a taciturn loner, takes a job cleaning houses where people have recently died. Things take an alarming turn when he begins putting in overtime: hiding behind closet doors after hours to secretly watch the homes’ residents. His voyeuristic ways soon lead to a romantic obsession with a woman in distress—but in order to help her, Tomáš will have to come out of the shadows.
This film is one of the most popular pictures of Slovak cinema and relates the story about the legendary folk hero and brigand Juro Jánošík [1688-1713] and the social situation in Slovakia of the late 17th and early 18th centuries. The first part talks about Jánošík's childhood, studies and return to his native village. In the second part Jánošík leaves for the hills, where he organizes his band of brigands and starts an anti-feudal resistance. The film concludes with Jánošík's execution.
A film about Slovak icons painted in the period of the late 15th to the early 19th centuries, when original Byzantine icon was ending in Slovak folk art.
Jakub, a dreamer and budding magician, juggles between parcels and services rendered to the villagers. His eyes cross that of the beautiful gypsy Jolanka. Together, they will try to live a first and big love, despite the pressure of their respective communities.
A short fairy tale about troubles of soul and pure alcohol narrated by Stano Dančiak.
A television production of a Renaissance comedy by N. Machiavelli. A sharp criticism of society, a sharp satire on the wickedness of the clergy and human stupidity that causes the breakdown of marriage. The old lawyer Calfacci, husband of the young and beautiful Lucrezia, is unable to father a child. Callimaco, in love with Lucrezia, convinces him to give his wife a decoction of mandrake. At the same time, he warns him that anyone who comes into physical contact with Lucrezia for the first time will die from the effects of the poison. Therefore, the first villain (whom Callimaco himself is) must be caught and sacrificed for a good cause. However, he must convince Lucrezia's mother and the virtuous Lucrezia, and thus bribe the confessor Timoteo. The monk approves this intention with his casuistic interpretation and blesses him.
Janosík, a friar retrained as a bandit, becomes the farmers' symbol of resistance and fight against the feudal conditions.
Martina is 18, loves dancing and goes by a nick name Shakira. Also, today she is leaving an orphanage...
Ela, 15, has a love affair, which results in her being sent to a re-education center.
A contemporary tragicomedy from a modern city about disintegration of relationship, disintegration of a marriage, and maybe also about the disappearance of basic rules from decent life. A very black comedy about people in their 40ies who already have money, but still listen to rock and roll, exchanging drugs for mobile phones.
The first Slovakian colour film. A celebration of traditional Slovakian folklore and creativity expressed through a story of young love .
Sonia Maletzová's documentary film portrait follows the legend of the Czechoslovak music scene, rock keyboardist Marian Varga (1947-2017), at the end of his life, when he was diagnosed with a terminal illness. It captures the great introvert and avid smoker during his last performances, when he slowly began to lose his breath.
Once upon a time there was a king who had only one daughter. However, his kingdom was sad because the old king was always grumpy. Moreover, he liked to eat boiled duck, of course. There was no one left in the kingdom, so he decided that whoever brought him his delicacy would get the princess as his wife.
The story of a young lawyer who finds herself in a difficult situation when she encounters troubles in her burgeoning career and complications in private her life.
The search for love in paradise, the fight for a fairytale win, a beautiful villa by the sea, fine sand on the beach, a refreshing pool, the scorching sun, or evening barbecues - all in the most exciting dating reality show Love Island.
Slovak version of the reality series The Farm.
The young Maria Theresia sees her life clearly in front of her: she will marry Franz Stephan of Lorraine and start a family of many with him. Even if Franz Stephan is not quite sure of his luck and her father, Emperor Charles VI, and his powerful advisor Prince Eugene of Savoy forge quite different plans for them. It looks quite as if the young archduchess must sacrifice her happiness to the cause of the state
