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The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

Three generations of a French family open up about their sexual experiences and desires after young Romain is caught masturbating in his biology class.

Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.

Since the suicide of his wife, Jacques Loursat has gone downhill. Estranged from his daughter, his lawyer's pratice in ruins, he consoles himself with drink. One night he is woken by a gunshot and catches sight of a young man fleeing the house. Isabelle, his daughter, claims to know nothing about it, even when he finds the body of a young man. Isabelle hangs around with a gang of spoiled young people who have no shortage of money, and is in love with Joel, an ambitious boy involved in drug dealing. Antoine, from a more modest background, is in love with her. When the police start investigating Joel's murder, Antoine becomes the ideal suspect.

History's favorite Gauls assist Queen Cleopatra when she wagers that the Egyptian people can build a palace for Julius Caesar in just three months.

Documentary on one of the most famous branches of Japanese filmmaking, the erotic Pink film genre, known as Pinku Eiga, and the closely related Roman Porno cult films series produced by notorious Nikkatsu studios from 1971 to 1988.

The struggle of a female doctor against superstition and healers.

Antoine, a bachelor party-goer, gets new roommates: Jeanne and her two children.

How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

A petty thief works his way up the absurd hierarchy of Goto, an archipelago cut off from civilisation by a tumultuous earthquake. His dream is to possess Glossia, a stifled beauty trapped in a loveless marriage to a melancholic dictator.

A woman in her thirties gets tired of life in Paris and decides to leave and become a farmer.

Jean-Charles has an unusual relationship with his mother. He can't break free of her influence even when writing his master's thesis, made up of interviews with the several hundred men who have slept with her. Jean-Charles can identify -- he's one of them. But the incestuous bond between mom-and-son is jeopardized when Jean-Charles meets Cassandra, and Mom shifts her attentions to a hot young stud in retaliation.

Despite the disagreement of their mother, the sons of old Taras Bulba are taken to the Dnieper camp on their return from a Kiev seminary, to teach them how to become real Cossacks.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Sacha is a real seducer, a man with no ties or emotional or professional. Charlotte is a modern and independent woman, but barely has time to care for their three children. While Sacha and Charlotte are, at first glance, two incompatible beings, when they meet soon discover that they are quite complementary and need each other.

In a village on the French-Belgian border, a smuggler named Sylvain falls in love with the pretty Pascaline, which infuriates Germaine, his mistress. The jealous woman reports Sylvain to the police. As a result, the young man gets hurt during a night chase. Fortunately Pascaline offers him hospitality and looks after him.

Kagami drags Marinette to Tokyo to help the Stellars defeat a new supervillain, but Marinette soon realizes her friend has another, untold reason for this trip to Japan.

They knew each other long ago: a man and a woman whose dazzling and unexpected romance captured in the now-iconic film revolutionized our understanding of love. Today, the former race car driver seems lost in the pathways of his memory. In order to help him, his son seeks out the woman his father wasn’t able to cherish but whom he constantly revisits in his thoughts and dreams. Anne reunites with Jean-Louis and their story picks up where they left it…

A serial-killer frightens Paris by phoning young ladies at night, telling them insults about their lives. Minos, as he calls himself, wants to prevent the world from free women and he targets at first these ones. Commissaire Letellier is given the investigation and he has hard work with the maniac.