Adi, a gay teenager, is spending the summer in his home village in the Danube Delta. One night he is brutally attacked on the street, the next day his world is turned upside-down. His parents no longer look at him as they did, and the seeming tranquility of the village starts to crack.
What does it mean to “live” after experiencing war? Four Romanian survivors of the Afghanistan conflict share — for the first time — their invisible wounds and path to recovery.
"Love Sorry" is a comedic romance where a small-town girl races her friends to meet a visiting celebrity. Laughter, friendship, and unexpected moments ensue in this charming tale of pursuing dreams and connections.
After WWII Comisarul Moldovan spent years as a political prisoner of the communist regime. The favorite entertainment of the Russian Colonel in charge of the prison was to have the inmates play Russian Roulette. Only his unbelievable luck and survivor spirit helped Moldovan live through his detention. Out of the prison the ex-policeman joins an international Russian Roulette illegal gaming circuit. In late 70's faith brings him to a Central European town where Goldberg, an old acquaintance of his is organizing an "improved" version of the game where two opponents are shooting each other. Step by step Moldovan meets lots of familiar faces, both friends and enemies. It looks like the whole Bucharest's underworld from the 40's chose to meet here.
"Occident" is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories - a weeklong in the film - that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.
Miami Bici is the story of Ion and Ilie, two young people from a small dark city in Romania who go to Miami in the middle of winter, to live both the "American Dream" and the Romanian dream of "getting rich quick". Once there, they find themselves in the middle of the Machiavellian plan of Mișu, a Romanian of the lowest species, established in Florida.
Camil wakes up one night without a penis. The nightmare continues when his partner also disappears after meeting a former lover. Camil sets out to find her and - wearing female clothes - joins a secret community dedicated to fertility, somewhere near a lake. And what he finds there will prove even more disturbing than his recent misadventures...
Cristina, a mid 30s secretary living in an alienating and hostile Bucharest, is trying to understand what it means being a bills-paying, ready-to-settle, social-ladder-climbing adult while still desperately wanting to be a good child for the single mom that raised her. She is also a character in a novel that a theatre director is turning into a feature. As the actors start setting into the story, their individual backgrounds, social circumstances and personal motivations begin to overlap with the fiction they were offered, making it their own, questioning it and shaping it. The result is what it’s supposed to be: a playful mesh of perceived reality and fabrication.
Skugos is the perfect town where all is sunny and nobody laughs. Mr.Q discovers laughter and sets off to look for the place where people enjoy laughing. Will he find out that laughter means happiness?
The grim realities of daily life in post-Communist Romania are described in this dark drama, which was filmed on-location in the poorer areas of Bucharest. Pepe & Fifi are brother and sister. Pepe is a struggling boxer, and Fifi is a barfly addicted to Bucharest's sleazy night life. This movie chronicles their daily lives while commenting upon the political and economic situation in Romania.
It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas alone. Manescu, the history teacher, tries to keep up with his debts. Jderescu, the owner of a local television post, seems not to be so interested in the upcoming holidays. For him, the time to face history has come. Along with Manescu and Piscoci, he is trying to answer for himself a question which for 16 years has not had an answer: "Was it or wasn't it a revolution in their town?"
Jacob (Dorel Visan) is a gold miner who risks his life daily to support his wife, mother-in-law, and four children in this socio-political drama. Under the rule of an oppressive monarchy backed by military force, the miners often resort to stealing gold to compensate for their meager wages. Workers are subjected to strip searches and are forced to take laxatives by the often brutal guards and inspectors as they look for stolen gold, and Jacob raises his vocal objections over the treatment of his fellow workers.
A freelance journalist investigates a mysterious AI corporation after a fire claims the life of its star employee. As he races to uncover the truth, he unravels a web of secrets, exposing the AI software's dangerous impact on the world and on the sanity of its employees.
After the suspicious death of his best friend Nic, Stefan, a fifty-year-old businessman, uncovers the unknown part of their relationship and has to come to terms with his new life.
A frothy comedy about life in the corporation, about the challenges of building a career and those of consolidating and motivating a team. The film, a satire of corporate life, reveals the events of a team building in which the robotic corporativism unleash themselves and unleash themselves by showing their human side.
Different portraits, four short stories, four moments in time capturing the wanderings of a few souls, stuck at the crossroads of History.
Sunday afternoon. 42 Celsius degrees. Nothing to eat. No shops. A man in his 50s tries to survive.
A continuation of a story started in the drama "With Clean Hands" (1972). Commissioner Miclovan's last cartridge is still hot in the pocket of Roman. Left without Miclovan's support, dead in action, Commissioner Roman wants to see his murderer, a very powerful local mafia and smuggler, Mr. Semaca, acquitted by the court for lack of evidence, punished. But before dealing with Semaca, Roman receives a new mission, this time undercover: the capture of a German spy still active in the country, suspected to be hiding in a monastery. In this mission, Commissioner Roman also has a helper, Oarca, a former underwriter who proves good at everything and especially at car chases on serpentine...
Sibiu, December 1989. In the chaos and panic generated by the protests of the crowd against the authorities, a unit of the militia becomes the target of a violent assault that escalates into a bloody confrontation between soldiers, militiamen, security agents, and civilians. Trying to escape the siege, Captain Viorel of the militia is captured and accused of being a terrorist.
A couple of weeks after his wife Ioana dies in a car crash, drunk and alone on the night he turns 42, Alexandru receives a visit. Sebastian, a shy, younger man, has been Ioana's lover for the past five months. Sebastian has an outrageous request: he wants Alexandru to help him overcome the despair caused by Ioana's death.
