Year 1900 - 12

This scene is laid in the parlor of a New York tenement. Two watchers at the wake are smoking and drinking, while the widow is weeping over the coffin. The attention of the three is attracted for an instant, and the supposed corpse rises up, drinks all the beer in the pitcher which is standing on a table nearby, and lies down in the coffin again. The mourners return, and seeing that the beer is gone, engage in a controversy over it. During the scrap the corpse jumps out of the coffin and takes part in the melee.

A white cat is placed on a horse's back, with trainer and two other onlookers. c1900.

This scene opens by showing a pretty cook mixing bread in the kitchen. Jones comes in unexpectedly from a trip and carries a dress suitcase. He inquires for his wife and is told by the cook that she is absent. Jones is hungry and asks for something to eat. The cook is very obliging and Jones becomes unruly, chuckles the cook under the chin. The cook puts her arms around Jones' neck and leaves finger imprints of flour on his back. This is where the trouble commences. (Edison catalogue)

The picture opens with the Sultan lying down to rest on his luxurious cushioned couch. The scene changes to the grounds around the palace.

Maria Feodorovna (1847-1928), born Dagmar, daughter of King Christian IX was in 1866 married to Alexander III (1845-1894), Czar of Russia (1881-1894). The couple often visited Denmark, where the czar found a safe harbour away from the unstable Russia.

A cleverly conceived picture of a little boy and girl with building blocks. The little girl has erected a pretty structure, which the boy proceeds to demolish with pokes of his fingers. When the demolition of the house is completed, the film is shown in reverse, and the little building comes back to its original form in a most marvellous manner.

This picture, taken from Thorneycroft's Yard, shows the two boats about twelve lenghts apart - a state of things owing to terrible weather in which the race was rowed. It is a very comprehensive view of the contest and a good photograph despite the very trying conditions under which it was produced.

Man and woman dance.

A man exchanges shoe blacking for his friend's soap.

"This funny individual will make you laugh until your sides ache. He is funny in all his actions, yet when he puts on his shoes you can imagine the noise he can make when he dances an ordinary clog. The shoes referred to are made of some elastic material which enables Little Tich to bow almost to the floor without bending his legs, the spring in the shoes carrying him down and up again. He places his hat on the floor and, leaning over on the toes of his wonderful shoes, dips his head into the hat and comes up without having to move from the spot or to bend his legs. He is a comical looking sight at best, being made up to suit the part, and he will make you laugh whether you want to or not."

The picture opens with a crowd of Swiss boys and girls dressed in native costumes, marching down the street in this very unique and picturesque village. Each happy and smiling face is clearly shown as they pass the camera. The scene ends by the boys and girls congregating in the square and dancing to the strains of an accordion played by one of the happy villagers.

Here is another view on the Bund, with The Garden on the left, with its high arched conservatory. As in the former scene, the peculiar wheelbarrows prove to be the central attraction. Evidently some tourists are enjoying the novel vehicle, as shown by the hilarity of the party that passes by in front of our artists. A barrow is often loaded with three or four passengers, although but one man propels it.

A slightly risqué scene. In her bedroom, a young woman, standing on a rug in front of her bed, removes her corset. Smiling, she bares her shoulders and puts on her nightgown before letting her petticoat slide down. Then she picks up a daisy, plucks its petals, and gets under the covers.

A combination of the picture entitled "The Ballet of the Ghosts," and a surf scene; the resulting effect being that the ghostly figures rise up out of the surf and come to the shore, cast their draperies aside and dance a few steps of the ballet, after which they again take up their draperies, and having covered themselves, retreat into the waves.

A gardener is watering a garden. A prankster stands on his hose halting the flow until he looks at the nozzle and gets a stream of water to the face. He notices the prankster and gives him his comeuppance. Remake of the Lumiere film Arroseur et arrosé.

Crowds at the entrance to the London Hippodrome await the departure of Sir George White. He emerges in company with Mr Cook, the manager of the theatre, and is immediately surrounded by the enthusiastic crowd. Men wave their hats in the air. Policemen try to keep the crowd under control. Sir George White was famous as the defender of Ladysmith, and was invalided home.

A trio of prankish boarders wreak havoc on their landlady and an intervening policeman.