Meşhur Kimden Thailand

It is the story of two brothers. One is a hired killer, who wants his brother to study at university and supports him with the money earned from the murders. Once studies finished, the good brother becomes a policeman and discovers his brother's job. What is he going to do?

Porsche and Chakrit’s vacation turns tense after a minor mishap ruins the mood. Feeling the pressure, Porsche slips away to a bar where he unexpectedly runs into Beer, an old friend.

Shot on black-and-white 16mm film, Local Sensations opens a loose, playful dialogue with Chatri Prakitnonthakan’s essay, How to Design a Modern Monument That Won’t Become a Shrine. Rather than illustrating the text, the film generates pluralities—unraveling the dichotomy of object and subject—and gestures toward a kind of topological politics.

A mediator walks into a Karen village in the midst of a feud between another village. When the sheriff of the village is shot dead, he soon becomes implicit in a series of murders, and it is not long that he angers enough people who are thirsty for vengeance.

Corroded pixels struggle to form an image as they move through Cold War promises of development in rural Thailand, haunted by archival voices.

Intruder try to broke a victim house.

This is summary of "the handsaw murder" by police

The hiker want to hike in somewhere but he doesn't know that he got hunt

4 friend walk into the forest but they found a tragic later.

Java finds himself getting lost and unable to let go of his pass..

“herstory” is a project that borrows the word history and retells it through women’s perspectives. It presents stories situated in various contextual ‘spaces,’ which serve as backdrops revealing the ‘emotional spaces’ of female characters in film. Through their voices, the narratives convey their emotions, political frustrations, and the quiet pressures imposed by social structures.