In this moving film, the personal testimonies of Guatemalan Indians, peasants, and guerrillas are dramatized to provide the narration for a powerful overview of the history of U.S. destabilization of democracy in Central America.
“Love Shots traces the overwhelming, colorful landscapes of Minnesota and Mexico: shots of lush, Mexican mountains and country roads are interspersed with Minnesotan lakes on a rainy day and aerial views of the city from a friend’s airplane. Downs also documents his family life; his wife, Anita, and daughter Lila appear throughout the 8-minute short. Distinguished by its frenetic pace—cutting sharply between saturated images and frequently showing scenes sped up to multiple times their normal pace—Love Shots also exhibits Downs’s fascination with conspicuous consumption, manifested in various images of advertising, shopping, and scenes from amusement parks.” —Ruth Hodgins, Walker Art Center
A KRON-TV film documentary featuring the last public concert given by one man band musician Jesse Fuller, in Oakland Museum's Cowell Hall on May 7th 1971. Fuller is seen playing several songs (including 'San Francisco Bay Blues') and bantering with the audience, recalling how he appeared in Raoul Walsh's 1924 movie 'The Thief of Bagdad'. Also includes close-up views of him playing his guitar and fotdella (a foot operated percussion bass) and talking about his playing style. Begins and ends with brief scenes of Fuller walking around his Oakland neighborhood.
Short film.
The great sick nowadays, the traffic, is always under observation. Methods and studies to attempt to decrease harmful discharges. But if planes and trains are constantly under control, the same goes for cars and pedestrians, where an infringement can often cause collateral damage to other drivers and / or pedestrians as well. Examples of how in some cases reckless driving can cause serious damage. Safer driving, on the other hand, can avoid further aggravating the problems of the very sick person. Preserved and digitized by the National Cinema Impresa - CSC
A1 Directions A2 Honky Tonk A3 What I Say B1 Sanctuary B2 It's About That Time B3 Funky Tonk
Things (and their treatment) are shown repeatedly - a loaf of bread, a sausage, an egg cracked open on the rim of a cup: everyday actions with irreversible, one might say vitally destructive consequences. In the second part, the actions are directed at people, and the anxiety changes because the situations are created deliberately and uncritically. Part three, which could be read as a sober protocol of a relationship, loses the proximity to actionism and performance. Images of a man and a woman alternate with images of windows, mirrors, sofas, and the interior.
Sven Elfström (1927-2017) was a full-time manual labourer who started off as a welder at the shipyards in Uddevalla. Eventually he moved to the industrial city of Nynäshamn, south of Stockholm, to work at the manufacturing workshops of the state telecommunications company, Televerket. Elfström began shooting 8mm films at an amateur film club in Uddevalla. When moving to Nynäshamn he acquired a 16mm camera. Most of the eleven films that he made in this format are shot in Nynäshamn; the actors in these films were friends and family. The films were self-financed, shot and edited by himself, often on reversal film stock as this was the cheapest way to make a film. This means that usually neither negatives nor additional copies exist of these films, but merely one original print. UTVECKLING? starts with a fierce critique against capitalism, consumerism and man’s exploitation of the world.
A Silvestre Byrón experimental short film.
A Silvestre Byrón experimental short film.
A history of the Big Red One in Vietnam, 1965-1970. Part of "The Big Picture" series.
Made in 1971, "Comitati Politici" encircles some exclusive witness of the union spokepersons, the employees and the factory workmen at the time.
This short documentary explains the importance of formalist elements such as positive/negative space, texture, color balance, and rhythm in painting and sculpture. The film characterizes these various compositional strategies as being universal, but foremost stresses their manifestation in twentieth-century art.
A look at the design and production of various products.
In this small town “epic,” the people of Whitesburg, KY speak directly to the camera about unemployment, student unrest, and the Vietnam War. The down-home candor of the exchanges presents a revolutionary alternative to the voice-over narration then common in commercial productions. Stripped to the basics, the documentary has an energy and immediacy only possible in a film made by the participants themselves.
A Film by Keiji Uematsu.
The Boy, the Bird and the Musical Instrument
A boy finally succeeds, after many attempts, to pick a fruit from the tree. In the face of his constant efforts, every time a daydreamer makes fun of him.
