Year 1904 - 2

A cook has his hands full with three mischievous devils, who pop in and out of his kitchen.

A man hides his valuables under his mattress before going to sleep, blissfully unaware of the two burglars on his roof.

An office boy at Biograph learns how to operate a camera, and when he spies the boss kissing his secretary, he records their illicit act.

Early short showing the titular park in around 2 minutes.

A Japanese juggler performs some marvelous juggling feats with a boy. Lying on his back on the floor, he spins the boy with his feet and makes him turn numerous somersaults

A group of men weld one area of a large ring in a fire. They lift the ring, which is hanging horizontally on chains, out of the fire. Four men hammer the hot area on the ring into shape while the remaining men hold the ring. They put the ring into the fire again, take it out, and take it over to a machine which continuously hammers down on that area of the ring. The men then take it away from the machine and hammer it themselves into shape. The ring is presumably a piece of a generator.

A married couple faces the demands of what Theodore Roosevelt called 'the strenuous life'.

Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)

Renactment of a skirmish that was likely to have occurred in the Russo-Japanese War. Opens with an establishing scene entitled "A Japanese outpost on the Yalu River," which shows the Japanese soldiers of the infantry outpost doing rifle drills and raising the flag. Following scenes are entitled "The Attack," "The Capture," and "The Retreat". In them, the Japanese fire their cannon; the Russian infantry demolish the camp, replace the Japanese flag with their own, and then fire their rifles at the enemy; and the Japanese recapture the outpost and once again run up their flag. Photographed from a single camera position.

An abridged story of the triumphs and trials of Christopher Columbus, told in eight scenes.

Rows of women are shown at tables with winding machines. They wind using material from spools behind them, apparently putting the finished products on the table in front of them. Various supervisory staff, male and female, walk through the aisles, checking the work of the women.

Faust and his love Marguerite are sentenced to Hell where they are showed the torture that awaits.

A magic show.

A weary clock-maker dozes off in a chair. While he is asleep, three women suddenly appear in the midst of his shop. They proceed to show the sleeping clock-maker some new kinds of clocks that they know how to make.

Numerous women sit in rows at machines where they appear to be winding some type of wire and tooling it onto machines. Two young men push spools of this wire down the aisle. Supervisors, male and female, walk down the aisle and observe the women's work, stopping for a while at one woman's station.

Documentary on the process of hay-making, from the cutting of the grass to the stacking of the hay.

A Jew who mocked Jesus on the cross is visited by a devil and an angel.

A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay. He then storms penniless and without provisions into his ill-furnished house where his wife and two children, ill-clad and ill-fed, cower. Is there any hope for him and for his family? If he does realize how low he's sunk, what help is there to lift him up? Will the family ever know the taste of cherries?

Klingsor seeks admission to the Holy Grail. Evil summons Kundry. Herzeloid appears with the child Parsifal. Crowning of Amfortas. Wounding of Amfortas. Carrying Amfortas to his bath. Kundry brings relief to Amfortas. Parsifal reproached for killing the Swan. Kundry succumbs to Evil. Knights entering the Holy Grail. Parsifal unmoved. Klingsor summons Kundry. Parsifal enters the Magic Garden. Kundry kisses Parsifal. Parsifal calls upon the Saviour. Parsifal repulses Kundry. Klingsor hurls the Sacred Spear. Destruction of the Magic Garden. Guernemanz restores Kundry. Parsifal appears with Sacred Spear. Kundry washes Parsifal's feet. Amfortas tears open his wound. Parsifal heals Amfortas. Parsifal becomes King of the Holy Grail.