مقبول سے Albania

An unbaptized woman is killed because of the regressive mentality existing in the mountains of northern Albania.

Agron, a new chairman of the district executive committee, feels encircled by authority of his mother in law, Frosa and some relatives and friends, which want to make use of Agron's position for their own interests.

Jani Budi, 60s, after serving a sentence, was released from prison in Ancona and embarks on a ship to return to his country of origin, Albania. Arriving in Tirana he discovers the shocking truth: his wife died shortly after his arrest, and his son, Andi, has become politically corrupt. The film is a combination of drama and comedy that scans Albania today and human relations.

A comedy from the stage troupe of Tiranë and Shkodër. A collection of sketches, songs and humorous numbers performed by well-known Albanian pop artists. With a combination of humor and satirical situations, the film aims to bring entertainment to the audience, reflecting diverse characters of everyday life and addressing social themes of the time.

This is a tale of family issues that emerge due to a shift in lifestyle upon moving to a new country, driven by a strong aspiration to improve their circumstances. Shaqa and Selvia opt to challenge their sense of "morality" in pursuit of a brighter future. Conversely, Giovanni's unintentional involvement steers their chosen path in an unforeseen direction. However, their journey does not culminate as they initially anticipated.

Two waiters find themselves working late at night with an elderly who failed to commit suicide. One of the waiters wants to know more about the elderly but ends up finding more about himself.

Film set in a remote mountainous area where work and living conditions are harsh.

Fisnik is about to embark on a absurd journey in creating a fake weeding video, to get the German visa. He has to succeed in convincing his family, friends, and his ex to join him in this crazy journey.

The story of workers from the Institute of Public Health who in the mid-1980s have developed a globally unseen or unheard invention: the Auto-Immune-Vaccine.

Mondi, a schoolboy, is good at lessons but he is rather impulsive. His young and inexperienced teacher fails to see him for what he really is and in a sort of way contradicts him. While his father follows closely the positive inclinations of his son and helps him to form his personality.

After the death of Alban’s brothers in the fire that burnt down their home, the entire family suffers from a shock, mental disorder and extreme poverty. Of all the family members, Alban has been affected the most by this tragedy.

Dafina, a young, schooled woman, returns to the city and opens the first school for girls.

A group of friends decide to spend the night at a villa, but everything changes when they encounter an environmentalist.

Based on a true story, set during the drainage of the Maliq swamp.

Zana and Bardhyl are two students in love with each other. Through the spiritual ups and downs of this love the film reveals their dreams and desires, likes and dislikes. With these characters more or less of the same age, which have their differences, the film delineates the portrait of the student youth.

Two Albanian brothers migrate to Greece and try, each in his own way, to integrate into their host country by following two different lifestyles.

Albania and neighboring Yugoslavia officially broke ties in 1948. But in 1971, the Hoxha regime was honored to welcome the ethnic Albanian actor Bekim Fehmiu (1936-2010), at the time an international star in Yugoslav theater and film. Before his trip to Albania, Fehmiu had appeared in the popular Italian television smash The Odyssey (1968) and the Cannes-winning I Even Met Happy Gypsies (1967). Dokufest will also feature a photo exhibit of recently-discovered still images taken during Bekim Fehmiu’s Albanian visit.

Two kids, Zana and Miri, play every afternoon in the garden by their house. They are often careless and damage the flowers of the garden.

A quiet routine unfolds in an absurd world, where a man drifts between dreams of dancing to disco hits with the love of his life and the reality of working as a gravedigger in a cemetery.

“Gjama” is a rarely practiced mourning ritual that was performed by Albanian men throughout the centuries. By shouting specific phrases and acting out a strict choreography, it is a way of paying respect to the deceased but also overcoming grief and pain over the loss of a loved one. Through the documentation of the re-enactment of the ritual, Zgjim Elshani seeks to recover fragments of the practice in the communities where this form of collective grieving is still a way of overcoming loss. By doing so, the project intends to rethink collective grieving and what it means to publicly display emotions in a male-headed society.