Comando Txikia: muerte de un presidente 1976
Madrid, November 20, 1973. The Txikia commando unit of the terrorist group ETA planned and carried out the attack that killed Prime Minister Luis Carrero Blanco.
Madrid, November 20, 1973. The Txikia commando unit of the terrorist group ETA planned and carried out the attack that killed Prime Minister Luis Carrero Blanco.
A mid-level government bureaucrat is forced to think hard about his ideas on governmental corruption and his own integrity.
40 years ago in Mexico, a group of women filmmakers gathered to make films dealing with taboo subjects, gender violence, rape, feminicide, clandestine abortion, labor discrimination. They called themselves “Cine Mujer” and were active as a collective for over 10 years. Today they reflect on violence against women and their continuous struggles, which are still prevalent in modern society.
An award-winning architect struggles to find work, love, and a purpose in life.
In a European city agitated by racial unrest, a powerful tycoon must face the only thing he cannot deceive or corrupt: death. Meanwhile, a detective tries to find the woman he loves, and, at the same time, an innocent young woman follows him with the crazy purpose of bringing her son, who has been killed in the crib by a gunman, back to life.
A young man works in the port of Buenos Aires translating the love letters that prostitutes receive and seeks inspiration for his works in them.
Four nuns are raped by a group of lepers. Although they all turn out to be pregnant, their status is hidden from them in the convent.
After graduating in Economics, Luis is seeking to burst through in life. His partner Ana sees how his way of being is changing by the standards of his company into a different person. Ana tries to draw his attention in a failed suicide attempt.
Innocent women are being kidnapped and used as guinea pigs for a brain transplant experiment. The diabolical Dr. Frankenstein continues his quest to perfect his brain transplant operation to bring back his deceased wife at any cost - even if it means playing with the lives of others. El Santo and Blue Demon are called in to help when their friend Alicia becomes Dr. Frankenstein's next target. It'll take both heroes to go up against the dastardly doctor and go mano a mano with his super strong zombie Golem.
A woman of great beauty is used by a man who only desires her body and falls on the path of self-destruction.
Mario and Berto are brothers and they live in Galicia at the “Finis Terrae”. Their father left them when they were children and they grew up with the idea of finding him someday, without knowing that they were the ones separating from each other. Once reunited they will intent to take up again their mission
Follows two friends, Juan and David, they will find themselves on a rooftop terrace after an intense party in Madrid. Juan witnesses David falling to the void, and his body disintegrating into ceramic pieces after hitting a car.
A series of five short films made by five outstanding film directors that narrate in the first person their creative processes, their environment and their experience of 2020 and the pandemic. Ways of creating, territory, memory and autobiography in works where they propose us to look into the world of today. Her immediate and urgent look at the year the pandemic changed our lives.
An impressive reconstruction of time through archival materials, it explores through three characters the fate of 6 million immigrants who made our River Plate the most European region in all of Latin America. The three characters are fictional but their stories are real. From this collective adventure is a trace, a trace: it is the record of the photographers and filmmakers who documented the immigration process.
Juan has become the laughingstock of the small fishing village, due to his wife being unfaithful and getting pregnant by another man. He has left fishing and now obsessively cares for an ostentatious mansion of a wealthy family from the capital. One day, the young son of the owner shows up at the house, without his father's permission and loaded with alcohol, with a foreign friend and a village girl they just met. During the course of the weekend, Juan will be forced to make decisions that will affect the rest of his life.
In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”
Basque Country, Spain, 1980s. In Bilbao, a gray city dominated by political corruption and nationalist terrorism, Charli works as a chauffeur for Oliveira, a businessman engaged in shady deals. Alarmed by a series of threats and attacks, Oliveira decides to entrust Charli with the protection of his daughter Marta.
METRALLA was a rock group from the late 1980s that achieved great success with its first and only LP titled “Por Tus Muertos”, but which mysteriously dissolved just before giving its first concert. Thirty years later, Miguel, one of the members of the band, still dreams of being a rock star, even though no one goes to his concerts and his music store is about to be seized by the bank. Ordúñez, a famous rock radio communicator, offers him to give a concert at the Palace of Madrid on the condition that he reunites the original members of the band.