The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity-- It seems avarice grips the hearts of all those who'd possess the bag.
A young man, crazy about motorcycles, buys an Ellehammer and drives it out of the store at wild speed. During his unruly driving, he knocks over several people, all of whom set out to chase him. (stumfilm.dk)
A wealthy old alchemist and inventor has just perfected a motion picture camera with which he hopes to revolutionize the art of animated photography, and our story opens with the old man in his library studying out the plans of his invention. A telegram calls him hurriedly away. He replaces the papers in his safe, but, in his haste, neglects to lock it, which oversight is pardonable, as his wife and daughter are in the room at the time. The daughter's hand is sought in marriage by a worthy young man, whose attentions are looked upon with favor by herself and her parents. But he has a rival in the person of a contemptible villain, whose motives are purely mercenary, reasoning that this new invention will greatly enhance the father's already ample wealth.
With the family of Mr. Phlipp there is employed that wrecker of domestic serenity, a pretty French maid, whose trim figure and cherry lips are simply irresistible. This is all very fine for Phlipp, who is wont to bask in the radiance of her smiles and to sip the honey from her rose-leaved lips. But, alas! his bliss is short-lived, for, the perspicacious Mrs. Phlipp grows suspicious and surprises the erring couple in an osculatory diversion. The meretricious maiden is put to right, and the sinful Phlipp is assailed with most vociferous vituperative verbosity.
FRAGMENT | A man lies on his deathbed and shows his will to his carer. After his death, a grieving man and woman come in. The scene changes and we find ourselves on a beach in the company of two couples. They’re about up to fight on a cliff, and one of the men plummets to his death. Then the scene changes again to a living room with a sobbing woman. (Stumfilm.dk)
Two students at college were friends until a girl appeared and by the workings of fate was beloved by both. The girl has given her heart to one of the classmates, unknown to the other. The youth confesses his love, and is plunged into despair when told that her heart is another's. Coldly the classmates part, when the next day they start on their divergent paths of life. Years later, they meet again and while the trio enjoy a pleasant chat, a message calls the husband away, leaving his wife to entertain. The chum takes advantage of his absence to renew his protestations of love, which are spurned by the wife, who attempts to avoid him. He follows, whereupon the wife sends him reeling down the stairs, just as the husband reenters. The woman's denunciation of the friend brings about a terrific combat.
Vitagraph production of Shakespeare's Richard III.
Mack Sennett appears as a policeman and waiter in this film produced by the Biograph Company.
The young hero, Frederick, is leaving his country home and going to the city to attend the bull fight, and while there he meets and woos a beautiful maiden, forgetting his own little sweetheart at home.
Mr. Jones at the Ball is a 1908 American silent short comedy film, part of the once-popular Biograph series centered around the titular Jones and his long-suffering wife. In this film, Jones rips his suit pants and chaos ensues.
A young woman (Linda Arvidson) is kidnapped by a band of opportunistic Chinese slavers, led by devious Pong Lee (Harry Solter). A resourceful female police operative (Marion Leonard) is determined to rescue her, and tracks the mastermind of the kidnap plot, Hendricks (George Gebhardt). Though successful in her rescue effort, the rescuer ends up being made a prisoner herself. The slavers plan to make her the victim of a pistol shot to be triggered by the hands of a clock. The heroine is rescued by police seconds before the hands of the clock reach the "fatal hour".
Mack Sennett appears as a soldier in this film produced by the Biograph Company.
Believed to be the first film to feature cannibals.
In the 1849 American West, seductive outlaw Jack Morgan falls in love with Mollie, an innkeeper's daughter, already coveted by stagecoach driver Dick. After robbing Dick's stagecoach, Jack is chased by a posse of horsemen. Wounded, he finds refuge with Mollie, who hides and nurses him back to health. Hunted to a burning barn, Jack attempts to escape but is shot dead by Dick. Mollie finds him dying in her arms. Between romance, betrayal, and pursuit, the film intensely blends drama and adventure.
The widowed elderly mother of three adult children, two sons and a daughter, wishing to relieve herself of the burden of care of her property, decides to divide it up among her children. To her son Charles, a wild but kind young fellow, she leaves a small amount, feeling that he will soon run through it. The good-hearted boy is perfectly satisfied, believing in the wisdom of his mother's actions. He assumes she will find a home with one of his siblings, who are married and settled. The old woman moves in with her married son, but is driven out by his wife over an argument about her young granddaughter. She is forced to move into a squalid apartment in a cheap tenement house, but is evicted for failing to pay her rent. Mack Sennett appears as a bartender in this film.
After a judge (Harry Solter) does his job and sentences a man, a gypsy woman (Marion Leonard) erupts in vehement protests and has to be taken forcefully out of the courtroom. Later the gypsy follows the judge to his home and plots a vicious revenge on his wife (Florence Lawrence).
A poorly compensated bank clerk is, we may say, to that trying position of "Tantalus" in sight of tons of money but not a dollar of his own. This became more torturing as time went on, until at last, when the bank was arranging to ship a large quantity of cash to the West to relieve the recent money stringency, he made up his mind to heed the solicitude of that specter which had haunted him. Listening to the instructions given to the bank's messenger as to the shipment of the funds, he hustles off to a gang of crooks in whose company he had fallen.
Mrs. Wharton, a dashing widow, gives a party at her beautiful villa in honor of the presentation to her of a handsome diamond necklace by her fiancé. During the evening bridge participated in by a number of the guests, among whom is Myrtle Vane. Miss Vane is playing in wretched luck, and is advised several times by Mrs. Wharton to desist, but she still plays on in the vain hopes of the tide of fortune turning, until at last, in the extreme of desperation, she stakes her all and loses. Shame and disgrace stare her in the face. What can she do to recoup her depleted fortune? As one of the guests there is Professor Francois Paracelsus, the eminent palmister, who of course, was called upon to read the palms of those present. Sheets of paper were prepared and each imprinted their hand on a sheet to be read by the erudite soothsayer at his leisure, and so were left on the drawing room table.
A mother works as a dancer to support her ill daughter. One night while performing, the mother has a vision of her child dying. She rushes home, but it is too late.
