Year 1968 - 13

A hired assassin unknowingly makes friends with the man he's been sent to murder.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. The action develops into a crime story.

A governor of Tsarist Russia throws a punch at striking workers. Many die as the governor looks on dutifully. From that moment on, he feels he has sinned against the people and expects to be killed too. Despite all the precautions taken by the chief of police, the governor cannot escape his fate, an eye for an eye, a tooth for a tooth - the principle of talio is fulfilled.

England, 1645. The cruel civil war between Royalists and Parliamentarians that is ravaging the country causes an era of chaos and legal arbitrariness that allows unscrupulous men to profit by exploiting the absurd superstitions of the peasants; like Matthew Hopkins, a monster disguised as a man who wanders from town to town offering his services as a witch hunter.

This love story finds a lonely teacher resisting the advances of an interested co-worker. She is fearful of affection and relationships due to a previous romance that did not work out. The small-town school marm tries to help a male student who has been suspended for drunkenness. She tutors the young man, and soon the two engage in a tender and passionate love affair in which both people reach out and touch each other physically and emotionally.

Mrs Taggart always celebrates her anniversary with her grown sons. It’s a tradition practised since the death of her husband and she is determined for it to continue. None of her three sons have dared to cross their ruthless domineering mother but this anniversary they intend to try. With cruel and brutal twists, the family get-together becomes a social nightmare beyond endurance.

Arthouse portraiture of a disestablishmentarian during his six-year draft dodge.

William Shatner plays two roles: cowboy Johnny Moon and his ruthless Indian twin brother, Notah. Notah likes peyote and gets the crazy idea that he's the Comanche messiah sent to lead the Comanche nation against the white man but more specifically the dusty desert town of Rio Hondo. Moon, estranged from his brother, decides to stop Notah either by words or by bullets.

Film adaptation of Anton Chekhov's story of life in rural Russia during the latter part of the 19th century.

The survivors of a plane crash in a remote area are attacked by blob-like alien creatures that turn their victims into blood-thirsty vampires.

Temari, a geisha, dreams of opening a small restaurant with her little brother.

A court-martialed soldier saves a fort and the major who had dishonestly testified against him from an Indian attack.

The story of the soldier Franz Woyzeck for whom everything breaks down when he finds out about his partner Maria being unfaithful. Consequences are fatal. TV adaptation of Brüchner's 1837 unfinished play.

When practicing for a role, actor Jack is mistaken for the killer Ace. He doesn't realize this until it's too late and is carried off to gangster boss Leo Smooth, who wants Ace to do a job for him. Fearing for his life, Jack plays his role, but always searching for a way out of the well-guarded house.

The lives of many people in one Serbian town are changed after Tito's breakup with Stalin.

A look at the lives of a troupe of geishas working in a small seaside resort town. For the most part, their lives consist of greeting boatloads of oversexed businessmen and providing bawdy entertainment through the evening followed by private companionship at night, interspersed with occasional catfights with the rival geisha house. Their routine is suddenly thrown off by the appearance of an abandoned baby in the geishas' dormitory, followed by its disappearance only a short time later. Who could be responsible for such a thing?

Murtaza, a teacher, lives with his wife Hatice and son Rıdvan. The money he earns is not enough to support his family. Therefore, his wife Hatice wants Murtaza to find another job. However, she cannot convince Murtaza, who loves his profession very much. At the same time, Hatice tries to marry her son to the daughter of the wealthy Hacı Hüsamettin. Hacı Hüsamettin also plans to acquire the land where the mansion that Murtaza inherited is located. Hacı Hüsamettin and Hatice will try to convince Murtaza to give up teaching.

Calculating Aime sends her sister Monica to distract a love-struck smuggler, Juan del Diablo, when he threatens to reveal their affair to Aime's new rich husband. They are discovered alone together and to save Monica's virtue, Juan del Diablo promises to marry Monica.

Second Brazilian TV show hosted by Coffin Joe. Produced by TV Tupi and directed by Antônio Abujamra, this TV show has a better production quality than the "Além, Muito além do Além" (1967-68) and a more dreamlike and surreal tone, but unfortunately not the same audience, which expect something more realist like the previous TV show. A lot of stories from this TV show was used later on the Coffin Joe's Horror Comic Books.

A RAI miniseries, based on the autobiographical novel of the same name completed by Silvio Pellico in 1843.

Here are two Sherlock Holmes stories dramatized for Italian television audiences in the late 1960's: The Valley of Fear and The Hound of the Baskervilles.

Marty is a British television sketch comedy series, with Marty Feldman, Tim Brooke-Taylor, John Junkin, Roland MacLeod, Mary Miller and Peter Pocock which was made in 1968. There was a second series made in 1969, titled "It's Marty". A compilation of sketches from the series has been released on DVD. The writers were John Cleese, Tim Brooke-Taylor, John Junkin, Marty Feldman, Barry Took, Graham Chapman, Terry Jones, Philip Jenkinson, Donald Webster, Peter Dickinson, Terry Gilliam, John Law, Frank Muir and Denis Norden. Barry Took and Marty Feldman were given an award for the show by the actor Kenneth Horne. Kenneth fell from the podium after this and died. Lionel Blair choreographed a routine from "It's Marty".

Michael is a fifteen years old boy who stays with the floodgate equipment engineer family while his parents are gone to Finland.

Soul! or SOUL! (1968–1973) was a pioneering performance/variety television program in the late 1960s and early 1970s produced by New York City PBS affiliate, WNET. It showcased African American music, dance and literature. The program was created and often hosted by Ellis Haizlip, an openly gay African American closely associated with the Black Arts Movement. Poet Nikki Giovanni was also a frequent host. Among the musical performers who appeared on the show were Stevie Wonder, Earth, Wind, and Fire, the Dells, Labelle, Ashford and Simpson, Al Green, Tito Puente, McCoy Tyner, Max Roach, and Gladys Knight, as well as African performers Hugh Masekela and Miriam Makeba. Others who appeared on the program included boxer Muhammad Ali, Nation of Islam leader Louis Farrakhan, minister (later politician) Jesse Jackson, actor / singer Harry Belafonte, actor Sidney Poitier, and Kathleen Cleaver, wife of Eldridge Cleaver.

The Big Match is a British Association football television programme, which screened on ITV regularly between 1968 and 1992. The Big Match originally launched on London Weekend Television, the ITV regional station that served London and the Home Counties at weekends, screening highlights of Football League matches. Other ITV regions had their own shows, but would show The Big Match if they were not covering their own match – particularly often in the case of Southern and HTV. The programme was set up in part as a response to the increased demand in televised football following the 1966 FIFA World Cup and partly as an alternative to the BBC's own football programme, Match of the Day. The Big Match launched the media career of Jimmy Hill, who appeared on the programme as an analyst, and made Brian Moore one of the country's leading football commentators. The Big Match originally screened match highlights on Sunday afternoons but in 1978 ITV audaciously won exclusive rights to all league football coverage, in a move termed "Snatch of the Day". Although the Monopolies and Mergers Commission blocked the move, the BBC were forced to allow ITV to take over the Saturday night slot in alternating seasons, starting in 1980.

How's Your Mother-in-Law? was a comedy game show hosted by Wink Martindale that aired on ABC from December 4, 1967 to March 1, 1968. The series was produced and created by Chuck Barris during a period which, as he recounted in his autobiography Confessions of a Dangerous Mind, had him creating horrible formats due to the success of The Newlywed Game and The Dating Game.